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Empirical Labs EL7 Fatso Stereo Audio Processor
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Empirical Labs EL7 Fatso Stereo Audio Processor

The Empirical Labs EL7 FATSO is a modern, digitally controlled analog device that offers many of the "musical non-linearities" exhibited by the older tube, class A discrete, and magnetic tape mediums. This two channel audio processor will musically integrate frequencies and transients and increase the apparant volume without actual increase in peak levels. In addition, two channels of famous Empirical Labs compression are provided. There are several compressor "types" with fixed attacks and releases (if you want a fully controllable compressor, you will need the Empirical Labs Distressor!).

Fatso's Four Types of Processing (Available on both channels)
1. Harmonic Generation and Soft Clipper (Distortion generation)
2. High Frequency Saturation - WARMTH!
3. Transformer & Tape Head Emulation
4. Classic Knee Compression - Empirical Labs Style!

You can enhance & soften the sound of mediums such as modular digital multitracks (MDM's), HD recorders, DAT recorders, RAM recorders etc. Mixdown engineers will can now avoid the use of bulky, expensive, (and often flaky) analog tape recorders to get the warmth and sweet high end they've come to rely on for so many decades. Owners of ADATs, MDM's, RAM and modern hard disk recorders can finally put a stop to complaints about the "coldness" and "brittle edge" of their mixes and instruments with the "rounded" and "musically non linear elements" of vintage analog. Finally, audiophiles can bring back the warmth and cuddly sound of LP's and tapes to their CD players, and other digital reproduction mediums.

Empirical Labs EL7 FATSO Features

  • Soft clip features modeled after broadband tape saturation. WITHOUT THE NOISE! Smooth clipping up to 20% THD.
  • User programmable high frequency saturation, simulating the "softening" for which analog tape and phonographs are known. This is the "Warmth" control on FATSO.
  • Switchable transformer circuits, which can add the musical artifacts generated by classic devices like NEVE, API, etc. These artifacts include frequency "rounding", low order clipping & intermodular distortion, transient clipping... and some other very musical non-linearities.
  • Four compression modes - One for tracking, one general purpose, one "bus" compressor, and SPANK (see below). All LINKABLE! Classic knee compressor sound that really grabs.
  • SPANK!- An additional limiter that musically smashes the dynamic range, and can be used to stop clipping before digital recorders. There is a subtle knee followed by hard limiting.
  • Huge "DISTRESSOR" knobs with high resolution numbering - For easy readability and repeatable settings. They also go to 10 1/2 .
  • Distortion indicator lights - A 0 VU LED and a "Pinned" (5%) LED. No hard clipping until a few dB past "Pinned".
  • Sidechain output and input for eq-ing control signals.
  • Locked, calibrated, output level - Allows speed in setting tape and live mix levels.
  • Foolproof operation - it's almost impossible to get a bad sound.
  • Single height and light weight - Two channels of classic sound in a small, extremely reliable package.
  • Discrete and integrated combination - the best of speed/linearity with repeatability. Hand tested & selected components. All metal film and Roederstein resistors in the audio path - top quality components, most being high temperature military spec parts.
  • Switchable 110/220 volt operation - Extra fuse provided inside unit.
  • True bypass - Know what it's really doing. All contacts doubled up for maximum reliability. No internal audio connectors.
  • XLR and 1/4" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by user to pin 3 hot!
  • No internal connectors, high reliability parts and military grade switches and relays.
  • Three year unlimited warranty.
  • Interface and features found nowhere else.
  • Allows processing not readily available in our current digital domain. New life for analog processing!
  • Hand wired, calibrated in USA. Shipping weight 13.25Lbs.

About Empirical Labs
Empirical Labs Inc. (ELI), designs and produces professional audio equipment and software. This includes equipment used in recording studios, live sound, broadcast studios and other audio production facilities etc. They also make software for digital signal processors. Most of you are reading this because you have heard about or used their Distressor. This product, which is their first hardware product, was designed in 1994, tested and revised for several years, and released in early 1996. The Distressor is the first in a series of audio products from ELI that will offer original features, ease of use, long product life, and a very musical audio path.

Empirical Labs was started in 1988 and functioned mainly as a recording studio and electronics consulting firm. The founder, Dave Derr, was also employed at the time by Eventide as an audio engineer. Dave was part of the core design team for the H3000, H3500, and DSP4000. His experience at Eventide proved valuable for his later work. While working alongside Ken Bogdanowicz and Bob Belcher (both now at Wave Mechanics), Dave was exposed to great engineering and the modern world of digital signal processing (DSP).

In 1998, Empirical Labs closed the doors of the recording studio. The sales of the Distressor had flourished after a shining review appeared in the December 1996 issue of Mix magazine. Other audio trade magazines followed with glowing reviews & articles. Later that year, the company picked up and moved to a larger facility to meet their increased production requirements.

Their Philosophy is very simple - but very hard to live up to:
"Empirical Labs wants to make products that work a little easier, a little better, and a lot longer - and make sure they are fun to use."

Another goal of Empirical Labs is to make their products less prone to obsolescence and be easier to update, modify or repair. Instead of entire new products that may be outdated in 2 years, their thinking is to make a few great products that can be supported and upgraded for decades.

Empirical Labs' engineers & technicians are encouraged to play with and use their designs along with other expert beta-testers. Design by textbook will usually get you generic designs - and these are rarely as exciting as the products done with a lot of thinking, tinkering and field use. The word "Empirical" in its most positive interpretation means, "fashioned from experience". Empirical Labs considers real world use to be one of the best resources in developing innovative, user-friendly and robust designs. Before final release, all of their products will be extensively tested in the environments for which they are designed. They will not throw products out there and see what "sticks".

As one customer kindly complimented, "You built a better mousetrap, and the world has beaten a path to your door".

Again, Empirical Labs wishes to say thanks to all of their customers!

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Empirical Labs EL7 FATSO Specifications

  • Frequency Response: 2 Hz to 60 kHz in clean audio mode (+0, -3 dB).
  • Dynamic Range : 110 dB from maximum output (20%THD soft clipping) to minimum output. Greater than 100 dB signal to noise.
  • Distortion: Ranges between .06% and 20% depending on mode and settings.
  • DC Coupled Input and Outputs: High quality audio caps used internally. Compressor Time Constants - Attack range 1mS - 200mS. Release range .05 sec to 3.5 seconds. Attack and Releases are fixed by the compression type selected

 
 
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