Item #: BEH MIC2200 LIST

Behringer Ultragain Pro MIC2200 Microphone Preamp

Capturing the warmth of the tube and the expected quality of sound, the Behringer MIC2200 Ultragain Pro is the perfect match for your best microphones.

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Product Description

The Behringer MIC2200 Ultragain Pro is the perfect match for your best studio vocal or instrument microphones. Combining both tube and vintage transistor technology, Behringer has captured the warmth of the tube and quality of sound you have come to expect. Each channel features: 48V phantom power with soft ramp up, a tunable, 12DB-slope High Pass Filter(15-350Hx), phase reverse switches, parametric filter for detailed point metering, level translator(variable -20 to +20dB), 12 point metering with clip indicator. Also, servo-balanced 1/4" and XLR connectors, a 5-year warranty.

Like its predecessor, our new BEHRINGER ULTRAGAIN PRO MIC2200 is once again causing sensation. It's the ideal extension to you console, sampler, hard disk recording system or DAT recorder. The extremely low-noise, high-end 2-channel microphone/line preamp with its warm tube sound lends your most demanding instrumental and vocal recordings incredible detail resolution and musical warmth. Helpful supplementary functions and dramatically improved sound make the ULTRAGAIN PRO an indispensable addition to your outboard gear.

Back to the future: tube technology from BEHRINGER®
In today's digital world the classic tube sound is experiencing a surprising renaissance. In our continuing effort to react to your demands, we've integrated a 12AX7 vacuum tube into the ULTRAGAIN PRO MIC2200. In doing this we managed to create an effective symbiosis of tradition and innovation, to further develop traditional tube circuitry and adapt it to modern professional audio technology.

The best is just good enough for you: BEHRINGER®'s high-end parametric EQ
Parametric EQ's represent the state of the art in equalizer systems. That's why they're the perfect complement for the ULTRA GAIN PRO. Our parametric EQ allows you to adjust all filter parameters: center frequency, bandwidth and amplitude. The highly precise state-variable filter allows musical frequency correction as well as creative sound shaping. Frequency switching allows you to sweep the entire frequency range from 10 Hz to 20 kHz for exceptional flexibility.

"Notching out", the precise elimination of problem frequencies for feedback or hum removal without affecting neighboring frequencies, is one of many common and invaluable applications for this EQ.

BEHRINGER® has the solutions
Be honest: have induced interference or transmission losses due to lengthy cables ever made you want to scream (or worse)?
Here's the answer: the ULTRAGAIN PRO's "Direct Inject Box" function permanently commits these deadly effects to history, converting unbalanced instrument signals into clean, balanced signals. Another vital element is the soft mute function for the +48 V phantom power, which effectively suppresses switching noises and pampers your microphones, speakers and nerves. Low-frequency signals like impact noise can also deteriorate your audio quality and damage your gear. A switchable low-cut filter with a sweepable range from 15 to 320 Hz provides efficient low-frequency attenuation and removal of unwanted noise.

Applications unlimited: the ULTRAGAIN® PRO as a level converter
The ULTRAGAIN PRO provides excellent service when you need to convert home-recording levels (-10 dBV) to the professional standard (+4 dBu) – just one more example of its outstanding functionality.

ULTRAGAIN® PRO MIC2200: audio purity at its best!

Behringer MIC2200 Ultragain Pro Features

Extremely low-noise, high-end discrete microphone/line preamp
Integrated high-quality 12AX7 vacuum tube for super-musical tube sound
Microphone input stages based on state-of-the-art, ultra low-noise 2SA1084 transistor pairs
Extreme bandwidth from 2 Hz to 200 kHz for open, transparent sound
Two additional high-end parametric EQ's
Independent level conversion from home to professional level (-10 dBV / +4 dBu)
Super low-noise 4580 operational amplifiers for outstanding audio quality
Extremely flexible "Direct Inject Box" function
Soft mute function for +48 V phantom power suppresses switching noise
Fully sweepable, switchable high-pass filter (12 dB/octave)
PHASE REVERSE button for phase correction
Precise 12-segment output level display
Servo-balanced, gold-plated XLR and 1/4" TRS connectors
Professional-quality potentiometers and illuminated switches
Manufactured under ISO9000 certified management system

See all items from Behringer

Helpful Info about the Manufacturer

Phone: 702-800-8290 Warranty: 1 Year (3 year when you register online at Behringer)

Product Specifications

Behringer MIC2200 Specifications

AUDIO INPUT

Microphone
- Connectors XLR
- Type transformerless, DC-decoupled input
- Impedance 3 k Ohms balanced
- Maximum input level +10 dBu balanced and unbalanced
- CMRR typ. 40 dB, >55 dB @ 1 kHz
Line
- Connectors XLR and 1/4" jack
- Type transformerless, DC-decoupled input
- Impedance 60 kOhms balanced
- Maximum input level +23 dBu balanced and unbalanced
- CMRR typ. 40 dB, >55 dB @ 1kHz

AUDIO OUTPUT

Connectors XLR and 1/4" jack
Type electronically servo-balanced output stage
Impedance 60 Ohms balanced, 30 Ohm unbalanced
Maximum output level +21 dBu balanced and unbalanced

SYSTEM SPECIFICATIONS

Frequency response 10 Hz to 200 kHz, +/- 3 dB
Noise > 94 dBu, unweighted, 22 Hz to 22 kHz
THD 0.011 % typ. @ +4 dBu, 1 kHz, Gain 1
IMD 0.01 % typ. SMPTE
Crosstalk < -88 dB, 22 Hz to 22 kHz

FUNCTION CONTROLS

Mic gain variable (+10 dB to +60 dB)
Frequency (lo cut) variable (12 to 320 Hz)
Frequency (PEQ) variable (10 Hz to 20 kHz), dependent on x 10 and x 0.1 switch
Bandwidth variable (0.03 to 2 octaves)
Level variable (-15 dB to +15 dB)
Output variable (-20 dB to +20 dB)

FUNCTION SWITCHES

+48 V activates phantom power
Mic/line switches from line to mic preamplifier
Phase rev. phase reverse (180°)
Lo cut activates the high-pass filter
x 0.1 switches the frequency control to 10 Hz - 200 Hz
x 10 switches the frequency control to 1 kHz - 20 kHz
EQ in/out activates the parametric filter

INDICATORS

Clip Clipping control LED
Output level 12-segment LED display: -30/-24/-18/-12/-6/-3/0/+3/+6/+9/+12/+18 dB
Function Switch: LED indicator of every switch

POWER SUPPLY

Mains voltages
- USA/Canada 120 V ~, 60 Hz
- U.K./Australia 240 V ~, 50 Hz
- Europe 230 V ~, 50 Hz
- General export model 100 - 120 V ~, 200 - 240 V ~, 50 - 60 Hz
Power consumption max. 20 Watts
Fuse
- 100 - 120 V ~: T 500 mA H
- 200 - 240 V ~: T 250 mA H
Mains connection standard IEC receptacle

PHYSICAL

Dimension (H * W * D) app. 1 3/4" (44.5 mm) * 19" (482.6 mm) * 8 1/2" (217 mm)
Net weight app. 3.0 kg
Shipping weight app. 4.2 kg

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.

Customer Reviews

11 people wrote reviews

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Brandon Miller Submitted: 7/23/2018

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Subject

Can’t help but love it!!!!

Product Rating

What is your opinion of this product?

The pre amp is rocking!!! Clear, rich tude sound!!! I use this for a diatonic Accordion durning Live shows. Make my my reeds sound so rich!!!

Tracy Submitted: 12/2/2014

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Subject

MIC2200 vs. GAP Pre-73

What is your opinion of this product?

This $99 dual channel unit holds its own against the highly rated -- all the rave -- all over the internet -- single channel GAP Pre-73. I also use Behringer C-2 microphones. This $69 matched pair holds its own against $500 AKG mics and $200 Rode mics. I've owned them and tested them side by side.

FloydtheBarber from Hammond, LA, USA Submitted: 2/26/2013

Product Rating

Subject

One Excellent Choice

A very well made product! Adds warmth to your vocals and can be used as a guitar preamp which is way cool. Necessity!

Not a thing. It has all the controls one needs.

EASY.

The Sound is just fantastic.

Just got it.

Your general opinion of this product.

One of the best purchases I've made

Phil B from Shawnee, OK, musicman08@att.net Submitted: 4/14/2011

Product Rating

Subject

BEH MIC2200 Pre Amp

very!

I lik eth edirsct box, th epreamp for my mic.

I had it running right out o fthe box in thirty minutes.

It's sound for my vocals are great.

Your general opinion of this product.

a great bye for its quality

Corey from Jay, Maine Submitted: 1/19/2010

Product Rating

Subject

Expands sound for less $$

Built well.

Tube warmth is 50% of the reason I bought it. Price was the other 50%.

Still fine tuning, but fairly easy to use.

Helps us out with our vocals, takes the strain off the mixer.

Only had it 2 weeks. Time will tell.

Your general opinion of this product.

Great, love it.

J. Grigsby from Arroyo Grande, California Submitted: 6/8/2009

Product Rating

Subject

Pro product. . . . Pauper price!

Bullet proof! Top class product!

Very versatile! A bit difficult having jacks and plugs on rear of box. I don't use it mounted in a rack, so the script below the knobs was a bit difficult to read. Nice EQ features to isolate or increase needed frequencies.

Excellent documentation! After reading manual, was able to learn the parameters for the EQ settings and overall operation of device. Really helped pump up my two Sterling condenser mikes that needed just a bit more gain/applification for recording!

I'm sure it will be tip top! I've owned other Behringer effects boxes, and they are top notch designs!

Your general opinion of this product.

A lot for the money! Will be a very useful tool!

Francis Leggett from Raeford NC Submitted: 2/5/2008

Product Rating

Subject

great piece of gear

Your general opinion of this product.

I purchased this unit 2years ago and I never really experienced the true purpose of it until recently. I now use it to warm of my sounds.

great for the money

AMS Customer from USA Submitted: 2/5/2008

Product Rating

Subject

A great mic preamp

Your general opinion of this product.

QUALITY:
Well built although the rack ears are a bit crooked. They fit well in the rack fine. Otherwise excellent build quality.

FEATURES:
Please note there are two mic channels and two parametric EQs. The tube is shared. The next model up has a tube per channel and is built around tube sound with a warmness control that works well. The Ultragain Pro is a bargain as most Behringer equipment is.

VALUE:
Great value for money. A single channel with a tube and parametric EQ can't be found for much less. Having two mic inputs is a bonus. The sound is rich and surprising. Some people have a stigma towards Behringer's name. Don't be fooled. I'm using it for professional recordings and am satisfied completely.

SOUND:
Tube preamps at worst sound good. Even cheap ones can gain from a tube to warm up otherwise cold sounding to poorly designed inputs. You get good inputs and nice tube sound with great transparency.

STYL

AMS Customer from USA Submitted: 2/5/2008

Product Rating

Subject

Better than some reviews depict.

Your general opinion of this product.

Ok. I bought this on a whim for use as a Bass guitar preamp. I was taken by the price initially. After I ordered, I checked reviews at www.Harmonycentral.com and was very disappointed before it even arrived. ( I bought this on impulse like I said.) The reviews were for its use as a mike preamp. I am not using it this way... The first thing I noticed was that the tube is lit from the back by yellow LED's in the circut board. SCAM!!!! I instantly called AMS and obtained a RMA number. I took it to rehearsal anyway and was very impressed with the tube sound ( However subtle) with a Crown amp driving a SWR Goliath III. There is tube tone present that is perfect for a bass. Using this in my bass rig I'm getting a nice underlying tube growl without sacrificing clarity. You have to use its XLR input to unlock the gain stages but I got around this with a direct box.

AMS Customer from USA Submitted: 2/5/2008

Product Rating

Subject

Undecided

Your general opinion of this product.

Behringer products have allowed me to get up to speed with a lot of products I could not afford otherwide. When using as a mic preamp for digital recording with inexpensive Samson C01 Condensors, I get lots of gain and a warmer sound. I do have issues with noise for recording acoustic sources at a distance. I use it on inserts to tweak sounds as well. Get one of these until you can afford a more expensive 2-channel rack unit, and use it secondary unit after you can afford the upgrade.