American Musical Supply
American Musical Supply
AMS Advantage
American Musical Supply

Zoom G92TT Twin Tube Guitar Multi-Effects Pedal

Easy Payments, Fastest Shipping, Best Customer Service and Free Extended Warranty on Zoom G92TT Twin Tube Guitar Multi-Effects Pedal. makes it simple to buy gear!
Sorry! This item is no longer available.
Out of Stock:
See all items from Zoom
Product Description

The Zoom G9.2tt Guitar Console - 2 Tubes, 2 Expression Pedals and USB!
Zoom has taken the guitar effects pedal to the next level with the introduction of the new G9.2tt guitar effects console. Incorporating super high resolution with 96kHz sampling, 24-bit A/D/A conversion, two 12AX7 tubes, and the state of the art 32-bit ZFX-3 chip, the G9.2tt combines the best of the digital and analog worlds.

Whether you are after a true vintage tone or fat high-gain sound, you will fnd a choice here. There are 106 effects in 10 modules including modeling that accurately simulates well-known amps and stomp boxes.

The preamp section offers two channels per patch. You can easily select a channel by simple foot switch operation. The amp/drive-model-ing blocks have two dedicated algorithms designed for live playing and direct recording. This lets you bring the same guitar sound that you used during practice or recording right on to the stage.

A new 3D Z-pedal takes performance to the next level by allowing conventional up/down and sideways pedal movement. Assign up to four parameters in each axis of pedal movement for complex sound control patterns.

The G9.2tt features a USB port which allows the unit to function as an audio interface for a computer. Simply plug the pedal into the computer with a USB cable (sold separately) and use the high-quality sound of the G9.2tt in a computer-based recording system.

The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. The tube Energizer section gives body and warmth to the guitar sound.

A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch.

Zoom G9.2tt Features

  • 32-bit ZFX-3 processor
  • 96kHz sampling rate, 24-Bit AD and DA converters
  • World's fastest patch change speed: 7ms
  • 106 effects, 10 modules
  • Two 12AX7 tubes for natural overdrive/compression and drive/volume
  • Dual Expression pedals
  • 3D Z-Pedal allows for multi-dimensional parameter control
  • USB interface for connecting directly to a computer
  • Steinberg Cubase LE software bundled
  • Remote Patch Editor/Librarian available

Energizer Using 12AX7 Tube
Giving body to the guitar sound and adding supple power and intensity - that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.

ZFX-3 - a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.

DSP Sound Modeling Plus Tube Circuitry Create The Ultimate In Distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.

Preamp Section With Two Channels
The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.

Great For Stage Work Or Direct Recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.

Amp Select Feature
This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier.

6-band Graphic Equalizer
The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.

Guitar Amplifier/Stomp Box Modeling
Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel - the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.

32-bit Processing For A Wide Choice Of High-Quality Guitar Sound Effects
Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.

Preset Patches Ready To Use For Recording Or Live Performance
Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.

Intuitive Interface Great For Stage Use
Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.

Real-Time Modulation For 4 Simultaneous Parameters Fosters Lively Playing
The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.

World's Fastest Patch Change Speed: 7 ms
Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.

Built-In Tuner Supports Special Tuning Requirements
The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient.

ZNR Keeps Playing Pauses Really Quiet
The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.

Ultra Low Noise Design with 120 dB S/N Ratio and -100 dB Noise Floor
With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.

Sturdy Metal Chassis And Rubber Damping For Superior Toughness And Durability
The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.

USB Based Audio Interface Functions
The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable (sold separately) to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.

    Supported OS:
    Windows XP / Mac OS X 10.2 or later

MIDI IN/OUT Jacks Allow Linking To Other Equipment
The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.

AUX IN Jacks Accommodate External Sources
The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.

Accelerator Blends Tube And Solid State Sound
The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.

Z-Pedal Takes Pedal Performance To The Next Level
The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.

External Send/Return Loop Connectors
A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.


    COMP Module
  • Compressor
  • Rack Comp
  • Limiter

    WAH/EFX1 Module

  • Auto Wah
  • Tremolo
  • Ring Modulator
  • Crybaby Wah
  • Octave
  • Auto Resonance
  • Phaser
  • Slow Attack
  • Multi Wah
  • Booster
  • Fixed Phaser
  • Vox Wah
  • Pedal Resonance

    EXT LOOP Module

  • External Loop

    ZNR Module

  • ZNR
  • Noise Gate
  • Dirty Gate

    PRE AMP Module

  • FD Clean
  • HW Clean
  • Tweed Bass
  • Z Combo
  • MS Drive
  • Rect Modern
  • HK Drive
  • DZ Drive
  • Z Stack
  • Centaur
  • DS-1
  • Fuzz Face
  • TS + F Combo
  • Z OD
  • Z Clean
  • VX Clean
  • UK Blues
  • BG Crunch
  • MS #1959
  • Rect Clean
  • HK Clean
  • DZ Clean
  • ENGL Drive
  • Over Drive
  • Guv'nor
  • dist+
  • Big Muff
  • SD{M Stack
  • Extreme DS
  • Acoustic Sim. JC Clean
  • US Blues
  • VX Crunch
  • MS Crunch
  • Rect Vintage
  • HK Crunch
  • DZ Crunch
  • PV Drive
  • TS808
  • RAT
  • Hot Box
  • Metal Zone
  • FZ + M Stack
  • Digi Fuzz

    EQ Module

  • 6 Band Equalizer

    CABINET Module

  • Cabinet Sim.

    MOD/EFX2 Module

  • Chorus
  • Modulation Delay
  • Pedal Pitch
  • Delay
  • Dynamic Flanger
  • Pedal Mono Pitch
  • Bend Chorus
  • Stereo Chorus
  • Flanger
  • Vibrato
  • Tape Echo
  • Mono Pitch
  • Cry
  • Comb Filter
  • Chorus Ensemble
  • Pitch Shifter
  • Step
  • Dynamic Delay
  • Harmonized Pitch
  • Reverse Delay
  • Air

    DELAY Module

  • Delay
  • Ping Pong Echo
  • Air
  • Ping Pong Delay
  • Analog Delay Echo
  • Reverse Delay

    REVERB Module

  • Hall
  • Arena
  • Early Reflection
  • Ping Pong Delay
  • Room
  • Tiled Room
  • Multi Tap Delay
  • Ping Pong Echo
  • Spring
  • Modern Spring
  • Pan Delay
  • Auto Pan

    For Z-Pedal Z-Delay

  • Z-MonoPitch
  • Z-Step
  • X-Flanger
  • X-Vibe
  • Z-Dimension
  • Z-Oscillator
  • Z-Talking
  • X-Phaser
  • X-Wah
  • Z-Echo
  • Z-Pitch
  • Z-Tornado
  • X-Step

Product Specifications

Zoom G9.2tt Specifications

  • Effect Types: 120
  • Effect Modules: 10
  • Maximum Simultaneous Effects: 10
  • Patch Memory: User 100+Preset 100, Total 200
  • Sampling Frequency: 96kHz
  • A/D Conversion: 24bit, 64times over-sampling
  • D/A Conversion: 24bit, 128times over-sampling
  • Signal Processing: 32bit
  • Frequency Response: 20Hz-40kHz+1.0dB, -3.0dB (10kOhm load)
  • Guitar Input: 1/4-inch phone jack (Rated input level: -10dBm, Input impedance: 1MOhm)
  • AUX Input: 1/8-inch stereo phone jack (Rated input level: -10dBm, Input impedance: 10kOhms)
  • External Return: 1/4-inch phone jack (Rated input level: -10dBm / +4dBm)
  • Line Output (L/MONO, R): 2 x 1/4-inch phone jack(Rated output level: -10dBm / +4dBm, Maximum output level: +19dBm, Output load impedance: 10kOhms or more, Output Impedance: 1kOhm or less)
  • Headphone Output: 1/4-inch stereo phone jack (Rated output: 60mW / 32 Ohm load, 20mW / 300 Ohm load, Output impedance: 47kOhms)
  • External Send: 1/4-inch phone jack (Rated output level: -10dBm / +4dBm)
  • Tube Circuitry: 2 x 12AX7
  • USB Interface: 16bit, 32kHz / 44.1kHz/48kHz
  • Display: 2digit 7segment LED, backlit LCD
  • Power Requirements: 15V AC, 1.5A
  • Dimensions: 595(W)x 235(D)x 85(H)mm
  • Weight: 5.5kg
  • Supplied Accessory: AC adaptor(AD-0012)

Helpful Info about the Manufacturer
Phone:  631-542-5270 Warranty:  1 Year
B. Blade from Iowa, United State
Playability and Feel
Everything I Want
Would you consider this product to be made well? How dependable?
The product's chasis is medal while the two pedals are a combination of the former and plastic. Because of the tubes and metal chasis, the pedal is kind of heavy and awkward to carry. I wouldn't want to drop the pedal for fear of the tubes breaking. Other than that, however, the pedal is really well-built, and the pedals are excellent for volume control and expression. The Z-Pedal, a 3-dimensional pedal exclusive to the G9.2tt, allows you to further customize expression. I've yet to fully utilize this new feature, but I can say that the Z-Pedal does pose some interesting possibilities.
How has it stood up over time?
I've only had the pedal for about a month, but I don't see the thing breaking down for a few years, perhaps even longer!
Your general opinion of this product.
Another, older guitar player introduced me to the Zoom brand of pedal. I started out with the G9's baby brother, the G2Nu. After months of playing with the G2, I was extremely satisfied. The only disappointment came from the G2Nu's lack of an expression pedal. When I saw the G9.2tt, I immediately said: "It must be mine." While the additional knobs and parameters took some getting used to, the transition from the G2Nu to the G9 was almost seamless and relatively easy. Since buying the pedal, I have replicated all the tones I had on the G2Nu and dialled them into the G9.2tt.
Playability and Feel
How does it feel, Heavy, Fast, Chunky? How was the neck? Are the controls easy to get to while playing?
It is heavy. Controls can be kidn of frustrating at first. But, with a little studying of the manual, anyone can figure this bad boy out.
Bright and snappy? Dark and smooth? Were the pickups hot, mellow, thick, thin?
This pedal has the possibilitiy for any tone you want.
How did the stain or paint job look?
The pedal console overall is sleek and sexy. This thing will look good no matter what amp you have it wired to!
How was the action out of the box?
The sounds out of the box were quite satisfying, but still left something to be desired. However, I hardly use defaults.
Currently there are no discussions available for this item.
3   Review (s) - 40   Rating (s)
Sorry! This item is no longer available.