Item #: DAV OB6MOD LIST

Dave Smith Instruments OB6 Module Analog Synthesizer

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Product Description

Producing the Classic Oberheim sound, the OB-6 desktop module is powerful and easy to use. The OB-6 desktop module has all its parameters at your fingertips with full sized knobs and switches. The comfortable intuitive layout provides immediate access and ease of use so you can explore your creativity without having to learn menus.

How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.

The OB-6 desktop also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!

Two Legends. One Instrument
Both the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.

Vintage SEM Tone
The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.

Dual Effects
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.

X-Mod and Poly Step Sequencing
Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.

Easy to Program
The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.

Easy to Play
This analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.

Product Specifications
Dave Smith Instruments OB6 Module Analog Synthesizer Specifications

Oscillators

  • Two discrete VCOs per voice
  • Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator
  • Pulse width per oscillator
  • Hard sync: oscillator 1 syncs to oscillator 2
  • Square wave sub-octave generator (oscillator 1) per voice
  • Low frequency mode (oscillator 2)
  • Keyboard tracking on/off (oscillator 2)
  • Oscillator detune amount for increased tuning instability, from subtle to extreme
Mixer
  • Oscillator 1 amount
  • Oscillator 1 sub-octave amount
  • Oscillator 2 amount
  • White noise amount
State-Variable Filter
  • Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter
  • Bi-polar filter envelope amount
  • Velocity modulation of envelope amount
  • Keyboard tracking: off, half, full
Filter Envelope
  • Four-stage (ADSR) envelope generator
  • Velocity modulation of envelope amount
Amplifier Envelope
  • Four-stage (ADSR) envelope generator
  • Velocity modulation of envelope amount
Low Frequency Oscillator
  • Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)
  • Clock sync (internal or external MIDI clock)
  • Initial amount
  • Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp
X-Mod
  • Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
  • Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter
Aftertouch
  • Source: channel (mono) aftertouch with bi-polar amount
  • Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode
Clock
  • Master clock with tap tempo
  • BPM control and display
  • MIDI clock sync
Arpeggiator
  • Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
  • One, two, or three octave range
  • Up, down, up/down, random, and assign modes
Sequencer
  • Polyphonic step sequencer with up to 64 steps and rests
Effects
  • Stereo analog distortion
  • Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator
  • Delay sync
  • True bypass maintains fully analog signal path when digital effects are off
Performance Controls
  • Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
  • Backlit pitch and mod wheels
  • Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
  • Transpose controls for an 8-octave range
  • Hold switch latches held notes on
  • Polyphonic portamento
  • Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes
  • Manual switch: when on, the front panel is live; what you see is what you hear
Patch Memory
  • 500 user and 500 factory programs in 10 banks of 100 programs each
  • Direct program access, including single-button access to the current set of 10 programs
In/Out
  • Left/mono and right audio outputs (2 x 1/4” phone jack)
  • Headphone output (stereo, 1/4” phone jack)
  • MIDI in, out, and thru ports
  • USB for bidirectional MIDI communication
  • Filter cutoff expression pedal input
  • Volume expression pedal input
  • Sustain footswitch input
  • Sequencer start/stop footswitch input
Power
  • IEC AC power inlet for internal power supply
  • Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption
Physical Specs
  • 20.75” L x 7.8” W x 4.4″ H (52.0 cm x 19.8 cm x 11.2 cm)
  • 13.0 lbs (5.9 kg)
  • Walnut end panels
Helpful Info about the Manufacturer
Phone:  707-963-7006 Warranty: 
Pleasedontplayjump Submitted: 9/26/2018
Product Rating
verified
Subject
Maybe somewhat limited, but awesome.
Product Rating
What is your opinion of this product?
I probably wouldn’t recommend as a first or only hardware synth as there are some things I just wouldn’t think to use it for, but in certain applications it’s amazing. It is generally more loose and aggressive sounding than my prophet 6, but also maybe a bit less versatile. Filter mode modulation can yield really interesting results. It handles bass, leads, and pads well. The desktop gets a little warm when left on, so I typically switch it off when not in use to avoid any problems. This isn’t something I’ve noticed with the p6 keyboard and I’m sure it’s just due to the smaller form factor.
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Carrollina Submitted: 5/7/2018
Product Rating
verified
Subject
This is that 80’s sound and much more
What is your opinion of this product?
This can get that Scarface Theme sound real easy and a bunch other sounds. Really dramatic type of sound. It would probably be great for sound design and old video game tones. I cand get that old A Tribe Called Quest vibe!! I love it
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