Soundcraft MFXi20 Mixer and AKG Vocal Handheld Wireless Package - Frequency B1, 650-680 MHz Item #: SOD MFXAKG PAK 

Soundcraft MFXi20 Mixer and AKG Vocal Handheld Wireless Package

The compact Soundcraft MFXi20 mixer is matched with the AKG WMS450 Vocal D5 UHF Handheld Wireless which is ideally equipped for live sound applications including fixed installations, houses of worship and portable PA. The 20 mono input MFXi20 mixer is empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects. The MFXi20 mixer includes 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source.

Soundcraft MFXi20 Mixer Features

• Built-in Lexicon 24-bit effects
• Precision GB30 mic pre-amps
• True, professional +48V phantom power for condenser microphones
• 2 Group busses
• Stereo Mix output
• 20 mono Mic inputs, all with 2 stereo line inputs
• Up to 28 inputs to mix
• Aux sends, globally switchable pre or post-fade
• FX send
• Universal internal power supply

For increased versatility, the MFXi20 features two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can be used for effects sends or to provide a foldback monitor mix for artists.

The MFXi20 console uses vertically mounted PCBs which are secured with nutted pots for extra strength, stability and easy servicing. Well-spaced controls provide easy access at those critical control moments, enhanced by clear legending which highlights linked or associated functions.

Sound quality is assured by Soundcraft’s now-legendary GB30 mic preamp and the use of professional condenser microphones is facilitated by the provision of globally switched +48V phantom power. New circuit designs have improved audio quality, and lowered the overall noise floor of the console and FX sections. An integral universal power supply negates the need for an external power module.

The addition of a Kensington lock slot on MFXi/MPMi consoles provides a welcome level of security in installations.

Mono Input Module

Mic Input
A gold-plated balanced female XLR connector accepts balanced or unbalanced mic signals. At -127dbu EIN the mic amp is extremely quiet and transparent with excellent overload characteristics.

Line Input
A balanced 1/4 inch jack for connecting balanced or unbalanced electronic instruments, such as keyboards.

Insert
Used for patching in compressors or additional EQ or for other signal processors. It can also be used for recording to multi-track recorders if necessary.

Gain
A rotary gain control on each input alters the gain of the input signal, from +5 to +60dB (Line Inputs have -15dB attenuation). Linear circuitry within the preamp delivers smooth gain control over the entire gain range.

EQ Section
Equalisation is split into three bands. The shelving HF control provides 15dB of cut or boost (gain adjustment) for frequencies above 12kHz. A swept mid frequency control enables frequencies from 150Hz to 3.5kHz to be adjusted with up to 15dB of cut or boost at the selected frequency. Signals below 80Hz can be adjusted with the LF control, which features ±15dB of gain adjustment (cut or boost).

Auxiliary Section
Two Aux sends for sending separate monitor mixes in live applications, or for use with external effects. In the Master Section, each Aux bus has its own master level control and AFL. Aux 1 is fixed pre-fade, Aux 2 is switchable pre or post-fade, and Aux 3 (FX on MFXi) is set post-fade.

FX Send
For sending signal to the internal 24-bit Lexicon effects.

Pan, Muting, PFL and Routing
The Pan control positions each channel’s signal across the stereo image, with an illuminated Mute switch to cut the signal completely. A PFL button solos the signal for monitoring. The mono channels can be routed to either the main Mix outputs or the Sub Groups via the Mix/Grp switch.

Faders and Metering
Each mono channel features a smooth 60mm fader, along with Signal Present and Peak level indicator LEDs, which are located just above the fader for easy viewing of signal status.

Stereo Input Channel

Input Connectors
The stereo inputs are connected via balanced 1/4 inch jack inputs, delivering optimum performance with other professional audio equipment.

EQ Section
There are three fixed shelving controls, adjusting HF signals at 8kHz by ±15db, MF signals at 720Hz by ±15db and LF signals at 60Hz by ±15dB.

Auxiliary Section
With 2 Aux sends on the stereo input channels, the signal can be sent pre-fade (Aux 1), pre or post-fade (Aux 2) or post-fade (Aux 3/FX). Aux 2 is switchable pre or post-fade on the Master section.

FX Send
For sending signal to the internal 24-bit Lexicon effects.

Balance, Muting, PFL and Routing
The balance control adjusts the amount of the signal sent to the left and right busses.

Mute and PFL
Buttons operate as on the mono input channels, cutting or soloing the stereo channel. With PFL pressed, the prefade signal is fed to the headphones, control room output and meters. The stereo input channels can be routed to either the main Mix outputs or the Sub Groups via the Mix/Grp switch.

Faders and Metering
Each stereo channel features a smooth 60mm fader, and a peak level LED indicating signal levels in excess of +17dBu.

Master Section

Effects
A rotary control selects the effect program, with three rotary controls for effect parameters and two to control the effects level sent to Auxes 1 and 2. Buttons for PFL, Mute, Store (user effect set-up) and Tap Tempo (for time/speed-based effects such as delays). Footswitch input for FX on/off. The FX return fader has both Signal present and Peak LEDs for easy viewing of signal status. The FX master has AFL switching to check the level of the signal being sent to the FX section (or external processor).

+48V Phantom Power
Global control over professional +48V phantom power is offered via a push button. When active, an LED will illuminate.

2-Track Inputs and Outputs
2-track recorder playback inputs and record sends are on unbalanced RCA phono connectors. The Playback to Mix control routes the signal directly to the main mix, replacing the signal that is present.

Monitor Switching
Monitor outputs are selectable from 2-Track input, and Mix or Sub outputs.

Monitor Outputs
Available on balanced 1/4 inch jacks, the Headphone and Control Room monitor outputs feature independent level control.

Mix Outputs
The main left and right mix outputs are provided on balanced XLR connectors.

Stereo Return
Available on 1/4 inch jacks with level control for use with external processors.

Sub Groups
Control over the Sub Groups comes via L-R Sub Group faders. The Sub Group outputs are 1/4 inch jacks

Faders and Metering
L-R Group faders control the Sub Group levels while overall stereo mix is handled by a single 60mm fader, with two 10-segment 3-colour LED peak-reading bargraph meters monitoring the mix left and right outputs. These meters normally follow the current monitor selection, so if any PFL button is pressed, the meters will switch to monitor this and the PFL Active LED will light.

Why the WMS450 ROCKS!
60% more powerful than ANY other wireless in it’s class! The AKG WMS450 wireless systems feature high output 50mw transmitters while others in it’s class offer only 30mw (some even only 12mw!) The AKG WMS450 features the kind of power you’d typically find on systems costing thousands of dollars.

Auto Frequency Wizard
Auto Frequency Wizard makes the AKG WMS450 wireless easy to use in any environment! Not only can you use up to a possible 36 simultaneous channels of the WMS450, but the Auto-Frequency Wizard makes sure your system is interference free by automatically looking for the best frequency to use!

Great Battery Management
Be Lean and Green with the longest operating time in class: 6 hours using 1 x AA dry battery or 8 hours using our nickel metal hydride rechargeable smart battery . Plus, AKG is the only manufacturer at this price point to include charging contacts on our transmitters for drop-in use with the CU400 2 system charger.

Capsules built for the stage
Whether you want the in your face crisp sound the condenser C5 capsule offers or the impressive gain before feedback the D5 serves up, the WMS450 handhelds are perfect for where you use wireless the most...on stage!

AKG Just Sounds Better
Yeah, we know. The best sound in class is a subjective statement but with the widest frequency response and highest dynamic range along with the lowest self noise of any product in it's price range….we don't know how else to say it!

The AKG WMS 450 wireless is your ultimate choice for any wireless application calling for a solution that’s more flexible than just another plug-and-play system. This Pro Range from AKG provides a cost-effective, high-performance frequency agile solution even where several wireless devices are used simultaneously, including gigs at clubs, stages, presentations, churches or festivals. The system can auto select from 1200 frequencies and operate with up to 20 channels simultaneously within the same band. You can even set up a more complex solution using AKG antenna splitters, power supply units and charging stations.

AKG WMS450 Wireless Features

• Best in class frequency response = Sounds like a wire
• Highest dynamic range = Best signal to noise ratio
• D5/C5 capsules = Varimotion diaphragm for better sound and gain before feedback
• 50mW output = Best in class for better transmit capture to resist interference
• 8 hr on 1 AA = Best battery performance for cost savings to the end user
• Charging System = Exclusive feature in class for convenience and cost savings
• Profesional Antenna = Distribution connectivity
• Multiple Wireless Systems can operate - 18 Simultaneous Preset Channels Per Band with 3 bands available.

AKG WMS450 Vocal D5 UHF Handheld Wireless Microphone System Includes

• HT450 Handheld Transmitter with D5 microphone element
• SR450 Receiver
• SA63 Stand Adapter
• 1 AA size battery
• 2 Antennas
• Rack Mounting Kit
• Power Supply

HT450 Handheld Transmitter with D5 Microphone Element Features
The HT450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.

• Maximized rejection against feedback
• Improved handling noise sensibility
• Spring Steel elastic wire mesh cap for safe protection of the capsule element
• Rugged finish for professional applications
• Easy configuration through optimized Infrared data download from receiver
• Lowest operating costs: Up to 8 hours with 1 Battery (AA)
• Unique battery status display
• Integrated charging contacts
• Ergonomically designed shape

SR450 Receiver Features
The SR450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission.

• Best sound in class!
• All metal case with rugged finish
• Easy set up of up to 12 channels per frequency band
• Programmable Status Display with Two-Color Backlight
• Integrated frequency scanner with country specific frequency management database
• Infrared data transmission link
• Rehearsal function for finding dead spots

Leading the industry again, AMS lets you choose your wireless frequency!

Frequency Ranges
• Band 1: 650-680 MHz
• Band 7: 500-530 MHz
• Band 8: 570-600 MHz