Just plug and play! The Full Gig portable PA system lets you set up in minutes and jam all night long. The 1200 watt powered mixer has multiple inputs for all your band members to get connected and enough power to rock the house. The dual 15 inch main cabinets provide lots of low end with well defined mids and excellent high end response. A versatile sound system for any sized venue or type of music. Buy the Full Gig now and start booking your band.
The AMS Full Gig Portable PA System Includes
You save even more with this Exclusive AMS Package Deal!
- Behringer PMP6000 Powered Mixer (20 Channels, 2 x 800 Watts with Effects)
- Behringer EP2000 Europower Stereo Power Amplifier (2,000 Watts)
- 2 x JBL JRX125 PA Speaker Cabinets (2x15 Inch, 500 Watts, Quasi 3-Way)
- 2 x JBL JRX112M Monitor Cabinets (12 Inch, 250 Watts)
- 2 x Electro Voice ND767A Dynamic Vocal Microphones
- 2 x CBI MLC186 18.5 Foot XLR Microphone Cables
- 4 x Stagg Speaker Cables Speakon to Quarter Inch (30 feet)
- 2 x CBI American Made Instrument Cables
The Behringer Europower PMP6000 Powered Mixer is a 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System.
The Behringer PMP6000 Powered Mixer incorporates more power
with better sound quality in a lighter weight design.
These new mixers produce even more power than their predecessors while maintaining a famously low weight and high efficiency. The PMP6000 employs Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means these amps don’t need massive heat sinks, and that means Behringer can make them lighter. The no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, these Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo
The latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound
Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.
Built-in Digital Effects Processor
The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off. Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.
Changing the Channels
The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.
The Ins and Outs
Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.
CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output 1/4 inch connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.
Small, Simple, Superb
Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplifiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances.
The Behringer EP2000 Europower is an extremely musical power amp that can take a whole night’s worth of abuse
without missing a beat—even at 2 Ohms!
Protected by an impact resistant, all-steel 2U rackmount chassis, the Behringer EP2000 Stereo Power Amplifier
comes with ATR (A
The EP2000 delivers precise power, signal and clip LEDs to monitor performance. For reliable operation, independent DC and thermal overload protection on each channel, a back-to-front
ventilation system, high-current toroidal transformer and power transistors have been added. With rugged construction and high-quality components, this amp ensures a long life of amazing sound.
Behringer EP2000 Stereo Power Amplifier Features
- 2 x 1,000 Watts into 2 Ohms; 2 x 750 Watts into 4 Ohms; 2,000 Watts into 4 Ohms (bridge mode)
- Precise Power, Signal and Clip LEDs to monitor performance
- XLR and 1/4 inch TRS input connectors for compatibility with any source
- Professional speaker connectors and touch-proof binding posts support most speaker wiring systems
- Selectable low-frequency filters (30 Hz or 50 Hz) remove distracting infra-sound frequencies
- Independent limiters per channel offer reliable protection against overload and distortion
- High-current toroidal transformer for ultra-high transient response and absolute reliability
- Ultra-reliable Toshiba/Fairchild power transistors
- Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers without shutting down the show
- Back-to-front ventilation system including air filter for reliable operation
- Built-like-a-tank, impact-resistant, all-steel 2U rackmount chassis
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by Behringer Germany
The JBL JRX125 is a dual 15-inch quasi three-way speaker system.
It has become one of the most popular configurations with DJs and musicians who are looking for more low-frequency performance while maintaining the simplicity of a single-box system. The quasi three-way design means that the upper woofer covers lows and mids. The bottom woofer uses a lower crossover frequency and covers only lows, acting as a built-in subwoofer. So you get the extra low-end of a dual 15” rig while maintaining the superior mid-frequency performance of a single driver system. Dimensions: 43.25 x 18.25 x 17 inches, 94 lbs.
The JBL JRX112M was designed from the ground up as a stage monitor.
It's a 250-watt (program, 1,000W peak) 12-inch two-way stage monitor in a compact enclosure also featuring the dual-angle pole socket. Voiced to perfection, it cuts through to allow performers to hear everything they need for a pro performance. Dimensions: 22.5 x 15.5 x 12.5 inches, 43 lbs.
JBL designed the new JRX100 series for cost-conscious musicians, DJs and other users of live sound reinforcement speakers. All full-range models feature Neutrik® Speakon® and 1/4-inch input connectors. JRX100 cabinets are constructed of carpet-covered, 3/4" MDF - a material that is structurally and acoustically superior to the particleboard that is used by many competitive products. To minimize distortion, heavy gauge wire is used for inductors and SonicGuard™ high-frequency driver protection guards against damage caused by inadvertent overpowering of the system. The JRX115 and JRX112M's innovative, new dual-angle pole socket allows them to be mounted in either a conventional, vertical position, or with a 10 degree down angle. By aiming the speaker down, you get more even audience coverage and reduce the destructive acoustic reflections from walls. JBL constructs the JRX enclosures with advanced adhesives and closely mechanically spaced fasteners, not just glue. They use non-resonant, all metal handles, and an 18-gauge, full metal grille. All JRX100 models have passed the same 100-hour, full rated-power torture test that JBL high-end touring systems must survive.
The Electro Voice ND767a is one of the finest pro dynamic stage vocal mics you will find
EV's famous clean, clear N/Dym sound quality has been fine-tuned to deliver their most accurate bass response ever. By tailoring the proximity effect (an increase in bass response as you move closer to the mic) with EV's Vocally Optimized Bass (VOB) technology, your vocals cut through the mix even more clearly. The 767A's high output and supercardioid polar pattern work together to practically eliminate feedback. Includes zippered gig bag and stand mount adapter.
Electro Voice ND767a Dynamic Vocal Mic Features
- Designed specifically for lead vocalists
- Ideal for both live performance and in the recording studio
- Large diaphragm N/DYM transducer for condenser-like sensitivity and frequency response
- Superior multistage shock mount for unmatched low handling noise