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Shure SM57 Dynamic Instrument Microphone

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Product Description

A fixture in the music business, the Shure SM57 Dynamic Instrument Microphone can be seen everywhere you look. From small clubs to 100,000 seat stadiums the Shure SM57 is renowned by everyone from legendary performers to the latest up-and-comers. What you may not have seen are the thousands of Shure SM57 Dynamic Instrument Microphones at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic.

Shure SM57 Dynamic Instrument Microphone Features

  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source, reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Supplied break-resistant swivel adapter that rotates 180 degrees
  • Legendary Shure quality, ruggedness, and reliability
  • 40 to 15,000 Hz frequency response
  • Includes Mic Clip and Carry Pouch
      The standard microphone of choice for snare drums and guitar amplifiers, both in stage and studio, the SM57 has also been the standard microphone used on the podium of the U.S. President for over 30 years. Defining the way instruments should sound, the Shure SM57 dynamic microphone has a warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly drums, acoustic guitars, guitar amplifiers and woodwinds instruments.

      The Shure SM57 dynamic instrument microphone features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise. Most remarkably, the Shure SM57 Dynamic Instrument Microphone does it all for a price that's well within reach of any musician. Whether you're in the studio or on the stage, this is one piece of equipment you can't live without.

      Application and Placement
      Some of the most common applications and placement techniques for the SM57 are listed in the following table. Remember that microphone technique is largely a matter of personal taste—there is no single microphone position.

      Tom-Toms
      • Suggested Microphone Placement: One SM57 on each tom, or between each pair of toms, 1 inch (25 mm) to 3 inches (75 mm) above the heads. Aim each mic at the top heads
        Tone Quality: Medium attack, balanced sound
      • Suggested Microphone Placement: In double head toms, remove the bottom head and place a mic inside aimed at the head
        Tone Quality: Medium attack, balanced sound
      Guitar and Bass Amplifiers
      • Suggested Microphone Placement: 1 inch (25 mm) from the speaker, on-axis with the speaker cone
        Tone Quality: Most attack, emphasized bass
      • Suggested Microphone Placement: 6 inches (150 mm) to 12 inches (300 mm) away from speaker and on-axis with speaker cone
        Tone Quality: Medium attack, full, balanced sound
      • Suggested Microphone Placement: 18 inches (.5 m) to 3 feet (1 m) back from the speaker, on-axis with the speaker cone
        Tone Quality: Softer attack, thin, reduced bass sound
      • Suggested Microphone Placement: On-axis with the edge of the speaker cone
        Tone Quality: Thinner, reduced bass sound
      Snare Drum
      • Suggested Microphone Placement: 1 inch (25 mm) to 3 inches (75 mm) above the rim of the top head of the drum. Aim the mic at the head
        Tone Quality: Most snap from drumstick impact
      • Suggested Microphone Placement: If desired, place a second mic just below the rim of the bottom head
        Tone Quality: More snare sound
      Brass and Woodwinds
      • Suggested Microphone Placement: Brass: 1 foot (.3 m) to 3 feet (1 m) away, on-axis with bell of instrument
        Tone Quality: Bright, clear sound
      • Suggested Microphone Placement: Woodwinds: 1 inch (25 mm) to 6 inches (150 mm) away, on-axis with bell of instrument
        Tone Quality: Bright, clear sound
      • Suggested Microphone Placement: Bell of the instrument 90° off axis from the front of the mic
        Tone Quality: Softer, mellow sound
      Vocals and Speech
      • Suggested Microphone Placement: 1 inch (25 mm) to 6 inches (150 mm) from the vocalist’s mouth
        Tone Quality: Rich, warm sound
    • Product Specifications
      Shure SM57 Dynamic Instrument Microphone Specifications
      • Type: Dynamic
      • Frequency Response: 40 to 15,000 Hz
      • Polar Pattern: Unidirectional (cardioid)
        • Rotationally symmetrical about microphone axis
        • Uniform with frequency
      • Sensitivity (at 1,000 Hz): Open Circuit Voltage: –54.5 dBV/Pa* (1.9 mV)
        • *(1 Pa = 94 dB SPL)
      • Impedance: Rated impedance is 150W (310W actual)
        • for connection to microphone inputs rated low impedance
      • Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
      • Connector: Three-pin professional audio connector (male XLR type)
      • Case: Dark gray, enamel-painted, die-cast steel
        • Polycarbonate grille and a stainless steel screen
      • Swivel Adapter: Positive-action, break-resistant, adjustable through 180°
        • Includes standard 5/8 inch, 27 thread
      • Included Accessories:
        • Swivel Stand Adapter
        • Storage Bag
      • Net Weight (without cable): 10 ounces (284 g)
      Shure SM57 Frequency Response Chart
      Shure SM57 Frequency Response

      Certification: Eligible to bear CE Marking. Conforms to European EMC Directive 89/336/EEC. Meets applicable tests and performance criteria in European Standard EN55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments.

      Helpful Info about the Manufacturer
      Phone:  800-257-4873 Warranty:  2 Year Microphones; 1 Year Wireless Transmitters and Receivers
      J. Rolf ( "Street" ) Walker
      Overall Rating
      General
      Subject
      The "go to" instrument mic for what? the last 30-40 years? They don't come more reliable.
      General
      What is your overall opinion of this product?
      You can get as "fancy" & expensive as you want , but for all practical purposes, 99% of your live or studio applications can and will be handled successfully with only two different mics, and this is one of them . ( these suckers just don't break down on you , even with over the top abuse ).
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