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PreSonus StudioLive 16.0.2 Digital Mixer

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Product Description

Introducing A Slimmed Down Direct Descendent of PreSonus StudioLive, The 16.0.2!
Following in the footsteps of the StudioLive 24.4.2 and 16.4.2, the PreSonus StudioLive 16.0.2 offers 16 channels and the same amazing performance as the larger scale StudioLive Digital Mixers for smaller applications. More Compact than 2 square feet, StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps… 13 total, if you include the talkback mic!

The included VSL control software features Smaart Measurement Technology to help you quickly get your system up and running with a measurement. Smaart also gives you incredible features that enable you to vastly improve the quality of your sound system like line check, room measurement, feedback analyzer, system delay, and Spectragraph to help you kill feedback instantly!

Don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.

New Virtual StudioLive (Mac/Win), StudioLive Remote (iPad)
and All-New QMIX (iPhone/iPod Touch) app
lets you remote-control StudioLive 16.0.2.
PreSonus Virtual StudioLive software for Mac and Windows provides bidirectional control of the StudioLive 16.0.2 digital mixer. Now you can see and control the most-used mixer parameters onscreen, including channel, subgroup, aux send, and main levels, as well as Fat Channel, effects, and graphic EQ settings.

Control the mixer with a mouse or watch VSL update when you adjust the hardware. Drag Fat Channel presets onto all 16 channels in seconds. Mute or solo every channel with a sweep of the mouse. Apply a new Scene to the whole mixer just by dragging it on VSL from a list you see at all times. Collect and trade Scenes with other StudioLive users. This is huge!

To top it off, you can control VSL - and therefore, your StudioLive mixer - from an Apple iPad. With PreSonus StudioLive Remote for iPad (free from the Apple App Store), you can walk around the venue and tweak the mix, in real time, from any location, fixing monitor mixes from the stage and eliminating sonic problems on the spot.
  • Easy drag-and-drop workflow
  • Drag presets directly to channels
  • Drag parts of presets directly to components in the Fat Channel
  • Adjust the Fat Channel gate, compressor, and EQ plus the graphic EQ and effects
  • Quickly drop entire Scenes to the mixer to instantly load all channel, effects, and graphic EQ settings
  • Load effects quickly by simply dragging presets into the GUI
  • Use the mouse to quickly assign channels to multiple buses, mute, solo, etc.
  • Store and organize presets on your computer, then transfer them to your mixer for that night’s gig
  • Create presets on the road, store them to the mixer, then drag them to your preset pool the next time you’re connected to the computer
  • Reorder presets in mixer memory and in the software to best fit your workflow for each gig
  • Share presets with friends; drag presets out of the browser and email, IM, or disk-swap presets with other StudioLive owners
  • See all of the most-used parameters on the mixer at once
  • See the state of all Fat Channel settings at once
  • See all aux mixes at once
  • See the current effects and other parameter settings
  • View and graphically edit all parametric EQ and compression curves
  • View and graphically edit all graphic equalizer settings
  • Do time-stamped backups of the entire mixer
  • Remote control the mixer from an iPad using StudioLive Remote software.
QMix for iPhone and iPod Touch
Give performers wireless control of their personal aux/monitor mixes from any FireWire-connected StudioLive mixer by using an Apple iPhone or iPod touch with the Free QMix App installed! Ten performers can simultaneously create their own monitor mixes, with special control of 'Me' channels assigned by the StudioLive operator through the VSL software.

Personus StudioLive QMix Features
  • Runs on an Apple iPhone or iPod touch with iOS 4 or higher
  • Provides wireless control over aux mixes in Virtual StudioLive and hence, over aux mixes in any StudioLive-series digital mixer
  • Portrait view shows Wheel of Me, where you can select multiple “Me” channels and control their levels simultaneously
  • Multiple iPhones and iPod touches can control the same StudioLive
  • Available free from the Apple App Store

PreSonus StudioLive 16.0.2 Features
  • Virtual StudioLive (Mac/Win) and StudioLive Remote (iPad) lets you remote-control StudioLive
  • 8 mono mic/line channel inputs, each with:
    • High-headroom Class A XMAX mic preamplifier
    • XLR mic and balanced 1/4 inch line inputs
    • 60 mm precision fader
  • 4 stereo line channel inputs, with:
    • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
    • XLR mic inputs (Ch. 9, 11, 13, and 15)
    • Balanced 1/4 inch line inputs (Ch. 9-16)
    • Unbalanced RCA line inputs (Ch. 13-16)
    • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)
  • 2 Internal FX buses
  • 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
  • Fat Channel signal processing on all channels and buses, with:
    • 3-band semi-parametric EQ (individual band on/off)
    • Full-featured compressor
    • Standard downward expander
    • Limiter
    • Phase reverse (12 mic preamplifiers only)
    • Pan with dedicated 15-LED display
    • Stereo link for input channels and aux buses
    • High-pass filter
  • One 31-band stereo graphic EQ (on main outputs only)
  • 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
    • Compatible with most audio software via ASIO, Windows Audio, Core Audio
  • Scene store and recall
  • Settings can be copied among channels and buses and saved as user presets.
  • Software bundle for Mac and Windows includes:
    • PreSonus Studio One Artist digital audio workstation
    • PreSonus Capture live-recording software
    • PreSonus Universal Control with Virtual StudioLive bidirectional mixer-control software
  • Lockout mode protects your settings from meddlers and accidents
  • MIDI Control Mode provides control over:
    • Scene and FX Preset recall
    • Main Volume, FXA, and FXB output levels
    • FXA and FXB assign/unassign to Mains
  • Includes Capture, Studio One Artist, and Virtual StudioLive software!
More than a mixer: an integrated system.
The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps.

130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.

Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that Junior offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

Product Specifications
PreSonus StudioLive 16.0.2 Digital Mixer Specifications
  • Microphone Preamp
    • Type XLR Female, Balanced
    • Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, 0 / -0.5 dBu
    • Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, +/- 0.5 dBu
    • Input Impedance (Balanced) 1 k ohms
    • THD to Direct Output (1 kHz at unity gain) < 0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
    • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
    • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
    • S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -97 dB
    • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -94 dB
    • Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
    • Gain Control Range (+/- 1 dB) -16 dB to +67 dB
    • Maximum Input Level (unity gain) +16 dBu
    • Phantom Power (+/- 2 VDC) +48 VDC
  • Line Inputs, Balanced
    • Type 1/4 inch TRS Female, balanced mono
    • Frequency Response to Direct Outputs (at unity gain) 10 Hz-40 kHz, 0 / -0.5 dBu
    • Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
    • Input Impedance 10 k ohms
    • THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
    • THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
    • S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
    • S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -94 dB
    • Gain Control Range (+/- 1 dB) -20 dB to +20 dB
    • Maximum Input level (unity gain) +22 dBu
  • Line Inputs, Unbalanced
    • Type RCA Female, unbalanced (stereo pair)
    • Maximum Input Level +22 dBu
  • Main Outputs
    • Type XLR Male, balanced (stereo pair); 1/4 inch TRS Female, balanced (stereo pair);
    • Rated Output Level +24 dBu
    • Output Impedance 10 k ohms
  • Aux Outputs
    • Type 1/4 inch TRS Female, balanced (mono)
    • Rated Output Level +18 dBu
    • Output Impedance 51 ohms
  • Monitor Outputs
    • Type 1/4 inch TRS Female, balanced (stereo pair)
    • Rated Output Level +18 dBu
    • Output Impedance 51 ohms
  • System Cross Talk
    • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
    • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
  • Noise Gate (Expander)
    • Threshold Range -84 dB to 0 dB
    • Attack Time Adaptive (0.2 - 2.5 ms)
    • Release Time 70 ms
    • Expander Attenuation Range 2:1
  • Compressor
    • Threshold Range -56 dB to 0 dB
    • Ratio 1:1 to 14:1
    • Response Time (Attack/Release 0.2 ms / 1.0 s (Tight) to 180 ms/1.0 s (Smooth)
    • Auto Attack and Release Attack = 10 ms, Release = 150 ms
    • Curve Types hard and soft knee
  • EQ
    • Type 2nd - order shelving filter (Q = 0.55)
    • Low (Low-pass or Bandpass) 36 to 465 Hz, +/- 15 dB
    • Mid 26 Hz to 3.5 kHz, +/-15 dB
    • High (High-pass or Bandpass) 1.4 kHz to 18 kHz, +/-15 dB
  • Digital Audio
    • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
    • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
    • FireWire S400, 400 Mb/s
    • Internal Processing 32-bit, floating point
    • Sampling Rate 44.1, 48 kHz
    • A/D/A Bit Depth 24 bits
    • Reference Level for 0 dBFS -18 dBu
  • Clock
    • Jitter <20 ps RMS (20 Hz - 20 kHz)
    • Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
  • Power
    • Connector IEC
    • Input-Voltage Range 90 to 240 VAC (factory-configured for country of destination)
    • Power Requirements (continuous) 100 Watts


Helpful Info about the Manufacturer
Phone:  225-216-7887 Warranty:  New Products: 1 Year. B-stock: 90 Days.
Jarel
Overall Rating
General
Subject
Presonus Could've Did Better
General
Your general opinion of this product.
For small audio demands, this console is ideal as it contains all the processing you'll need, and then some. Considering the only control interfacing to date is firewire, Presonus took some major penalty points from me regarding compatibility friendliness.
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