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Boss
Boss AD3 Acoustic Guitar Effects Processor
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Boss AD3 Acoustic Guitar Effects Processor

When was the last time you used a regular guitar amp for an acoustic/electric guitar? This heavy-duty double stomp box features a circuit that shapes your guitar tone to make it sound acoustic- even when plugged into a conventional guitar amp. The AD3 also delivers high quality stereo chorus, incredibly warm, natural reverb, Anti-Feedback filtering and powerful tone-shaping to give your acoustic/electric the sound quality of a studio-miked guitar on stage. Its lush, thick Bi-Stereo Chorus offers split-frequency (Low & High) processing for smooth chorusing. The bottom and top tone controls offer precision tonal shaping designed specifically for acoustic guitar. Anti-Feedback can be manually set or switched to Auto. The AD-3 runs on a 9V battery or an optional Boss PSA120 adapter. Its separate Guitar Amp and stereo balanced outputs allow for proper connection to both amplifiers and PA. A live and recording must.

A World of Acoustic Expression Awaits
The AD-3 Acoustic Instrument Processor incorporates the groundbreaking acoustic processing technology of BOSS' popular AD-5 unit in a smaller, gig-friendly compact pedal design. Developed exclusively for live performance, the AD-3 gives guitarists a warmer, richer acoustic sound thanks to its tone shaping controls specially tailored for acoustic-electric guitars, high-quality reverb and chorus, as well as a built-in feedback eliminator. Quite simply, this compact pedal is an acoustic musician's best friend.

Features

  • Compact acoustic instrument processing pedal developed exclusively for gigging acoustic-electric guitarists
  • Footswitchable Bi-Stereo Chorus offers split-frequency processing (Low and High) for natural, smooth chorus effect
  • Studio-quality reverb provides clear, deep reverberation specially tuned for acoustic guitar
  • Newly developed Bottom and Top controls offer variable tonal shaping to eliminate dry sound from piezo pickups and add rich, resonant lows and brilliant highs as desired
  • Special Guitar Amp output provides proper impedance and tonal balance for great-sounding connection to a guitar amp; stereo balanced outputs allow for direct connection to PA
  • Dual Anti-Feedback function can be manually set to eliminate feedback or can be set to Auto mode via footpedal
  • Battery or AC-powered for maximum flexibility
Adding Rich Expression to Your Acoustic-Electric Guitar
The AD-3 Acoustic Instrument Processor pedal solves the age-old acoustic-electric guitar dilemma (i.e., thin tone and feedback problems) by giving guitarists specially developed tone, reverb, chorus and Anti-Feedback control in a high-quality compact pedal. Its built-in footswitchable 2x2 Chorus provides a smooth effect which can be precisely tailored using an onboard depth control, adding just the right amount of stereo sparkle. The reverb is exceptionally deep--perfect for simulating a mic'd acoustic guitar--and can also be adjusted via a depth knob.

But where the AD-3 really shines is in its onboard tone controls, aptly named Bottom and Top. Far more effective than simple EQ knobs, these controls incorporate sophisticated filters which work differently when boosted and cut. The Top knob boosts high-end brilliance or can be used to eliminate the thin, dry sound characteristic of most piezo and magnetic pickups, making your tone more natural. The Bottom knob tunes the low frequencies to add the desired amount of rich body resonance. Combined with the AD-3's built-in Anti-Feedback controls--which can be manually set or set via footswitch to Auto--this pedal offers the perfect tone-enhancing, feedback-eliminating solution.

Flexible Connections
The AD-3 offers an adjustable Input control for impedance-matching to a variety of acoustic-electric pickup types. Similarly, its Output section provides a choice between stereo balanced outputs for direct connection to a PA system, or a dedicated Guitar Amp output for plugging in to a guitar amplifier.

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Specifications

  • AD Conversion: 20-bit Modulation
  • DA Conversion: 20-bit Modulation
  • Sampling Frequency: 44.1 kHz
  • Nominal Input Level: -10 dBm
  • Input Impedance: 4.7 Mohms
  • Nominal Output Level:
    Output: -10 dBm into 10 kOhms
    Balanced output: -10 dBm into 600 Ohms
Controls
  • Knobs: Level, Anti-feedback, Bottom, Top, 2x2 Chorus, Reverb
    Switches: Anti-feedback Auto Pedal, Chorus Pedal, Power, Output Select
  • Indicators: Power, Peak, Anti-feedback Auto, Chorus
  • Connectors: Input (1/4 inch), Outputs (L, R; 1/4 inch TRS), DC In
  • Power Supply: DC9V Dry Batteries (LR6 (AA) x 6), AC Adaptor
  • Current Draw: 90mA
  • Dimensions: 170 (W) x 156 (D) x 70 (H) mm
    6-3/4 x 6-3/16 x 2-13/16 in.
  • Weight: 1 kg / 2 lbs. 4 oz. (incl. batteries)
  • Accessories: Dry Batteries (LR6 (AA) x 6)
  • Option: PSA Series AC Adaptor
*0 dBm=0.775 Vrms


 
 
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Rate and Review this Product:      Rate It
2 people rated this item
Skot from Chelan
Overall Ranking:
Overall:
Reliability:
Action:
Finish:
Playability:
Quality:
Tone:
Subject:It's alright
Quality: Solid build. It's a Boss foot pedal, built to take it.
Reliability: Just got it can't speak to it's reliablity.
Overall: It's not bad. It's not great, but it ain't bad.
Playability and Feel: N/A
Tone: It doesn't really eliminate the piezo sound. I know that advertising says it does, but it don't. You will still here the piezo in there. That said it does improve the piezo sound. Didn't do anything good for my L.R. Baggs M1. But takes the built in piezo in my Takamine, and makes it alot better. By alot I don't mean like so great I had to change my pants. Just good enough that I don't hate my sound anymore. I don't think Im done looking for soemthing, but after trying other more expensive toys, this was the better purchase.
Finish: I actaully hate the brown color. I can't stand it. But then again, it wouldn't hurt my feelings if all my gear was black.
Action: N/A
Skill Level: Intermediate
Do you own this product?: yes
Date submitted: 3/24/09
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