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Korg M50 61 Key Synthesizer KeyboardThe Korg M50 61 Key Synthesizer Keyboard captures all the sonic firepower of the M3, distilled into a performance instrument that is second to none.
Incredible new sounds; fat and juicy combis, splits and layers; a plethora of ace effects; dynamic Drum Tracks; enhanced poly-arpeggiators; classic sequencing tools, a solid, confident keybed; up-to-date SD storage; companion editing software and our famous TouchView interactive display, it all adds up to an invigorating and sexy keyboard instrument that could only come from Korg.
Tipping the scales at a mere 15 pounds, the seriously portable 61 key version of the M50 sports a new semi-weighted Natural Touch keyboard. This new fast and responsive synthesizer keybed facilitates expressive and dynamic performing.
A Natural Performer
Made to be played, the M50 is inviting and comfortable. The TouchView screen is intuitive and interactive, allowing the uniquely angled front panel to remain refined and uncluttered. The buttons themselves are rock solid, backlit and rounded for visibility ease-of-use under any playing conditions. In addition to Korg’s four-way joystick and multi-function knobs, the M50 offers four Chord Triggers that provide a flexible and fun way to play chords and trigger arp patterns. A ten key numeric keypad allows on-demand instant access to sounds, combis and other parameter/values.
Perfectly Shaped Sounds
M50 is packed with over 600 individual sound programs, each one created by Korg’s renowned international voicing team. With a robust 256 MB of sample data, recorded in exacting studio conditions, the acoustic instruments are delivered with authenticity and realism, providing rich, natural articulation; synth sounds can be bombastic and aggressive, lush and enveloping, or pure and delicate. But first and foremost, the M50 remains a keyboard cornerstone for any musician. The remarkable piano offers three layers of stereo switching and an additional resonance layer for faithful and natural reproduction of the piano’s entire dynamic range.
In addition to the grand pianos, a myriad of other piano and keyboard mainstays are included, from a mono piano for pumping it out live on stage, to the ever in-demand vintage Korg SG-1 Sampling Grand. The electric pianos are responsive, dynamic and expressive, with all the tine and hammer-slap you can muster. The clavs feature all the classic settings with wide dynamic response, and there are even string and flute sounds taken from the tape-driven keyboards of days gone by. Korg’s REMS pickup/amp/cabinet modeling technology provides that finishing touch. All the classics are there at your finger-tips; with spot-on programs that are a blast to play!
Need to quickly tweak a sound to your liking? No problem, Tone Adjust allows simple access to the most important parameters and characteristics of a sound without having to dive deeply into programming. Available in Program, Combi and Sequencer modes, you can get done what you need to with a minimum of fuss and effort.
Mix and Match
In addition to the individual programs, a combination (or combi) allows up to 16 sound programs to be stacked, split, layered and zoned across the keyboard; or set to individual MIDI channels. Nearly 400 of these combis come preloaded offering up tasty blends and splits for live performance. All of the preloaded sounds are completely editable, and there is plenty of room on-board (640 Programs, 512 Combinations) for all the sounds that you edit, modify, or create on your own.
Effect-ive Energy
The generous effect section of the M50 brings your sounds to life. Five insert effects and two master effects can be assigned and routed at will, with a total effect to add that final polish. From spacious and luxurious reverbs to space-warping modulation types, the effects can not only embellish a sound after the fact, they can be part of the sound programming itself - adding unique and defining sonic elements.
Let There Be Drums!
Korg has squeezed in over 1,600 drum and percussion samples that can be laid out into full drumkit programs. Ready and waiting are 32 drumkits, with room for 48 more of your own. But there’s more! In addition to drumkits, the drum track feature hosts some 670 drum grooves that you can jam along to, or use to kick-start and inspire your own song ideas. In fact, each program has a matching drum track pre-assigned to get you started. BAM!
Rapid Results Sequencing
Korg wrote the book on workstations, and the M50 delivers every chapter! The on-board sequencer is the core of your music production studio. Over 200,000 notes can be recorded on 16 MIDI tracks and up to 128 songs. Enhanced 480 ppq resolution captures your performance with pinpoint accuracy, whether you play in realtime or step notes in one at a time. A plethora of advanced, yet easy-to-use editing features are available to help you sculpt your song into its final form.
Computer Integration
Your new M50 includes both stand-alone and plug-in sound editing software for more detailed graphic editing on your computer, and connects directly via USB. The plug-in version allows you to edit the M50’s sounds from inside any DAW (VST, Audio Units, and RTAS formats), allowing your edits and changes to be part of the song file, and without having to switch applications to tweak a sound. The M50 also uses convenient SD cards for economical and reliable data storage.
In a word, the M50 just may be the keyboard you’ve been waiting for.
Korg M50 61 Key Synthesizer Keyboard Specifications
Overview
- Synthesis Technology: EDS (Enhanced Definition Synthesis)
Tone Generator
- 256 Mbyte (when converted to 16-bit linear format)
- 1,077 Multisamples
- 1,609 Drum Samples
Maximum Polyphony
- 80 voices, 80 oscillators max, single mode
- 40 voices, 80 oscillators max, double mode*
* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Sounds
- Programs: 640 total locations, 608 preloaded
- Combinations: 512 total locations, 384 preloaded
- Drumkits: 48 total locations, 32 preloaded
- GM: 256 GM2 programs, 9 GM2 drum kits
Program Structure EDS
Oscillator:
- OSC1 (Single), OSC1+2 (Double)
- Stereo multisamples are supported
- 4 velocity zones per oscillator, with switching, crossfades and layers
Filters:
- 4 types of filter routing (single, serial, parallel, 24 dB)
- 2 multi-mode filters per voice (low pass, high pass, band pass, band reject)
- Driver: Per-voice nonlinear driver and low boost
- EQ: 3 bands, with sweepable mid
Modulation:
- For each voice: two envelope generators (Filter & Amp)
- 2 LFOs
- 2 key tracking generators (Filter & Amp)
- 2 AMS mixers
- Pitch EG
- Common LFO
- 2 common key tracking generators
Combination Structure
- Up to 16 timbres
- For each Timbre: keyboard and velocity split/layer/crossfade
- INT, OFF, EXT and EX2 MIDI status settings
- 3-band EQ with sweepable mid
- Pitch/Transpose
- Use OSC1, 2 or Both
- Force Osc Mode (PRG, MONO, LEGATO, POLY)
- Portamento and Bend range settings
- Controller filters
- Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
- Stereo and mono drum samples
- 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
- Exclusive keygroups
- Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
Effects
- 5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
- 2 effect control busses, 2 effect common LFOs
- 170 types (can be used for Insert/Master/Total)
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Note: double-size effects cannot be used as a Total effect
- Effects Presets: Up to 32 per Effect, 700 provided in OS 1.10
- 3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
Sequencer
- 16-track MIDI sequencer with 480 ppq resolution
- 128 Songs, 20 Cue Lists, 210,000 notes (max)
- Tempo: 40.00 – 300.00 BPM (1/100 resolution)
- 16 preset/16 user Template Songs
- 522 preset patterns, 100 user patterns (per Song)
- Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
- Standard MIDI File (SMF) format 0 and 1 available
- Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into record-ready status
Dual Polyphonic Arpeggiator
- 2 arpeggiators, useable simultaneously (Combination, Sequencer modes)
- 5 preset arpeggio patterns; 216 user arpeggio patterns (200 preloaded)
- RPPR (Realtime Pattern Play/Recording): A set of 100 patterns are available per Song
Drum Track
- 671 preset patterns/1,000 user patterns
- Patterns created in Sequencer mode can be converted to drum track user patterns
- Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified
- Program selection, 3-band EQ and effect bussing available
Audio Outputs
- L/MONO, R - 1/4 inch TS (Mono), unbalanced
- Headphones - 1/4 inch TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Interface
- MIDI: IN, OUT
- Computer: USB type B connector (for MIDI interface, USB 2.0 supported)
System Requirements
- Computer with the KORG USB-MIDI Driver
Windows
- Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended)
Macintosh
- Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported)
- Please use the latest Korg USB/MIDI driver
M50 Editor/Plug-In Editor
Windows
- Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Macintosh
- Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Options
- XVP-10: EXP/VOL Pedal
- EXP-2: Foot Controller
- DS-1H: Damper Pedal (supports half-damping)
- PS-1: Pedal Switch
General
- Keyboard: 61-key version uses a semi-weighted Natural Touch keyboard
- Controllers: Joystick, [SW1], [SW2]
- Display: 5.7 inch TouchView GUI, 320 x 240 dot
Control Inputs
- Damper Pedal (half damper pedaling supported)
- Assignable Switch
- Assignable Pedal
Common Specifications
- Frequency response: 20 Hz–20 kHz, +/-1.0 dB, 10 k Ohms load
- THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)
Included Accessories
- Three-Pronged IECC13 Power Cable
- Owner’s Manual (M50 Operation Guide)
- CD-ROM (M50 Parameter Guide (PDF)
- Voice Name List (PDF)
- KORG MIDI driver
- M50 Editor stand alone and plug-in versions
Physical
- Dimensions (W x D x H): 40.43 x 11.57 x 4.17 Inches
- Weight: 14.9 Pounds
- Current Consumption: 35 Watts
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Rate and Review this Product:
 4 people rated this item  | Dr. Kolon from Salt Lake City, UT, USA | | Overall Ranking: | | Quality:
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|      | | Subject: | Great board, but some gripes... | | Quality:
| The quality is overall good. The buttons and knobs feel good, but as some of the buttons are used in performance, I would worry that they would wear out. They are hard buttons, and the are used for real time control. Also, the strip of plastic under the keybed is very flexy. If this thing got knocked good, chunks would be taken out of it. The build quality is good though, and the weight is awesome. | | Features:
| Features are great; again for the price. Since this is the M3s little brother, this is what it is missing.
- No expansion of raw sounds. The M3 can add to its basic samples with Korg expansions (free.) and you can also add user samples in many formats. This one is the killer for me.
- M3 has twice the real time controls, plus a Kaoss pad.
- No after-touch on the M50.
- Not nearly enough memory locations on the M50. When you add the new EP programs from Korg, there are no user locations left. This was a poor place to skimp.
- No audio inputs, so no vocoding.
- Crappy pseudo wall-wart power supply on the M50. It falls out easily.
- Only 4 chord trigger buttons that aren't touch sensitive on the M50 compared to 8 large touch sensitive ones on M3.
There are more, but those are the main reasons that I am upgrading after buying the M50. The M3 is a lot more expensive though, so if you won't use the additional features, the M50 is an awesome board. | | Ease of Use:
| Very easy to use, especially with the touchscreen. Remarkably, the manual is pretty good, and even goes step by step into some of the more popular functions. There are only 4 real time controller knobs though, so when using live you have to do extra button presses to access another bank of controllers. | | Sound:
| Sound is very good for most of the sounds. The sound design on the EPs was my main gripe when I got it, but Korg's website has some much better designed programs that you can put on there, and they sound very good. There are some beautiful brass and string sounds, and the acoustic bass sounds very authentic when played with the mod wheel.
Piano is my only gripe. It just doesn't sound as lush and realistic as it should, and with no way to put a sampled piano in or upgrade the raw samples, the M50 is stuck with this one. | | Action:
| Action is good. It is very light. Sometimes synth action boards will have a stiffer action that makes piano playing feel a little more natural, but this one doesn't. It is very fast though. If you play concert piano or something, you should get the 88key. The action on that one is phenomenal. I mean it, I played that one in store and the action is superb. | | Value:
| This thing really is a great value. If you don't need the features of an M3, you can't beat this guy on price and features. Unless you only need pianos, this thing is far better than a MO6 or any of the other budget workstations. I'm probably going to trade up to an M3, but that is a 700 difference in price. If you want and will use the features though, its worth it. Definitely buy the M50 though if you don't need sampling. All of the other features aren't worth the increased price. | | Do you own this product?:
| Yes, I've had it for about a month. | | Date submitted:
| 1-2-09 | |
| | Thomas Sneddon from Toms River,N.J. (U.S.A.) | | greendeathstudio@aol.com | | Overall Ranking: | | Quality:
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|      | | Subject: | The "Oasys" of budget workstations...mmmmM50!!!!! | | Quality:
| For a keyboard only weighing in at 15 lbs,I'd say it's quite sturdy!
Korg has always been consistently dependable..enough said. | | Features:
| Korg's main focus was sound quality & functionality & it could not get any better than this for the mnoey.
The guitar,drums,strings,synth leads & pads are phenominal...more so than my Triton Extreme!!Even the sequencer & the effects surpass my Triton in quality-amazing!
I could not possibly expect anythingt more out of this synth for the price! | | Ease of Use:
| I've own Korg products for 21 years,so I know most of the keyboard already,after only having it for one day...but even still,since it's more advanced in certain aspects than my Triton,there is a bit of a learning curve.
For someone who is new to workstations,or is accustomed to a different brand of sequencer,it's going to be a bit overwhelming...but it should'nt take anyone too long to master it. | | Sound:
| The pianos are not equal to my Triton-particularly the grand pianos,but for a budget workstation..they're decent & usable.
As for most of the other sounds...WOAH..they are incredible!
The electric guitars & drums are far superior to my Triton-seriously!! | | Action:
| Just what you would expect for a 15 lb keyboard...very light action,but they are spring loaded,so they the action is decent,but not great. | | Value:
| This is hands down,the best value & best purchase I have ever made....Korg has really out-done themselves this time...nothing and I meaning nothing else out here can even come close to this workstation for the price....YOU MUST TRY ONE OUT FOR YOURSELF!! | | Do you own this product?:
| YES!! | | Date submitted:
| 12/19/08 |
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