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Mackie Onyx 400F FireWire Audio Interface
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Mackie Onyx 400F FireWire Audio Interface

The Mackie Onyx 400F is a superior recording preamp and FireWire interface in a single box.

There are plenty of FireWire audio interfaces on the market today. But if you're a musician or engineer who insists on absolute quality, then the Onyx 400F Studio Recording Preamp with 192kHz FireWire I/O is the pre-eminent professional choice. Jointly developed by the analog engineering experts at Mackie and the digital gurus at Echo, the 400F brings superior sound, robust construction, and several world's first features to those looking to record to Mac or PC. And it comes bundled with Mackie's popular Tracktion 2 software for easy recording right out of the box.

The Onyx 400F is a 10-channel premium mic preamp and FireWire audio interface featuring four boutique-quality Onyx mic preamps. These highly acclaimed preamps offer superior headroom, sonic detail, and clarity vs. the competition—delivering 123dB dynamic range and an amazing .0007% THD—and a sound that has been widely praised as exceptionally open and revealing. The Onyx 400F also offers TRS inserts for inserting your favorite outboard gear into your signal path before sending it to your Mac or PC, plus an internal 10 x 10 DSP Matrix Mixer with full recall and 64-bit floating point processing - a feature not found on any other FireWire interface, at any price.

With four Onyx mic preamps and four line inputs, the 400F is the ideal box for tracking anything from smaller overdub-style projects to a full band. Operation is refreshingly straightforward. You simply plug in your mics and instruments to the front or rear panel, and plug a FireWire cable into your Mac or PC. The 400F's eight individual outputs can be used for surround mixing, or for sending four discrete stereo headphone mixes to a headphone amp like one of our new HM Series. For overdubs, the 400F's dual headphone outputs give both the engineer and musician their own headphone outs with independent volume control. And the internal 10 x 10 Matrix Mixer allows near-zero-latency routing of any input to any output, completely independent of your computer, with full recall capabilities.

Mackie Onyx 400F FireWire Preamp Features

  • Premium FireWire-based studio recording preamp/audio interface
  • 4 flagship Onyx mic preamps with class-leading fidelity and dynamic range
  • Superb AKM® 24-bit/192kHz A/D and D/A converters
  • Internal 64-bit floating point processing for superior sound and minimal CPU drain
  • 10 x 10 DSP Matrix Mixer with powerful software interface and flexible, recallable routing
  • Onboard DSP provides custom Control Room / Headphone mixes at near-zero latency
  • Stand-alone operation: DSP mixer retains settings even when computer is not connected
  • No channel count sacrifices, even at 192kHz sampling rate
  • 4 additional balanced line inputs; 8 balanced line outputs
  • TRS inserts on Inputs 1, 2, 3 and 4
  • Control Room and Dual Headphone Outputs with independent level controls
  • Dual FireWire ports for daisy chaining and direct connection to Mac or PC
  • MIDI, Word Clock and S/PDIF I/O
  • Includes Tracktion 2 Audio Production software and plug-in bundle

ENGINEERED TO OVER-PERFORM
A common question regarding the sound quality of any digital audio interface is often What converters does it use? Specifically, the Onyx 400F features mastering-grade 24-bit/192kHz AKM® 5385 and 4358 audio converters—the same top-notch, phase-accurate converters you'll find in Mackie's flagship Digital X Bus.

But at the same time, the 400F's sound quality is a function of its entire system — the superb Onyx preamps, the well-engineered summing circuitry, the 64-bit floating point processing, and more. Unlike other audio interface manufacturers, Mackie has a grizzled team of veteran analog engineers in-house. So Makie didn't just design the 400F, they over-designed it, paying attention to every last detail. The end result is an audio interface which was designed as a great-sounding mic preamp, first and foremost, bringing depth and detail to any mic or instrument you plug in.

ONBOARD 10 x 10 MATRIX MIXER WITH 64-BIT PROCESSING
The Onyx 400F is the first FireWire audio interface with a true 64-bit onboard Matrix Mixer with floating-point DSP. The DSP-controlled mixer lets you route any input to any output with panning, level control, mute and solo controls, storing your mixes for instant recall. And it operates with or without a computer. So you can, for example, make five custom mixes of incoming live inputs, plus two channels coming back from your computer—patch in external compressors or reverbs—and send individual stereo headphone mixes to up to four musicians, with an extra independent digital mix going to your DAT or CD recorder.

The 400F remembers how you have set the Matrix Mixer via control panel software and retains this routing when you power it up, even with no computer attached, for convenient standalone mixer functionality. With 64-bit floating-point processing and high-definition 192kHz sampling rates, the DSP mixer ensures absolute fidelity and clarity of your sound sources — a feature not found on any other FireWire interface. Applications for the Matrix Mixer include mobile recording applications, keyboard mixing, video production and more.

THOUGHTFUL EXTRAS AND ROBUST CONSTRUCTION
Onyx 400F extras include dual high-impedance instrument inputs so you can connect an acoustic, electric, or bass guitar directly to the unit without a direct box. There's also stereo Control Room outputs and dual stereo headphone outputs on the front panel, each with independent volume controls. In addition to 192kHz S/PDIF and Word Clock (BNC) I/O connections, the rear panel of the 400F offers dual FireWire connectors for daisy-chaining devices like external hard drives, optical drives, and even another Onyx 400F on Mac OSX 10.4 and higher systems.

On the construction side of things, the Onyx 400F features an extremely robust design with an all-steel chassis, aluminum faceplate and front-panel knobs, long-life switches, and ultra high-quality connectors on front and rear panels.

INCLUDES TRACKTION 2 PRODUCTION SOFTWARE
The Onyx 400F makes a perfect recording preamp and audio interface for all the major audio software applications. But for those looking to record and produce music with minimal hassle, Mackie has included their Tracktion 2 Music Production Software. This popular new application is drawing raves from the press and users alike, thanks to its refreshingly simple single-screen interface and fast workflow. Yet it offers serious features like a 64-bit mix engine, unlimited track count, QuickTime support and much more. There's even a plug-in bundle with a complete suite of Mackie Mixing and Mastering tools.

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Mackie Onyx 400F Specifications

    Frequency Response
  • Mic Input to Line Output (Gain @ unity):
    • @48 kHz: +0, -3 dB, 10 Hz to 24 kHz
    • @96 kHz: +0, -3 dB, 10 Hz to 48 kHz
    • @192 kHz: +0, -3 dB, 10 Hz to 96 kHz
  • Mic Input to Digital Output (S/PDIF, 192 kHz sample rate): +0, -3 dB, 10 Hz to 96 kHz

    Distortion (THD & IMD)

  • Mic Input to Line Output (@ +4 dBu output): THD+N: < 0.003%, 20 Hz to 20 kHz BW
    1 kHz input @ +4 dBu, preamp at unity gain
  • Mic Input to Digital Output (S/PDIF, 48 kHz sample rate): THD+N: < 0.001%, 20 Hz to 20 kHz BW
    10mV rms input, gain at -1 dB FS output

    Phantom Power

  • +48 VDC

    Rated Output

  • Line: +4 dBu
  • Maximum Rated Output: +24 dBu @ Balanced Line-Level Outputs

    Input Impedance

  • Mic Input: 2.4 kOhms balanced
  • Inst Input: 1 MOhm
  • Line: 20 kOhms balanced, 10 kOhms unbalanced

    Output Impedance

  • Line: 100 Ohms balanced

    Signal Level LEDs

  • -40 dB, -20 dB, -10 dB (normal operating level), OL = 22 dBu

    Sample Frequency Selections

  • 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

    Analog Input Connectors

  • Four balanced XLR/TRS mic/line inputs
  • Four balanced 1/4-inch TRS line inputs
  • Two 1/4-inch TS high-impedance instrument inputs

    Analog Output Connectors

  • Eight balanced 1/4-inch TRS line-level outputs

    Digital Input Connectors

  • One BNC connector for external word clock input
  • One RCA connector for S/PDIF input
  • One 5-pin DIN for MIDI input
  • Two 6-pin FireWire input/output

    Dynamic Range

  • >107 dB (Mic In to Line Out)

    Noise

  • Signal-to-Noise: >87 dB (ref. +4 dBu, Mic In to Line Out, Gain @ unity)
  • Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz Bandwidth, 150Ohms source impedance: -129 dBu @ +60 dB gain

    Common Mode Rejection Ratio (CMRR)

  • Mic In: >60 dB @ 1 kHz, Gain @ maximum

    Crosstalk

  • Mic Input to Line Output: < -100 dB @ 1 kHz, +10 dBu signal on adjacent input, 150Ohms source impedance

    Input Gain Control Range

  • Mic In: 0 dB to +60 dB
  • Line In: -20 dB to + 40 dB

    Digital Output Connectors

  • One BNC connector for external word clock output
  • One RCA connector for S/PDIF output
  • One 5-pin DIN for MIDI output

    DSP

  • TMS320C6713 Floating-Point Digital Signal Processor operating at 225 MHz, delivering up to 1350 million floating-point operations per second (MFLOPS), 1800 million instructions per second (MIPS), and 450 million multiply-accumulate operations per second (MMACS)

    AC Power Requirements

  • Power Consumption: 20 watts
  • Universal AC Power Supply: 100 VAC - 240 VAC, 50-60 Hz

    Physical Dimensions and Weight

  • Height: 1.75 in (44 mm)
  • Width:
    • Main body of unit: 17.50 in (445 mm)
    • With rack ears: 19.00 in (483 mm)
  • Depth (including front knobs and rear BNC jack): 7.63 in (194 mm)
  • Weight: 5.6 lb (2.5 kg)
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Hosa Cable Musicians Survival Kit 


 
 
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3 people wrote reviews
 
AMS Customer from USA
Overall Ranking:
Quality:
Features:
Ease of Use:
Value:
Subject:400F - Professional Caliber Preamp/Interface - Tak
Overall:

QUALITY:
The 400F is solid physically and electronically. The drivers are first-class for interfacing with a computer. They never blow out like a lot of brands. The computer mixer feature is outstanding.

FEATURES:
There is a solid feel to all of the controls and it just feels like a high quality unit. First-class hardware.

EASE OF USE:
It is VERY easy to use.

VALUE:
I've tried many brands of interfaces, and this one ranks right near the top. It's not just good for the price range. It's just "damn good" in any price range. Some of the vocal work that I've done with it has been incredible. And when I use it for guitars or a synth the sound is extremely clean and without hiss, buzz, etc. Super clean.

SOUND:
It is clean. The harmonics are "all" there. The noise isn't even worth talking about. I've never had a preamp that is this quiet in terms of hiss or buzz. I can't hear "any." With a go
 
AMS Customer from USA
Overall Ranking:
Quality:
Features:
Ease of Use:
Value:
Subject:NO LATENCY PROBLEMS !!
Overall:

QUALITY:
Great

FEATURES:
It is what it describes itself as.

EASE OF USE:
Super easy.

VALUE:
Outstanding

SOUND:
There IS NO latency issue. Latency issues usually lie within your sequencing program. To the other reviewer...read your manual about latency. You're blaming the 400 for having the wrong settings in your software. The 400F hits the bullseye.
 
Steve F. from New Bedford Ma
Overall Ranking:
Value:
Features:
Ease of Use:
Quality:
Subject:Should have went with M AUDIO
Overall:

QUALITY:
OK AS SOON AS I BOUGHT IT I HAD TO UPGRADE THE GUI. THE LATENCY IS CRAZY!

FEATURES:
THE LATENCY IS CRAZY!

EASE OF USE:
IF YOU CAN GET THE LATENCY DOWN ITS REaL GOOD!

VALUE:
NO VALUE IN IT I THINK ITS OVERPRICED

SOUND:
TELL YOU WHEN I CAN GET IT TO RECORD AS I PLAY!
"Great website, great prices, awesome Payment Plan. AMS really earned my loyalty on this purchase here. More online vendors should think and act the way AMS does." Nov '08