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One of the greatest tools for a guitarist to adjust stage or studio levels while opening up the throttle on their tube amp is a great power attenuator. The Rivera RockCrusher Power Attenuator does just that. For home or silent recording, having a high-wattage capacity load box gives artistic freedom to record at all hours and in all environs. Whether you’re in an apartment in New York, a club in Hamburg, or even a church in Salt Lake City, the ability to record or perform at controlled, low, or even silent levels is what the RockCrusher is all about.
Rivera RockCrusher Power Attenuator Features
- Superior natural tone balance at any level
- Selectable 8 and 16 ohm capability
- Reactive internal network for true amplifier/load interaction
- Immense thermal capacity ensures cool running and long life
- Tight impedance tolerances
- XLR and unbalanced line outputs with level control
- Low and high frequency equalization selection
- Load box and attenuator function up to 120W RMS capacity
- Enormous and robust internal components
- Full bypass capability with no insertion loss
Taking a preamp output or turning down your volume doesn’t give you all of your amp’s tone, because getting your favorite tube amp to perform and sound like it does when it is turned up means that you need the power-amp section to add that rich overdrive character. Unfortunately, there are not enough venues that allow for high levels that come from an amp running at full tone and power through speakers.
The Rivera RockCrusher is invaluable and unbeatably versatile because you can place it between your amp and speaker cab as a power attenuator, or use it in place of your speaker cabinet as a load box while sending its balanced XLR or unbalanced 1/4 inch line out to another amp as a slave, or even send its output to a mixer for recording or live performance.
We have designed and built the RockCrusher to be the best and most professional unit available, and here is why: Maintaining the tone is the challenge for all power attenuators. We built into the RockCrusher a reactive load network for proper speaker-amplifier interaction. Rather than a purely resistive load like many of the other power attenuators on the market, the Rock Crusher ensures that the amplifier and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance. This translates to a superior tone, regardless of level. To enhance tonal balance, warmth, and shimmer, there is an Edge and Warm switches that put you in total control of the final output.
In addition to providing superior tone, impedance matching is critical for your tube amp's health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers.
We also built in features that ensure the Rock Crusher is easy to use both on stage and in the studio. For bypass on the fly, which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely.
When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from low to quiet output--perfect for home, project, and studio recording.
Balanced XLR and unbalanced 1/4 inch phone jacks with a convenient front-panel level control allow interfacing with practically any audio equipment. Two Speaker jacks allow easy connection with up to two speaker enclosures.
Bullet-proof construction, a standard feature of Rivera equipment, is also engineered into the Rock Crusher: Within the 16-gauge welded steel chassis of the RockCrusher, heavy-duty and rugged industrial-grade components used throughout, designed to give you years of reliable, cool-running service. In addition, both sides of the RockCrusher chassis facilitate mounting rack ears or other brackets for professional road case installation.
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Minimum Item Quantity 1 is required to purchase.
Item Quantity exceeds the limit 0 . Questions? Feel free to Call or Chat.
gtrsuite from North Attleboro
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| Better than THD |
| Quality |
| Would you consider this product to be made well? How dependable? |
| This is a tank. Big. Like a vintage piece of gear. Being a Rivera, it probably has a bit of high quality built in, and it sounds it. |
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| Reliability |
| How has it stood up over time? |
| Iv'e had it for two weeks. I can only hope. But Made In USA, with quality parts as advertised, I'm optimistic. |
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| Your general opinion of this product. |
| When I first palyed with it, I was not overly impressed, but still, I liked what I was hearing-Just wasn't sure if it was going to do what i wanted it to do, that is allow me to use my JCM 2000 DSL Marshall in rehearsal, gigs and in my studio without blowing out the windows.
But I have played aroung with it, had to adjust the Marshall's pre, master and tone stack, as well as the presence, but, I have done it! I found what I was looking for. It has enabled me to use the 1/2 stack in a very controlable way. I liked, now love this unit.
*Note: the -3db is really like a -8 db. The minus 8db is really like a -12db. Thats was a concern because when you turn on to -3db, it should be subtle, but its very noticablely attenuated. Thats why you need to really play with the sound of your amp-it might take a while, but if you buy this thing (I highly recommend), Have patience. You can and will, after tinkering with your amp, get the sound you've been hearing in your head. |
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| Playability and Feel |
| How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing? |
| N/A |
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| Tone |
| Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin? |
| Again, as stated above, this unit delivers real tone and the pick attack is not compromised- But, you are the one who has to "hone in" on the amp settings to create your tone. I use the -3db and -8db only. There are the higher attenuated settings that can be useful, but you may, then have to tinker with the amp settings once again. To me, the -3db and -8db do everything I need it to do. I have not tried the line out or recorded with the unit. But thats not why i bought it. (FYI: The best recorded guitar I have ever recorded-and one of the best i have ever heard, is when I recorded with my Marshall JVM 215C. Just blew my mind. I could not believe I was getting this tone form a home studio & one SM57 mic. Un-friggin' real!!!). |
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| Finish |
| How did the stain or paint job look? |
| Looks nice. Big. Bigger than i thought as stated above. But the purple is cool. Love the color. |
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| How was the action out of the box? |
| N/A |
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Terry Kirby from Memphis, TN USA, trkcorp@hotmail.com
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| VOX AC30H2L can now be played. |
| Playability and Feel |
| How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing? |
| N/A |
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| Tone |
| Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin? |
| Weel, that's what I bought it for and that's what it delivers, at a reasonable volume. |
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| Finish |
| How did the stain or paint job look? |
| Very nice. |
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| Action |
| How was the action out of the box? |
| The knobs work nice... :) |
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| Quality |
| Would you consider this product to be made well? How dependable? |
| Absolutely. |
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| Reliability |
| How has it stood up over time? |
| I have only had it a few days but it looks & feels like Rivera touted, built to DOD standards, so I am not real worried about it breaking. |
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| Overall |
| Your general opinion of this product. |
| I have this fantastic amp, 1 of 500 AC30H2Ls produced... but the bloody thing is so loud and as with most all hand wired monsters there is no master volume. That it is not really very good for home recording and not even for practice because to get the tone you must crank it up. The attenuator lets me do this without breaking things like eardrums and rattling stuff off the shelves. The thing is built very well and has some nice features for recording and/or live use. |
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