|
|  | | Dunlop |
  
Dunlop 105Q Bass Wah PedalWah Custom made just for the bass, the Ultimate Bass Wah features the proper EQ sweep for lower frequencies. You can get vocal-like tones and wacka-wacka sounds on the high or low end of the neck. Other features include increased pedal travel, silent, auto on/off switching (remove your foot from the pedal and the effect shuts off), "Q" control for variable wah intensity and a volume control with boost capability.
Dunlop, maker of the Original Crybaby Wah pedal, has introduced the 105Q Ultimate Bass Wah. The 105Q Bass Wah incorporates a new, proprietary potentiometer and custom EQ circuitry specifically designed for bass frequencies. Together, these new, uniquely engineered elements provide smooth response and a fat, full bass tone.
The 105Q Ultimate Bass Wah also includes Dunlop's celebrated Q control, which provides full control over the pedalís intensity and sound modeling. With the Q control, the player can select the exact wah tone desired, from bright and punchy to warm and subtle.
Simply stepping on the pedal engages the effect in the lower register, creating a smooth transition into the wah effect. When you remove your foot, silent auto-off switching automatically bypasses the effect. The built-in spring automatically returns the pedal to its "off" position.
Also included in this pedal is an adjustable volume control, allowing you to tailor the level of the wah from almost silent to a significant increase, providing extra gain for wah-enhanced solos.
The Dunlop 105Q Crybaby Bass Wah - There is no better way to funk up your bass.
|
|
| Price Match Plus
| |
|
Rate and Review this Product:
 5 people rated this item  | FiveString from Saint Louis, Missouri, United States of America | | Overall Ranking: | | Quality:
|  | | Action:
| | | Finish:
| | | Features:
| | | Playability:
| | | Sound:
| | | Tone:
| | | Subject: | PsychoFunkster's Dream | | Quality:
| Like a tank. This cry baby is constructed of very solid, heavy metal. It's so beautifully heavy, so it remains near-anchored to the stage...yep, by its weight and rubber bottom alone. The modulation is dependable and will deliver exactly what you heard last time you played if you set it up and work it as you did before. Of course, make sure that your strings aren't dead before you complain that "it ain't what it used to be." I expect this box to be of heirloom duration. | | Features:
| The classic cry-baby pedal adapted to the bass freq-range! Dunlop does it best, without ridiculous bells and whistles others add to cover up what they lack. I play a lot of slap, and when I want my sound to get over-the-top psychelic bootsy-inspired, I love the huge range I can cover to, indeed, bring that Mothership down! Also, I love how one only needs to remove his/her foot from the pedal for it to "buzz off." So many other knockoffs have buttons you need to stomp for that purpose. | | Sound:
| Godly: I believe Mr Collins would gladly autograph my pedal, because it helps me APPROXIMATE his sound (sans the other effects he uses). If you ever listened to Bootsy funk it up, well, this pedal can help you get there too. | | Playability and Feel:
| It feels like honey...you know, it just oozes under your foot, with you the sole-master of the speed at which this baby flies. I'm afraid it has no neck, however. | | Tone:
| The tone covers the entire useful range of the bass' EQ. | | Finish:
| You can't miss this thing on stage: The white paintjob is consistent, thick, and eye-catching. Perty! | | Action:
| This baby's got very fine action, downright ridiculous how the pedal can be pumped without a blip of a hitch. | | Date submitted:
| Feb. 08, 2010 | | Do you own this product?:
| Indeed |
|