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'Boss DR 670 Dr. Rhythm Drum Machine'
Click here to Open MP3 File
'Boss DS1 Distortion Pedal'
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A mild, mellow distortion. Excellent when you pick up near the neck.
'Boss DS1 Distortion Pedal'
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Switch to your bridge pickup and let it rip. The TONE level can strengthen highs for even more distortion power.
'Boss GE7 EQ Pedal'
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This before/after demo shows the difference when you cut the middle frequency bands around 800Hz and boost at 1.6kHz.
'Boss GE7 EQ Pedal'
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This before/after demo boosts the middle bands slightly with the GE7 connected after distortion and overdrive. The LEVEL control is boosted just a bit.
'Boss GE7 EQ Pedal'
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Listen how aggressive the distortion gets when you cut the mids around 800Hz and boost the lower & higher bands with the GE7 placed after distortion or overdrive in your effect chain.
'Boss GEB7 Bass Equalizer Pedal'
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This "before & after" demo shows a setting that gives you a nice, full sound, with a boost at 500Hz and moderate boosts at 400Hz and 800Hz. Cutting 50Hz and 4.5Hz eliminates muddiness and rounds out the tone.
'Boss GEB7 Bass Equalizer Pedal'
Click here to Open MP3 File
Listen to the huge difference this setting makes. Here the GEB7 cuts the midrange at 400Hz & boosts the lows a bit at 50Hz for a bottom-heavy slap. Boosting the highs at 4.5kHz and 10kHz gives you a razor sharp sound.
'Boss GEB7 Bass Equalizer Pedal'
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Hear how cutting the highs gives you a round sound that effectively simulates the sound of a good combo amp.
'Boss MD2 Mega Distortion Pedal'
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'Boss MD2 Mega Distortion Pedal'
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'Boss MT2 Metal Zone Distortion Pedal'
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Here the high and lows are boosted with the onboard EQ. Great for metal solos and riffs.
'Boss MT2 Metal Zone Distortion Pedal'
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To get this unique, extremely distorted sound, the MT2's HIGHs and LOWs are boosted, MIDs are cut and DIST is set fairly high. This is a no-holds-barred, aggressive sound that's ideal for thrash.
'Boss MT2 Metal Zone Distortion Pedal'
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This is a great '70s power rock sound with fat, powerful MIDs - great for arena rock riffs. Work the FREQ control to tailor the MIDs response.
'Boss OD20 Drive Zone Twin Pedal'
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'Boss OD20 Drive Zone Twin Pedal'
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'Boss OD20 Drive Zone Twin Pedal'
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The classic sound of the BOSS OD1 OverDrive pedal, world renowned for its smooth tone and sustain.
'Boss OD20 Drive Zone Twin Pedal'
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'Boss OD20 Drive Zone Twin Pedal'
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'Boss ODB3 Bass Overdrive Pedal'
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One of this pedal's great features is an extremely wide GAIN range. For this particular setting, however, the GAIN is set at a minimum level to create a fat, natural overdrive. Cut the highs with HIGH EQ. Turn BALANCE to the OD side.
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CAD
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Event
Eventide
EZDupe
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FXpansion
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GHS
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Gibson
Glider
Godlyke
Golden Age Project
Gon Bops
Great Divide Guitars
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Groove Tube
Grundorf
Gruv Gear
Guild
Hal Leonard
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Hansen Futz
HardWire
Hartke
Hear Technologies
Hearos
Heet Sound
Hennessey Guitar Parts
Herco
Hercules
Hofner
Hohner
Hosa
Hot Licks
Hot Wires
HQ Percussion
Hudson Music
Hughes & Kettner
Humfree
Ibanez
IK Multimedia
Imagelab
Ion Audio
ISP Technologies
iTab
Izotope
Jackson
JamHub
JamStands
Jasmine
JBL
Jensen
Jet City Amplification
Joemeek
K Array
K&M
Kaces
Kala
Keith McMillen Instruments
Kelly SHU
Ken Smith Design
KickPort
Korg
Kramer
Krank Amps
KRK
Kurzweil
Kustom
Kyser
La Bella
Lace Music
Laney
Lanikai
Latin Percussion
Lehle
Levys
Lexicon
Lifetime
Line 6
Littlite
LR Baggs
Ludwig
Luna
Mackie
Magma
Make Music
Mapex
Mark of the Unicorn (MOTU)
Marshall
Martin
M-Audio
Maxon
Meinl
Mel Bay
Memorex
Metrophones
Mic Check
Mic Holders
Middle Atlantic
MIDI Solutions
Mighty Bright by Gold Crest
ModTone Effects
Mogami
Monster Cable
Moog Music
Morley
Morpheus
MTD - Michael Tobias Design
Mullard
Muse Research
Music Man
Music Sales
Mutron
MVP Publications
MXL
MXR
Nady
Nanda
National Thumb Pick
Native Instruments
Neumann
Neutrik
Nord
Notion Music
Novation
NS Design
Numark
Odyssey
Off The Wall
Olympus
On Stage
Onori
Orange Amps
Ortofon
Ovation
Pace Anti-Piracy
Pacific Drums and Percussion
Paul Reed Smith
PCDJ
Pearl
Peavey
Pedaltrain
Perris Leathers
Peterson
PG Music
Phil Jones
Phonic
Pignose
Pigtronix
Pioneer
Planet Waves
Point Source Audio
Posse Audio
Power-All
PreSonus
Pro Co
Proel
Pro-Mark
Propellerhead
Protection Racket
Puresound Percussion
QSC
Qwik Tune
Radial Engineering
Rain Computers
Ramirez
Randall
Rane
Raxxess
Red Witch
Regal Tip
Reloop
Remo
Revolution Drums
Revolve
Rhythm Tech
Rickenbacker
Rivera
RME Intelligent Audio Solutions
Road Ready
Roche Thomas
Rock On Audio
Rock Stands
Rockbag
Rockcase
Rock-N-Roller
Rocktron
Roc-N-Soc
Rode
Roland
Rolls
Rotosound
RTOM
Sabian
Samson
Schecter
SE Electronics
Seagull Guitars
Sennheiser
Seymour Duncan
SGR by Schecter
Shubb
Shure
Signalflex
Silvertone
SKB
Slate Digital
SM Pro Audio
Snark
SONiVOX
SONOR
Sonuus
Sony
SoundTech
Sovtek
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SpiderCapo
Squier
StageTrix
Stagg Music
Stanton
Steinberg
Steinberger
String Swing
Studio Projects
Submersible Music
Svetlana
Swirly Gig
Switchcraft
SWR
Takamine Guitars
Tama
Tannoy
Tascam
Taylor Guitars
TC Electronic
TC Helicon
TDK
Teac
Tech 21
THD
The Loar
Tobias Bass
Toca Percussion
Toontrack
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T-Rex
Tungsol
UDG
Ultimate Support
Ultra
Ultrasound Amplifiers
Universal Audio
Universal Percussion
Vater Percussion
Vestax
VHT
Vic Firth
Vocal Power
VocoPro
Voodoo Lab
VOX
Voyage Air
Waldorf
Wampler
Washburn
Waves
Way Huge Electronics
Westone
Whirlwind
Wi Digital Systems
World Tour
Wuhan Cymbals
Yamaha
Zildjian
Zoom
ZT Amplifiers
MP3
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