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The EBow is a hand-held electronic bow for guitar. The small battery-powered unit replaces the pick in the right hand letting the guitarist mimic strings, horns, and woodwinds with unbelievable sensitivity. The EBow produces a powerful infinite sustain, rich in harmonics for incredible guitar sounds.
The Story...
The Energy Bow is a totally unique guitar accessory. It's not just an effect like the many plug-in devices on the market. The EBow does its work on the string itself by producing an energy field that vibrates and sustains your guitar string... Direct String Synthesis. Infinite Sustain is just the beginning. Powered by a 9-volt battery, the EBow is held in place of your pick, giving you instant access to violin, cello, flute and horn sounds as well as unique sounds of its own. The EBow lets you play as fast as your left hand can scurry through a lick. Fade a string in from a motionless state for a reverse-tape effect. Run the EBow across the strings for gorgeous arpeggios. Add distortion for a screaming guitar sound. Playing the EBow directly over the pickup will increase your volume many fold and give you the crisp sound of super hot pickups. Moving away from the pickup gives you the mellow sound of a hollow body electric. The sounds you discover by experimenting with the EBow will amaze you. And like the best tools of the trade, the EBow will sound different for each musician. To hear the EBow right now, check out the MP3 files in our resoures category further down on the page.
How it Works
Welcome to the world of Direct String Synthesis. The principal is simple: a focused feedback loop directed at a single string. This produces a powerful, infinite sustain, rich in harmonics for incredible guitar sounds. It's like amplifier feedback with greater control and predictability, at any volume, even through headphones. This hand-held synthesizer provides an amazing variety of textures and tonal slurs — virtually an instrument in itself!
Direct String Synthesis
A synthesizer in the palm of your hand. Complete control over attack, decay and dynamics , as well as a whole new range of tones and textures, makes the EBow one of the most expressive tools ever designed for guitar. Whether sweeping smoothly from voice to voice or jumping from sound to sound, this device is responsive and personal enough to reflect your playing style.
Test of Time
Since 1976, the EBow has been making music. Groups such as U2, Blondie, Elton John, Van Halen, Phil Collins, Queen, REO Speedwagon, David Bowie and Blue Oyster Cult, just to name a few, have thrilled their listeners with the sounds of the EBow. Buddy Emmons uses his on steel guitar. Chris Proctor EBows his acoustic guitar. Windham Hill's Michael Manring has even figured out how to use one on bass guitar! The applications for the EBow are diverse.
The Player's Guide
The EBow now comes with a complete Player’s Guide booklet and detailed cassette lesson by EBow virtuoso Lenny Walker. How does he get those sounds? Now, Lenny shares his secrets in this feature- packed personal EBow lesson...by the master of EBow technique.
Any record cuts feature EBow?
There's EBow on the Chili Pepper's Falling Into Grace and One Big Mob, Elton John's The One, Van Halen's Spanked, Soundgarden's Black Hole Sun, Def Leppard's Stand Up, Metallica's Unforgiven, Heart's Barracuda, and you can here Michael Manning use it on bass on Adhan.
Click here for Record Cuts featuring Ebow List.
It’s been called the most revolutionary development in guitar technology since Leo Fender electrified the instrument in 1948. But we call it... just plain fun.
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daveparis.com from Cedar Rapids, IA, USA
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| Great versatility for guitar - live or studio |
| Quality |
| Would you consider this product to be made well? How dependable? |
| If my first Ebow lasted over 20 years, this one should as well. It's a solid piece of equipment that has been around for generations & has the same construction & appears to be better wiring than my last one. |
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| Reliability |
| How has it stood up over time? |
| I had my first Ebow for 20 years, this new one is generally built the same, & the battery cables (what finally pulled out on my first one) are better lined within the device. |
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| Overall |
| Your general opinion of this product. |
| I got an ebow for a graduation present over 20 years ago & it has lasted until recently when the battery cables finally came loose. I've used it for a couple recordings over the years to obtain a sustain without having picking breaks, and to mimic synth strings and feeback. I use it live on my song "The Author of Fate" (http://www.youtube.com/watch?v=w_NKdpHDhxM) & find that times where you want feedback sustain, dropping this into a recording is essential. It may start a little hard to use & figure out as you find the best "sweet spot" & attack for your guitars, but this is almost like learning a new instrument. The latest version of the Ebow features the harmonic setting, which my old one didn't have. This adds more dimension to the effect & your playing, & allows for some great sustain effects. As someone who uses wah, talkbox, and acoustic guitars in my music, the Ebow is another great addition to my palette and sound. |
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| Playability and Feel |
| How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing? |
| Using an Ebow is awkward, holding the device on the strings as opposed to holding a pick. I have trouble using the Ebow on the high E or low E/outside strings because there's nothing to balance on. Finding the "sweet spot" on the guitars is tricky, & changing strings is tough. But if you're used to picking, it's a very foreign approach. This isn't like stepping on a stomp box & changing some knobs, it's like learning a new instrument. You're trying to "bow" the strings & it's a challenge, but it really enhances your sound & playability. |
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| Tone |
| Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin? |
| Tone is up to you, just about anything is obtainable if you're willing to work with it. The included CD with .mp3's, web lessons, and instructions really help to understand the instrument. Again, you can hear/see mine being used live at youtube.com/gtrdayve on my song "The Author of Fate". |
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| Finish |
| How did the stain or paint job look? |
| My first EBow was black, & pictures the last few years have shown them as white. The new one came black, it's not bad being black, & the construction is the same. However, I wish I could have gotten the white plastic version, because the black one doesn't show up on stage as well! When grabbing it in stage lights...& more importantly...having it seen from stage so the audience can say "what's that thing he's using on his guitar" it makes it a little harder to see on the stage! But music isn't about the visual presentation, right? |
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| Action |
| How was the action out of the box? |
| Like I'd said, the new version has a higher sensitivity and response, & produces a greater output. |
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