Item #: ARP ODYSSEYMOD1 LIST

Arp Odyssey Module Rev 1 in White


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Product Description

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favorite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

The unmistakable sound of the ARP Odyssey in a desktop module format; offering all editing and sound specifications from the keyboards - without the keys! CV/GATE including to interface with analog desktop racks and synths, USB and MIDI for interfacing with controllers and DAWs.

Legendary sound that connects the past with the present.
Reborn again as an analog synthesizer module. Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey’s original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The lineup includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

Product Specifications
Arp Odyssey Module Rev 1 Specifications
    Polyphony
    • Maximum Polyphony: 2 voices for duophonic; normally monophonic
    Controllers
    • Transpose Positions: 2 octaves down, normal, 2 octaves up
    • Proportional Pitch Control
    • Pitch Down Pad (b): about -2 / 3 octave
    • Modulation Pad (-)
    • Pitch Up Pad (#): about +2 / 3 octave
    Noise Generator
    • Noise Spectrum Types: White and pink
    Portamento
    • Maximum Speed: About 0.01 ms/oct
    • Minimum Speed: About 1.5 seconds/oct
    VCO - Voltage-Controlled Oscillator
    • Waveforms: Sawtooth, square, pulse (dynamic pulse)
    • Frequency Range:
    • VCO-1 in Low-Frequency Mode: 0.2 to 20 Hz
    • VCO-1 and VCO-2 (Audio Range): About 20 Hz to 20 kHz
    • Warm Up Drift: 1/30 semitone from turn on max
    • Pulse Width: 50 to 5%
    • Pulse Width Modulation:
    • ADSR: +45%
    • LFO: +15%
    • Voltage Controlled Response: 1 V/oct
    • Maximum Frequency Shifts:
    • LFO Sine Wave: +1/2 oct.
    • LFO Square Wave: +1.5 oct.
    • ADSR: +9 oct.
    • S/H: +2 oct.
    • (*VCO-1 is low-note priority, VCO-2 is high-note priority)
    VCF - Voltage Controlled Filter
    • Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
    • Frequency Range: 16 Hz to 16 kHz
    • Maximum Usable Q: 30
    • Resonance: 1/2 - self oscillate
    • Voltage Controlled Response:
    • C3 key (left edge) 0 V
    • C6 key (right edge) 3 V
    VCA - Voltage Controlled Amplifier
    • Dynamic Range: 80 dB
    Ring Modulator
    • Type: Digital
    • Input Signal: VCO-1, VCO-2 (square wave)
    Sample & Hold
    • Command Sources: Keyboard or LFO trigger
    • Sampled Signals: 
      • VCO-1 sawtooth wave and square wave
      • VCO-2 square wave and pink noise
    Envelope Generators
    • ADSR Envelope Generator
      • Attack Time: 5 msec. to 5 sec.
      • Decay Time: 10 msec. to 8 sec.
      • Sustain Level: 0 to 100% or Peak
      • Release Time: 15 ms to 10 seconds
    • AR Envelope Generator
      • Attack Time: 5 ms to 5 seconds
      • Release Time: 10 ms to 8 seconds
    Control Input
    • Control Input Jacks
      • Pedal: 1/4" / 6.3 mm monaural phone jack
      • Portamento Foot Switch: 1/4" / 6.3 mm monaural phone jack
    Audio Output
    • Low
      • Connector: 1/4" / 6.3 mm monaural phone jack
      • Maximum Output Level: -20 dBu @ 10 kOhms load
      • Output Impedance: 10 kOhms
    • High
      • Connector: XLR connector
      • Maximum Output Level: +4 dBu @ 1 kOhm load
      • Output Impedance: 330 Ohms
    • Headphones
      • Connector: 1/4" / 6.3 mm stereo phone jack
      • Maximum Output Level: 50 + 50 mW @ 33 Ohms load
      • Output Impedance: 10 Ohms
      • (Controllable by volume knob)
    External Analog Audio Input
    • Connector: 1/4" / 6.3 mm monaural phone jack
    • Maximum Input Level: -10 dBu
    • Input Impedance: 22 kOhms
    MIDI: In
    USB: Type B
    CV In/Out Controls
    • Keyboard CV (In/Out): 1 V/octave
    • Connector: 1/8" / 3.5 mm monaural phone jack
    Gate
    • Gate In: +3 V (minimum)
    • Gate Out: +10 V, key down; 0 V all keys up
    • Connector: 1/8" / 3.5 mm monaural phone jack
    TRIG Connector
    • Trig In: +3 V pulse min., 10 μsec duration minimum
    • Trig Out: +10 V pulse on key depression, 10 μsec duration
    • Connector: 1/8" / 3.5 mm monaural phone jack
    Power
    • Power Supply: AC adapter jack (9 VDC)
    • Power Consumption: 6.5 W
    Dimensions: (W x D x H) 19.5 x 10.4 x 3.5" / 496.1 x 264.9 x 88.9 mm
    Weight:8.2 lb / 3.7 kg
Helpful Info about the Manufacturer
Phone:  (631) 390-6800 Warranty:  1 Year
Mark David Burgh, markburgh2012@gmail.com Submitted: 6/6/2018
Product Rating brightstarbrightstarbrightstarbrightstarbrightstar
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Subject
The Past Is Now
Product Rating
What is your opinion of this product?
Korg has done a great job with this reissue. It plays well, sounds great, and gives one the access to a great old analog noise. Using actual knobs and sliders is better than moving a mouse around any day. Only problem I see, is that while pitchbend is possible with an external midi keyboard, modulation is not. Otherwise, ARP lives. Now I wait for more clones.
AMS Responds:
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