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Yamaha MG3214FX 14 Bus Mixer

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Product Description

Yamaha MG FX series mixers feature three models ranging in size from the compact 16 channel MG 16/6 FX, right up to the very flexible 24 input MG 24/14 FX and 32 input MG32/14 FX, all with an impressive selection of built-in effects.
The MG 24/14FX and MG 32/14FX are serious mixers, able to meet the toughest live sound challenges. Choose either the 24 input MG24/14FX or the 32 input MG32/14MX according to your needs. The MG24/14FX is equipped with 16 mono mic/line channels with phantom power, while the MG32/14FX has 24. Both mixers feature 4 stereo input channels, dual digital effect systems on-board with a selection of 16 pro-quality SPX effects, inserts on all mono channels, and 3-band EQs with a sweepable midband and switchable hi-pass filter provided on all input channels. Additionally, the main mono output as a sweepable low-pass filter, so that it can be used to feed a subwoofer.

If you need a high-performance analog mixer for music production or sound reinforcement, the Yamaha MG Series is the first -- and last -- place you should look.

Yamaha is an unusual company. There are very few others who can claim total music involvement, but that is Yamaha's position. They've been making fine musical instruments for more than 100 years, industry-leading sound reinforcement mixers for more than 30 years, and cutting-edge digital mixers and music production gear for 15 years. In sound-reinforcement terms, 30 years is a very long time. In fact, 30 years is roughly equal to the total history of sound reinforcement (the term sound reinforcement wasn't even used back then — it was still PA), and Yamaha has been there the entire time. Innovating, leading, and in many ways defining the development of modern mixing consoles.

They're still at it. Yamaha is proud to introduce their MG-series mixing consoles, featuring six models ranging in size from a small 10-channel/2-bus unit right up to a very flexible 32-channel/14-bus type with an impressive selection of built-in effects. There have been no compromises. The MG mixers are built for great sound, total control, and superior reliability. In fact, they undergo the same rigorous quality and reliability tests as Yamaha's world-class PM-series mixing consoles. But, by taking full advantage of the latest Yamaha technology and manufacturing techniques, they have been able to pack these superlative mixers with more value than you'll find anywhere else. In short, they offer extraordinary performance and mixing power at remarkable prices.

If you need a high-performance analog mixer for music production or sound reinforcement, the Yamaha MG Series is the first — and last — place you should look.

More Details

Serious Capacity For Sound Reinforcement & Installations
If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.

24 or 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to your needs. All other features are the same. The MG24/14FX has 16 mono microphone/line channels while the MG32/14FX has 24. Both offer four stereo line channels in addition to the mono mic/line channels.

Low-noise, High-precision Mic Preamps With Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups.

Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance.

14 Buses In All For Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In both the MG24/14FX and MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors.

Insert I/O
All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required.

3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with a sweepable midband provided on all input channels are designed for exceptionally smooth, intuitive response that can help you to create cleaner, tighter mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX you have not one, but two high-performance digital signal processing stages, fed by separate effect buses, so you can enhance your mix with two separate effects at the same time. And the effects are provided by the very latest Yamaha DSP technology - you know you're getting the best. Each stage provides a selection of 16 professional - quality SPX digital effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay makes it easy to produce tempo-synchronized delays.

Talkback Input
Communication capability is important for efficient setup as well as for keeping a show running smoothly. The MG24/14FX and MG32/14FX both feature a talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency.

Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and mono outputs.

Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The MG24/14FX and MG32/14FX make this easier than ever with a built-in sweepable low-pass filter on the mono outputs.

Yamaha MG3214FX 14 Bus Specifications
  • Total Harmonic Distortion: Less than 0.1 % (THD+N)
  • 20 Hz – 20 kHz @ +14 dB 600 Ohms (ST OUT)
  • Frequency Response: 0 +1, -3 dB 20 Hz – 20 kHz @ +4 dB 600 Ohms (ST OUT)
  • Input Hum & Noise: -128dB 20 Hz – 20 kHz, Rs=150 Ohms, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB
  • Crosstalk: -70dB @ 1kHz
  • CH Input:
    • Mic: 24+1 (Input A 1 – 24, Talk Back: XLR)
    • Line: 24 (Input B 1 – 24: TRS)
    • Stereo: 2 (Ch 25 – 26, 27 – 28:TRS) * Ch25, 27:L (MONO) 2 (Ch 29 – 30, 31 – 32: TRS/RCA)
    • Insert I/O: 24 (Ch 1 – 24: TRS T: Out, R: In, S: Gnd)
  • AUX
    • Send: 6 (1 – 2/Post-Pre selectable, 3 – 4/Post-Pre selectable, 5 – 6/Post: TRS)
    • Return: 2 Stereo Sub In (L/MONO, R: TRS)
  • EFFECT Send: 2 (1, 2: TRS)
  • 2TR In: 1 Stereo (L, R: RCA)
  • STEREO Insert 1 Stereo (L, R: TRS)
  • GROUP Insert: 4 (1 – 4: TRS)
  • REC Out: 1 Stereo (L, R: RCA)
  • ST Out: 1 Stereo (L, R: XLR)
  • MONO Out: 1 (XLR)
  • ST SUB Out: 1 Stereo (L, R: TRS)
  • GROUP Out 4 (1 – 4: TRS)
  • Phones: 1 (TRS Stereo)
  • Phantom Power: + 48 V
  • CH & ST Ch Input Gain Control: 44 dB valiable
  • CH & ST High Pass Filter: 80 Hz 12 dB/Octave
  • CH EQ (MONO) –15 dB (Max.)
    • High: 10 kHz (Shelving)
    • Mid: 0.25-5 kHz (Peaking)
    • Low: 100 Hz (Shelving)
  • CH EQ (STEREO) –15 dB (Max.)
    • High: 10 kHz (Shelving)
    • Hi-Mid: 3 kHz (Peaking)
    • Low-Mid: 800 Hz (Peaking)
    • Low: 100 Hz (Shelving)
  • MONO Out Low Pass Filter: 80 – 120 Hz 12dB/octave
  • Internal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
  • Dimensions:
    • Width: 41.73 inches
    • Depth: 21.25 inches
    • Height: 5.90 inches
  • Weight: 52.91 lbs.
  • Power Requirements: UL/CSA: 75 W 120 V/60 Hz


Helpful Info about the Manufacturer
Phone:  714-522-9000 Warranty:  7 Years: DSR, DXR, and DXS Speakers; 3 Years: Power Amps, Speakers; YDP, CP, N100, PF & P Series Digital Pianos
1 Year: Digital Mixers, Studio Monitors, Analog Consoles, Powered Mixers, Multi-Track Recorders, Digital Effect Processors, Signal Processors, Synthesizers, Drum Machines, Sequencers, Tone Modules, Portable Keyboards, Guitars, Drum Shells & Hardware, Drum Shell Finish.
1 Yr Parts, 90 Days Labor: Drum Pedals, Cymbal Stands, Rack Systems
Musician/Songwriter/Artist from Georgia
Overall Rating
Quality
Features
Ease of Use
Sound
Reliability
General
Subject
Yamaha User for years.
Quality
Would you consider this product to be made well? How dependable?
Product is made very well and I have never had a Yamaha product ever let me down. The only regret I have ever had in my 30 years of Stage equipment is the time that I tried something cheaper and different brand. NEVER AGAIN!!!!
Features
What do you consider to be the best features of this product? What features would you add to this product if you could?
I can't see adding anything to this board that I might need. This board is really more than I Need but I will never have to buy anything else. This board has plenty of room for me to add more Mics or instruments.
Ease of Use
How easy is this product to use? How easy is the product to use with other products? Did it take long for you to learn to use this product? Was the manual helpful? How playable do you consider this product to be?
I didn't have to open the manual until I had wanted to learn other capabilities of this board. Wanted to learn more about the Group 1-4 uses.. There are still things on this board that I could never figure out without the manual but those are more technical than I use.
Sound
How is the tone?
Crisp and clear. No Hums whatsoever.
Reliability
How has it stood up over time?
I have used it two years and It doesn't even cross my mind that it might go out. My first Yamaha mixer board went through 15 years for a Gospel group, a rock group and then to me as a solo Artist and I wound up selling it to a Studio. Never once did it fail. Worked as well the day I sold it as the day my parents walked out of the store with it brand new.
General
Your general opinion of this product.
AWESOME!!!
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