Vintage tone and epic class for the lefty, the Schecter Banshee 6 FR Passive Left Handed features Seymour Duncan JB SH-4 and and 59 SH-1N humbuckers and a Floyd Rose 1000 Series tremolo for incredible vintage tones supported by incredible stability even during heavy use. The quilt maple top gives it a great look for live players.
Schecter Banshee 6 FR Passive Left Handed Features
Tuners - Grover
- Alder body with quilted maple top
- Multi-laminate maple and walnut neck which super comfortable profile
- Seymour Duncan passive JB/’59 humbuckers for serious vintage warmth and bite
- 12-16 inch compound radius ebony fingerboard for great playing comfort
- 24X Jumbo frets are great for players who love to bend strings
ROTOMATICS WITH 18:1 GEAR RATIO (102-18 SERIES) The original Rotomatic with an improved higher ratio gearing. The 18:1 ratio provides for finer tuning and greater stability. The finer gears provide smoother tuning and a higher degree of backlash elimination.
Finger Board - Ebony
Ebony has a snappy, crisp attack with the density of Maple, but with more brittle grains, oilier pores, and a stronger fundamental tone than Maple. It has a tremendous amount of percussive overtones in the pick attack, that mute out shortly thereafter to foster great, long, sustain.
Pickups - Seymour Duncan JB SH-4/'59 SH-1N
Bridge: The world's most popular humbucker. Provides slammin' output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock 'n' roll. Neck: Versatile P.A.F.-type humbucker. Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate.
Neck - Multi-Laminate Maple and Walnut
Made from 3 pieces of maple and 2 center strips of walnut. This well balanced combination of select wood takes the bright tones of maple and adds a dark tone from the walnut strips. Often used for Thru neck construction giving the acoustic tone of the instrument a perfect string vibration transfer to the body.
Fingerboard - Compound Radius (12-16 inch)
Everyone knows how comfortable vintage guitar necks are for rhythm, but without uncomfortably high action, string bending "frets-out" on the higher frets. With a Compound radius fretboard you get the comfort of a 12 inch radius at the lower frets for Chording and easy access of Soloing at the higher frets with the 16 inch radius, not to mention perfect playability at the lowest string height possible.