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The meat and muscle of the Billie Joe Armstrong Les Paul Junior has always come from its solid slab of prime mahogany, a rich, resonant tonewood with a sweet and balanced harmonic content and excellent sustain. The LP Junior has straight-on power and playability which countless musicians have come to love over the years.
In honor of Billie Joe’s achievement in taking the punk ethos, attitude and energy right to the top of the mainstream without once compromising his vision, Gibson USA presents the Billie Joe Armstrong Les Paul Junior Double Cut. Designed in the image of the late ’50s rendition of the breed, the Billie Joe Armstrong Les Paul Junior Double Cut is crafted with select tonewoods and an advanced rendition of Gibson’s hallowed P-90 pickup, the noise-cancelling H-90, with a double-cutaway body and subtle custom graphics to help it stand out from the crowd, and includes an extra special Gibson gigbag with a stylish surprise lurking inside.
Gibson Billie Joe Armstrong Les Paul Junior Guitar Features
- Solid Mahogany body with iconic Junior double-cutaway
- Mahogany neck with Billie Joe's preferred slim early '60s profile
- Powerful P-90 Plus pickup in the bridge position
- Vintage-style wraparound bridge
- Hot-stamped silver Billie Joe Armstrong Adeline skull logo on pickguard
- Gibson USA gigbag with a stylish leopard skin plush lining and red external graphic
Gibson USA crafts the guitar’s mahogany body in the iconic double-cutaway style of the Juniors of the late ’50s and early ’60s, and dresses it in an eye-catching, high-gloss TV Yellow finish, in genuine nitrocellulose lacquer. A traditional black plastic pickguard is adorned with a custom hot-stamped silver Billie Joe Armstrong Adeline skull logo, a subtle nod that this guitar is something special.
The solid-mahogany neck is carved to Billie Joe’s preferred slim early ’60s profile which is fast and extremely comfortable, and topped with a fingerboard of rich brown granadillo, an exotic Central American hardwood with a look, feel and tone similar to rosewood, with extremely good durability. In keeping with the simplicity of the original Juniors, the Billie Joe Armstrong Les Paul Junior Double Cut has a simple vintage-style wraparound bridge, a component known for its solidity and sustain-enhancing powers.
With such a great foundation in place, the Billie Joe Armstrong Les Paul Junior Double Cut rams it all home through a great new rendition of Gibson’s beloved P-90 single-coil pickup. The H-90 stacked double coil pickup is the result of a close collaboration with Billie Joe. It offers the snarl and punch of a classic, vintage P-90, but with none of the 60-cycle hum that usually plagues traditional single coil pickups. This was accomplished by simply taking two single coils and stacking them on top of each other, resulting in the hum cancellation effect that occurs in a regular humbucker. With a few adjustments, Gibson’s engineers were then able to secure the vintage sonic characteristics of the single coil, retaining traditional Alnico V bar magnets and 42 AWG coil wire, making the H-90 another example of Gibson’s drive to stay one step ahead. As ever, the pickup is routed through a single volume and tone control.
It all comes protected in a stunning new Gibson USA gigbag with a stylish leopard skin plush lining and red external Shockman graphic, and is covered by Gibson’s Limited Lifetime Warranty.
Gibson Billie Joe Armstrong Les Paul Junior Guitar Specifications
Body
- Top: Mahogany
- Adhesive: Franklin Titebond 50
Neck
- Species: Mahogany
- Profile: Slim ’60s
- Truss Rod: Traditional Adjustable
- Joint Angle: 5° (+/- 15 seconds)
- Adhesive: Franklin Titebond 50
Neck Fit
- Joint: Mortise and Tenon
- Adhesive: Franklin Titebond 50
- Joint Angle: Tolerance +/- .005 inch
Fingerboard
- Species: Granadillo
- Frets: 22
- Radius: 12 inches
- Scale Length: 24.75 inches
- Nut/E.O.B: 1.695 inch/2.26 inches
- Inlays: Acrylic Dot
Nut
- Material: Corian
- Width: 1.695
- Slots: Gibson PLEK System
Headstock
- Logo: Gold Gibson Logo and Scripted Les Paul Model Silkscreen
- Truss Rod Cover: Black Antique Bell
Tuners
- Model: White Button
- Tuning: Ratio 14:1
- Plating: Nickel
Bridge/Tailpiece
- Type: Wraparound
- Material: Zamak
- Plating: Chrome
Hardware
- Knobs: Black Top Hat
- Pickguard: Hot-Stamped Silver Billie Joe Armstrong Adeline Skull Logo
- Control Plate Cover: Black Plastic
- Strings: .010 - .046, Genuine Gibson strings
- Strap Buttons: Aluminum
Pickups
- Bridge: Position H-90 (Alnico V)
Electronics
- Potentiometers: 1 Volume Control 1 Tone Control
- Type: 300k Linear Volume, 500k Non-Linear Tone
- Coil Wiring: Machine Wound
- Output Jack: Traditional 1/4 inch
Finish
- Sealer: Nitrocellulose
- Process: 1-1.5 mils
Case
- Type: Gibson USA Gigbag
- Case: Exterior Black with Red Shockman Graphic
- Case: Interior Leopard Skin Plush Lining
Accessories
- Additional Materials: Each Billie Joe Armstrong Les Paul Junior Double Cut comes with adjustment literature, and documentation for the guitar’s Limited Lifetime Warranty, along with Gibson’s 24/7/365 Customer Service.
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T. Frye from Fort Worth, Texas
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| The Ultimate In Coolness of All Guitarage (nuff said) |
| Overall |
| Your general opinion of this product. |
| A Green Day Classic (keep it as it is) or The Basic Bones for a 1958 TV Jr. reissue. (give it a real P-90 and a torty pickguard) "The makin's fo some serious blow yo face out rock n'roll". An absolute "unheard of" value, the best kept secret I know. I contacted Gibson in Nashville and this guitar is out of production. Once they're gone, they're gone. |
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| Quality |
| Would you consider this product to be made well? How dependable? |
| It's a Gibson. It's made like a Gibson. It's one of the standards that other companies use as a gauge to build their own guitars. |
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| Playability and Feel |
| How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing? |
| Nicely sized and light weight. The neck on this one will spoil you. Very comfortable to play. The strings that were on it were a pleasant surprise ...Gibson Brite Wires 10-46, very nice. I'm gonna keep using them on it. |
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| Tone |
| Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin? |
| The P-90H doesn't sound like a single coil P-90 nor does it sound like a humbucker....somewhere in between. It's "buzzier" than a P-90 and less "muddy" than a humbucker. Great clean tone. Fairly tame in the dirty mode. Pop a real P-90 in this puppy and it will "foam at the mouth". |
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| Action |
| How was the action out of the box? |
| Medium height....I dig it. Can squeek out some pinch harmonics. |
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| Finish |
| How did the stain or paint job look? |
| MUCH more authentic 50's TV mustard color than the photograph shows. Looks "TOO HIP TO SKIP" in real life. The grain shows through like real TV Junior should. And this one doesn't cost $8,0000. A REAL rocker's dream. |
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| Reliability |
| How has it stood up over time? |
| Haven't had it very long, but this one looks like it will get better with age. Once it "relics up" a bit, it will become completely irrestible. |
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from unkownlocation85933
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| Dont buy this unless its for display... |
| Action |
| How was the action out of the box? |
| Action was ok...maybe a little too high. |
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| Quality |
| Would you consider this product to be made well? How dependable? |
| For the price, this is garbage. I bought this because i saw a cheap, LP Jr...what I got was a display piece. You cant play it because it doesn't stay in tune. If you only play power chords, then your good...otherwise you're in trouble. Also if you remove the pick guard, you'll see that the neck has a huge gap between it and the body...not good for sustain or durability. I'd only recommend if youre a die hard green day fan. |
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| Reliability |
| How has it stood up over time? |
| no idea, its a few weeks old |
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| Playability and Feel |
| How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing? |
| Actually feels good. A few sharp frets but other than that it FEELS solid. |
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| Tone |
| Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin? |
| Tone isn't bad, but it's not great. The H90 seems to steal some bite that p90s have. |
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| Finish |
| How did the stain or paint job look? |
| Well, honestly it looks like they painted it on thick to cover imperfections in the wood. |
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