Musical Instruments American Musical Supply My Account Track Order Wish List Chat for Help Request Catalog
Add $49.95 to your cart for
FREE Shipping*
 
Call Us 24/7 At: 1-800-458-4076
 
Easy Payment Plan
SHOP BY BRAND
Akai | Alesis | Backline | Behringer | Epiphone | Fender | Gibson | Ibanez | JBL | Korg |
Line 6 | Mackie | On-Stage | Roland | Shure | Tascam | Yamaha | See All Brands |

 
Gibson
Gibson Les Paul Studio Electric Guitar with Case
Model Options:  
Collapse 
Gibson Les Paul Studio Electric Guitar with Case

The Gibson Les Paul Studio enhances the solid, proven design of the world’s most famous guitar with a sleek, no-frills look.
The Studio Les Paul gives traditional performance with a Modern attitude. Introduced nearly 25 years ago as a guitar for the studio musician, the Les Paul Studio has become one of the most desired Les Pauls for it's tremendous harmonic capabilities. The Studio maintains the iconic Les Paul's traditional elements: a maple top with a matched mahogany back, and a neck crafted from a single piece of mahogany, hand-sanded to perfection, and given Gibson's traditional 50 rounded neck profile.

Gibson Les Paul Studio
  • Mahogany Back and Maple Top with Chambered Body
  • Set neck ’50s Rounded Neck Profile
  • 22-Fret Rosewood Fingerboard with Nickel/Silver Frets
  • Gibson 490R and 498T Pickups
  • Angled Headstock
  • Adjustable Truss Rod
  • Trapezoid Inlays
  • Tune-O-Matic Bridge
  • Nitrocellulose Finish
Read what some of our customers have said:

    The sound is amazing. You'll sound like a pro just by playing this guitar.
    -Dennis K. From Shippensburg PA

    Sounds perfect. I am not changing a thing!
    -mayes213 From Poseyville, IN

    I've had a hard time putting it down since I got it. Sounds awesome!
    -Joe L. from Overland Park
The Les Paul Studio is the favorite of guitarists who demand traditional Les Paul performance with a modern look.

’50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional ’50s neck profile, found on the Les Paul Studio, is the thicker, rounder profile, emulating the neck shapes of the iconic 1958 and 1959 Les Paul Standards. The neck is machined in Gibson’s rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest—including the final sanding—is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Gibson’s 490R and 498T Pickups
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. It was an interpretation of the blues that hadn’t been heard before, and it was much harder, more rocking, and definitely louder than anything else before it. As such, this new genre’s players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup to split coils through a push/pull knob, and prevent the microphonic feedback that occurs when the volume is turned up to maximum levels. Gibson answered this call with the introduction of the revolutionary 490T and 490R pickups (T for treble, and R for rhythm), which has the traditional characteristics of the original Patent Applied For pickups, but with two key modifications. First, a four-conductor wiring scheme allows the 490s to be connected to any push/pull knob, which lets players split the coils and increase versatility. Gibson also introduced wax potting, which does away with any air space inside the pickup, thus lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490’s ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

22-Fret Rosewood Fingerboard
Both rosewood and ebony have always graced the fingerboards of the world’s finest stringed instruments, including many of today’s Gibsons. The fingerboards on Gibson’s Les Paul Studios are constructed from the highest grade rosewood and ebony on the planet. Both are personally inspected and qualified by Gibson’s team of skilled wood experts before they enter the factories to be fitted onto the neck of the Les Paul Studio. The resilience of these dense and durable woods makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates dead or choked out notes, common occurrences on fingerboards with lesser radiuses.

Mahogany Back and Maple Top
There isn’t anything more critical than the marriage of the Les Paul’s mahogany back with a maple cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the Gibson factories. These onsite inspectors also ensure that the plain maple comes from corporations adhering to the forest-saving standards of the Rainforest Alliance, of which Gibson is a proud member and sponsor. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of equilibrium, where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods’ machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There’s something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul’s solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument’s sound. So, in addition to relieving the stress on a player’s back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.





American Musical Supply - an Authorized Gibson Internet Retailer
AmericanMusical.com has been selected as one of Gibson's very few Authorized Internet Retail Sites in the United States. As one of these select few Internet sites, AMS offers an unparalleled selection of all of Gibson’s premium brands, all covered by Gibson’s Limited Lifetime Warranty – only available from Authorized Gibson retailers.

Gibson is recognized as one of the most respected guitar builders in the world. AMS is proud to have a decades-long history with them and honored that Gibson has chosen us to bring their world-class instruments to you. Look for more new product announcements, special events and promotions in the coming months.

Gibson - Pure.
Collapse 
Gibson Les Paul Studio Specifications
  • Top: Carved maple top
  • Back: Mahogany
  • Neck: Mahogany
  • Neck Profile: 59 Rounded
  • Peghead Pitch: 17 degrees
  • Thickness at 1st fret: 0.818 inches
  • Thickness at 12th fret: 0.963 inches
  • Heel Length: 5/8 inch
  • Neck Joint Location: 16th fret
  • Fingerboard: Rosewood
  • Scale length: 24-3/4 inches
  • Total Length: 18.062 inches
  • Nut Width: 1-11/16 inches
  • Width at 12th fret: 2.062 inches
  • Frets: 22
  • Inlays: Pearloid trapezoid
  • Hardware Color: Gold
  • Bridge: Tune-o-matic
  • Tailpiece: Stopbar
  • Knobs: Black Speed
  • Tuners: Green Key
  • Neck Pickup: 490R Alnico magnet humbucker
  • Bridge Pickup: 498T Alnico magnet humbucker
  • Controls: Two volume, two tone, three-way switch
  • Case
    • Exterior: Black Reptile Pattern Hardshell
    • Interior: Dark Grey Plush with Black Shroud
    • Silkscreen: Silver Gibson USA logo
  • Strings: .010-.046; Brite Wires

 
 
Collapse 
Expand 

Quantity:
Add to CartAdd to Wish List
Email this Page to a Friend
edge   
 
Price Match Plus

 
Gold Protection Extended WarrantyFree ShippingAvailable for EZ Pay Billing
 
edge   
 
Price Match Plus

 
Gold Protection Extended WarrantyFree ShippingAvailable for EZ Pay Billing
 
edge   
 
Price Match Plus

 
Free ShippingAvailable for EZ Pay Billing
 
edge   
 
Price Match Plus

 
Gold Protection Extended WarrantyFree ShippingAvailable for EZ Pay Billing
Rate and Review this Product:      Rate It
98 people rated this item
Dan A from Marysville, Washington, US
dander2sea@hotmail.com
Overall Ranking:
Price:
Overall:
Sound:
Reliability:
Action:
Finish:
Playability:
Tone:
Quality:
Subject:Best Guitar in my Arsenal!
Quality: Everything is great about this instrument except 3 things that arent really issues just something that Id like Gibson to do to with the Studio in the future. Kidney bean sealed tuners instead of vintage Burstbucker Pros Stock new NO PICKGUARDS ON ANY LES PAUL! Why hide them with that cheap piece of plastic? Blend the heel of the neck to the body join. That step is unnecessary.
Sound: I love the Humbuckers they installed in mine. Very easy to find your tone between the pots and the amp and will play pretty much anything your amp wants to put out. I have swapped out the stock HB and reinstalled Burst Bucker Pro's. Changed the nature of this beast considerably.
Reliability: So far so good! never an issue with the exception of the hum that it had when I first received it. That went away when I re soldered in the Burstbucker Pros
Overall: The Gibson Les Paul is by FAR the mellowist and deepest growler on the planet. Well built and if you dont beat it very durable for day to day. A bit pricey for most players who don't make a living in music but well worth the investment if for anything but the brag factor. The color and wood selection on mine was great and plays like a dream. What makes my LP Studio even more special for me is it was manufactured on my birthday. Great coincedence that requires I keep this guitar till I die!
Playability and Feel: HA! This guitar is Light compared even to my Telecaster and Stratocasters. The neck is substantial and wide with good spacing between the strings. You know youre freting a solid instrument when you play this. Very well balanced and doesnt drift around much while playing and stays in tune very well.
Tone: Need I say more? With the set up I changed it to its beefier and deeper tone than the stock Hums. I love my Studio, it does everything I want and looks good. Its relatively light compared to any Standard or Custom Ive held or played or owned in the past and has a quality to it that sings to me.
Finish: It was very new when I got it from AMS and it was still sweating out the gases from the Poly finish for a month. I got it in very early March and it was built in early January, which happened to be on my birthday. Over time the finish has cured and this is the most beautiful guitar in my collection and it gets play every day.
Action: A bit high and sloppy. Had it set up again at a pro shop in Seattle and it now is PERFECT for me.
Skill Level: Intermediate
Do you own this product?: Yes over a year
Date submitted: 9/7/09
 
john stout from Spring hill,fl
Overall Ranking:
Quality:
Price:
Overall:
Sound:
Reliability:
Action:
Finish:
Playability:
Tone:
Subject:Les paul studio
Quality: yes
Sound: has a great tone and good for classic rock or just about anything
Reliability: so far so good
Overall: great guitar...I bought a epiphone lp and sent it back bad electronics and glad i did decided get the real thing
Playability and Feel: played at a open jam night and it felt great and i just got it that day...neck is just right and not heavy at all
Tone: has a great over all tone
Finish: its a gibson and should be sweet looking
Action: needed to be lowered
Skill Level: Semi-Pro
Do you own this product?: yes
Date submitted: 08/05/09
 
Bob from St. Louis, Missouri
Overall Ranking:
Overall:
Reliability:
Action:
Finish:
Playability:
Quality:
Tone:
Subject:HMMMM Not what I expected
Quality: I have to say looking at all the other reviews. Have any of you picked up another guitar besides the les Paul? Very disapointed. I played through about four Les Pauls at XXXX and walked away from all of them. Very unimpressed. I have honestly play Chinese copies that are better quality and better action than the US Gibsons. If they were a 4 or 5 hundred dollar guitar I would say yeah they are great but for 1500 to 3000 dollars for a guitar I could build better in my basement just because it says Gibson on it. No Way!!! Play the Epi's that are made in China. half the price or more and they play just as good or better. Stop drinking the koolaid folks.
Reliability: Couldn't bring myself to buy one so I can't comment on this except to say a friend of mine had to have two pots replaced within 8 months of owning one
Overall: for the money I could buy two better guitars that play better out of the box that then new gibby's
Playability and Feel: Horrible! Action was high on every model I played. dead feel to the neck. Burrs on the fret ends. Not a quality quitar as you would expect at this price.
Tone: good tone as any mahogany solid body would give. Burstbucker pickups are harsh sounding compaired to my '79 Les Paul.
Finish: Finish is goos although the tops had some irregularities in the carving by the neck pickup.
Action: horrible. You would have thought I was looking at a guitar from Wal Mart. Very dissapointed.
Skill Level: Semi-Pro
Do you own this product?: couldn't bring myself to buy it. Not worth it
Date submitted: 2/4/2009
 
Robb from NSB FL USA
Overall Ranking:
Overall:
Reliability:
Action:
Finish:
Playability:
Quality:
Tone:
Subject:insane sustaine
Quality: USA gibson, I only paid $800 brand new
Reliability: had it since 2000
Overall: same as the high end, minus the frills, electronics and all
Playability and Feel: its a Les Paul, if you've never played a USA model you should
Tone: works for any thing, very versital
Finish: I have the Black, changed the black hardware to pearl white
Action: spent 100 setting it up for my taste
Skill Level: Semi-Pro
Do you own this product?: yes
Date submitted: 1-20-09
 
J from Kentucky
Overall Ranking:
Quality:
Price:
Overall:
Sound:
Reliability:
Action:
Finish:
Playability:
Tone:
Subject:Too High
Quality: OK
Sound: OK
Reliability: OK
Overall: Ok I guess. I was going to buy on here but at amazon you can purchase for $1269 and that is with the gold hardware. Save your money and buy at amazon.
Playability and Feel: OK
Tone: OK
Finish: OK
Action: OK
Skill Level: Intermediate
Do you own this product?: NO
Date submitted: 11/10/09
Ship Methods