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Fostex PM05 SUB mkII Active Studio Monitor Subwoofer
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Fostex PM05 SUB mkII Active Studio Monitor Subwoofer

The Fostex PM0.5 Sub MKII, designed ideally for use with the PM0.5 mkII, produces precise, low frequency reproduction and an excellent deep bass output.
The Sub delivers 110 Watt of power to a 200mm (8 Inch) driver. Easy to set-up (just a single gain control and phase reverse switch), the combination of a pair of PM0.5 mkIIs and a PM0.5-Sub provides superb sonic quality at an affordable price.

Add a PM0.5-Sub MkII to a pair of PM0.5 MkII speakers and greatly expand the frequency range of your systyem down to as low as 25Hz without distortion. Ideal for applications where clear, precise, full-spectrum audio and flexible monitoring are required. This is a combination of power and accuracy that will satisfy even the most discerning user.

Exceptional audio performance matched to jaw-dropping good looks.
Fostex strive to design and build studio monitoring systems which enable you to experience your unique sound in all its dimensions. And through tireless research and development, endless measurements and real-world listening tests, Fostex's engineers have achieved this in the form of the beautiful second generation PM-Series.

Capitalizing on Fostex's supreme knowledge of acoustics and speaker engineering, and now offering a brighter, tighter sound, these studio monitors are designed inside out to providethe best monitoring experience, with minimal resonance, sparkling highs and rich, deep lows.

And, with new high-gloss front baffles, they look as stunning as they sound.

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Fostex PM0.5-Sub mkII Specifications

  • LF Unit: 200mm
  • Frequency Response: 25Hz - 85Hz
  • Woofer Low Frequency Cut-Off: 20Hz (-18dB/octave)
  • Woofer High Frequency Cut-Off: 55Hz (-18dB/octave)
  • Output Low Frequency Cut-Off: 120Hz (-12dB/octave)
  • Amp Power: 110 watts
  • Amp Distortion: <0.002% T.H.D. @ 50 Watts, 4 Ohms, 20Hz - 20kHz
  • Amp Signal to Noise: >80dB 22Hz - 90Hz not weighted
  • Phase: Positive / negative switchable


 
 
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