Tascam US366 USB Audio MIDI Interface

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    Product Description

    Featuring 24 bit/192 kHz recording and and high quality HDDA mic preamps, the US366 USB is Tascam's best sounding audio interface. The 6-in/4-out or 4-in/6-out US366 features 1 Mic XLR/Line-Guitar TRS input, 1 Mic XLR/Line TRS input, 2 Line RCA inputs, 2 Line TRS and 2 Line RCA outputs and 1 Digital RCA/Optical input/output. Featuring easy-to-use controls, amazing quality, and feature-rich technology, the US366 advantages will please professional and amateur recording artists alike. The Tascam US366 is bundled with Cubase LE6.

    Tascam US366 USB Audio Interface Features

    • High-quality HDDAHigh Definition Discrete Architecture) mic pre-amps
    • US366 supports 24bit/192kHz recording
    • Two XLR/TRS (MIC/LINE) inputs with full +48V phantom power supply
    • Low-latency monitoring via DSP mixer
    • On-board digital mixer(DSP mixer) delivers two operation modes
    • On-board digital effects(DSP effects)(DSP effects can use on 44.1/48kHz operating)
    • Dedicated "MIXER PANEL" button recalls DSP mixer with one-click
    • Oversized LINE OUT volume knob
    • Two TRS analog balanced outputs
    • Two RCA analog unbalanced outputs
    • 18mW+18mW headphone output
    • Desktop design provides highly stability and usability
    • Aluminum body provides premium looks and luxurious feel
    • USB bus-powered for mobile recording
    • Steinberg Cubase LE6 bundle (Included CUBASE LE can not record by 192kHz)

    The US366 interface combines technologies like on-board digital mixers (DSP Mixer) and on-board digital effects (DSP Effects) all enclosed in an aluminum casing for the rugged reliability. In additon, the uS366 has improved HDDA (High Definition Discrete Architecture) mic pres which offer a wider frequency response (10Hz to 68kHz), high S/N ratio (98dB), low EIN (-120dBu) and low THD+N (0.0045%); qualities rarely achieved in interfaces this affordable.

    Two XLR/TRS (MIC/LINE) Inputs with Full +48V Phantom Power Supply
    The US366 is designed with two XLR with +48V phantom power and two TRS inputs. Having both options for condenser mics and line level inputs ensures you are getting the best possible sound and lowest-noise when recording. In addition, INPUT-1 can connect any high-impedance equipment directly, like a guitar.

    Multi-track Mode
    The multi-track mode is ideal for music creation. This mode delivers independent monitor-mixing from a send-level like an inline-console to a PC. In addition, this mode delivers monaural-monitoring.

    Stereo-mix Mode
    The stereo-mix mode makes podcast recording or broadcasting convenient and easy. An output audio signal from any PC can relay that signal back to the PC again via your DSP mixer. Any BGM from a PC can mix your voice by microphone then the mixed sound will transfer back to the PC again.

    The US366 is designed with on-board effects such as compressor, 3-band EQ and Reverb all located on-board the DSP. While recording, you can use the input effects for any input signal and the reverb effect on any monitoring signal at the same time.

    Insert Effects
    The input effects can be selected from compressor or 3-band EQ. Input effects can use various recording. For example, while recording vocals you can boost your high-frequency range with the 3-band EQ. Also, the compressor effect is very convenient at recording especially for bass guitar, vocal and drums.

    Send Effect
    The send effect include just reverb. The reverb effect is necessary articles at recording. Monitoring sound will get wet-sound by this reverb effect, but a send-sound to a PC keeps just dry sound.

    Dedicated Mixer Panel Button Recalls The DSP Mixer with One-Click
    The US366 is built with a MIXER PANEL button located conveniently on top. This button provides a one-click recall function for the DSP-mixer. When pushed a second time the mixer panel will be conveniently hidden.

    Low-Latency Monitoring via DSP Mixer for Stress-Free Recording
    The US366 provides low-latency monitoring via the on-board digital mixer. Volume can be monitored and adjusted easily with the dedicated knob on the top-panel.

    Oversized LINE OUT Volume Knob for Easy Monitor Level Setting
    This oversized volume knob can be an integral setting for easy and speedy fine level adjustments.

    The US366's LINE 3-4 connectors can be selected between input and output to customize TASCAM's US366 to any recording environment. When INPUT is selected, you can connect an abundance of line-level audio devices. When selecting OUTPUT, connect to devices such as multiple headphone amplifiers. This system provides dedicated monitoring management for each player. (When operating on 192kHz, LINE 3-4 connectors outputs same signal as digital output.)

    Coaxial/Optical Digital Inputs/Output
    The US366 has two types of digital input/output connectors (RCA Coaxial and TOS-link Optical). Two outputs can transmit the same signal at the same time but when input is selected, only one connector is available at a time.

    RC3F Foot Switch Ready – Control Your DAW Hands-Free
    The US366 can connect the optional RC3F foot-switch to provide hands-free control for your DAW. Utilize this feature while playing your instrument or recording at a distance from your computer. This feature operating on Mackie Control or HUI emulation and can be select from two modes.
    • PLAY mode: RW, PLAY/STOP, FF
    • REC mode: PLAY, REC, STOP

    Product Specifications
    • Supported sampling frequency: 44.1/48/88.2/96/176.4/192kHz
    • Supported bit rate: 16/24bit (Internal operation is 24bit)

    Analog audio Inputs
    MIC IN (INPUT 1/L, 2/R): XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED
    • Input impedance: 2.2kohms
    • Nominal input level (INPUT:MAX): -65dBu
    • Nominal input level (INPUT:MIN): -22dBu
    • Maximum input level (INPUT:MIN) :-6dBu

    LINE IN (INPUT 1/L, 2/R) : 6.3mm(1/4 in.) TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
    • Input impedance: 15kohms(LINE)/1Mohms(GUITAR)
    • Nominal input level (INPUT:MAX) :-39dBu(LINE)/-55dBV(GUITAR)
    • Nominal input level (INPUT:MIN) : +4dBu(LINE)/-12dBV(GUITAR)
    • Maximum input level (INPUT:MIN) : +20dBu(LINE)/+4dBV(GUITAR)

    LINE IN (LINE I/O 3-4) : RCA pin-jack (When set to "INPUT" at LINE I/O switch)
    • - Input impedance: 15kohms
    • Nominal input level: -10dBV
    • Maximum input level: +6dBV

    Analog audio outputs
    LINE OUT (LINE OUT 1/L, 2/R) : 6.3mm(1/4 in.) TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
    • Output impedance: 100ohms
    • Nominal output level: +4dBu
    • Maximum output level: +20dBu

    LINE OUT (LINE I/O 3-4) : RCA pin-jack (When set to "OUTPUT" at LINE I/O switch)
    • Output impedance: 200ohms
    • Nominal output level: -10dBV
    • Maximum output level: +6dBV

    Digital audio inputs
    • COAXIAL (DIGITAL IN) : RCA pin-jack (When set to "COAXIAL" at DIGITAL IN switch
    • Format: IEC60958-3(S/P DIF) -
    • OPTICAL (DIGITAL IN) : TOS (JEITA RC-5720C) (When set to "OPTICAL" at DIGITAL IN switch) -
    • Format: IEC60958-3(S/P DIF)
    • Digital audio outputs
    • COAXIAL (DIGITAL OUT): RCA pin-jack
    • Format: IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)*
    • Format: IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)*
    • *Output format can be selected ”S/P DIF” or ”AES/EBU” on INTERFACE tab of DSP mixer.

    • Connector: 6.3mm(1/4 in.) stereo phone jack
    • Maximum output level: 18mW+18mW or more(THD+N 0.1% or less, 32ohms loaded)

    • Connector: USB B type 4-pin
    • Format: USB2.0 HIGH SPEED mass storage class

    • Connector: 2.5mm TRS-jack
    • Supported protocol: Dedicated protocol for RC-3F (Mackie Control or HUI emulation)

    • Power: USB bus powered (5V, Max 500mA)
    • Power consumption: 2.5W
    • Dimensions (W x H x D): 140 × 42 × 140 mm
    • Weight: 500g
    • Operating temperature: 5-35°C
    • Bundle software: Cubase LE6
    • Accessories: CD-ROM (includes dedicated driver), USB cable (1.5m), DVD-ROM (Cubase LE6), Insert sheet for Cubase LE, Warranty card

    Audio performance
    • ADC chip set dynamic range: 102dB *1
    • DAC chip set dynamic range: 106dB *2

    Frequency response
    • Mic preampr: 10Hz to 68kHz, +0.5/-3.0dB
    • MIC IN to LINE OUT: 10Hz to 68kHz, +0.5/-3.0dB 10Hz to 40kHz, +0.5/-3.0dB
    • MIC IN to PHONES: 10Hz to 30kHz, +0.5/-1.0dB
    • THD: 0.0045% or less *3
    • S/N ratio: 98dB or more *4
    • EIN: -120dBu or less *5

    Operating system requirements
    • OS: Windows XP:32bit SP3 or more, 64bit SP2 or more
    • Windows 7:32bit, 64bit
    • Windows 8:32bit, 64bit

    • OS: Mac OS X Snow Leopard(10.6.8), OS X Lion, OS X Mountain Lion
    • DRIVER: Core Audio

    • *1 FS=48kHz, A-Weight
    • *2 FS=44.1kHz, A-Weight
    • *3 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA
    • *4 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA
    • *5 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=88.2/96kHz, JEITA
    Helpful Info about the Manufacturer
    Phone:  323-727-7617 Warranty:  1 Years Parts; 90 Days Labor
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    really don't know I have the 122 the older one what it looks like on the screen looks pretty good
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