Gibson Les Paul Studio Guitar Chrome with Case

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Product Description

The Gibson Les Paul Studio enhances the solid, proven design of the world’s most famous guitar with a sleek, no-frills look.
The Studio Les Paul gives traditional performance with a Modern attitude. Introduced nearly 25 years ago as a guitar for the studio musician, the Les Paul Studio has become one of the most desired Les Pauls for it's tremendous harmonic capabilities. The Studio maintains the iconic Les Paul's traditional elements: a maple top with a matched mahogany back, and a neck crafted from a single piece of mahogany, hand-sanded to perfection, and given Gibson's traditional 50 rounded neck profile.

Gibson Les Paul Studio Electric Guitar Features
  • Mahogany Back and Maple Top with Chambered Body
  • Set neck ’50s Rounded Neck Profile
  • 22-Fret Granadillo Fingerboard with Nickel/Silver Frets
  • Gibson 490R and 498T Pickups
  • Angled Headstock
  • Adjustable Truss Rod
  • Trapezoid Inlays
  • Tune-O-Matic Bridge
  • Nitrocellulose Finish
Read what some of our customers have said:

    The sound is amazing. You'll sound like a pro just by playing this guitar.
    -Dennis K. From Shippensburg PA

    Sounds perfect. I am not changing a thing!
    -mayes213 From Poseyville, IN

    I've had a hard time putting it down since I got it. Sounds awesome!
    -Joe L. from Overland Park
The Les Paul Studio is the favorite of guitarists who demand traditional Les Paul performance with a modern look.

’50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional ’50s neck profile, found on the Les Paul Studio, is the thicker, rounder profile, emulating the neck shapes of the iconic 1958 and 1959 Les Paul Standards. The neck is machined in Gibson’s rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest—including the final sanding—is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Gibson’s 490R and 498T Pickups
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. It was an interpretation of the blues that hadn’t been heard before, and it was much harder, more rocking, and definitely louder than anything else before it. As such, this new genre’s players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup to split coils through a push/pull knob, and prevent the microphonic feedback that occurs when the volume is turned up to maximum levels. Gibson answered this call with the introduction of the revolutionary 490T and 490R pickups (T for treble, and R for rhythm), which has the traditional characteristics of the original Patent Applied For pickups, but with two key modifications. First, a four-conductor wiring scheme allows the 490s to be connected to any push/pull knob, which lets players split the coils and increase versatility. Gibson also introduced wax potting, which does away with any air space inside the pickup, thus lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490’s ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

22-Fret Granadillo Fingerboard
Granadillo graces the fingerboards of the Les Paul Studio, including many of today’s Gibsons. The fingerboards on Gibson’s Les Paul Studios are constructed from Granadillo. Both are personally inspected and qualified by Gibson’s team of skilled wood experts before they enter the factories to be fitted onto the neck of the Les Paul Studio. The resilience of these dense and durable woods makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates dead or choked out notes, common occurrences on fingerboards with lesser radiuses.

Mahogany Back and Maple Top
There isn’t anything more critical than the marriage of the Les Paul’s mahogany back with a maple cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the Gibson factories. These onsite inspectors also ensure that the plain maple comes from corporations adhering to the forest-saving standards of the Rainforest Alliance, of which Gibson is a proud member and sponsor. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of equilibrium, where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods’ machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There’s something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul’s solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument’s sound. So, in addition to relieving the stress on a player’s back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.


American Musical Supply - an Authorized Gibson Internet Retailer has been selected as one of Gibson's very few Authorized Internet Retail Sites in the United States. As one of these select few Internet sites, AMS offers an unparalleled selection of all of Gibson’s premium brands, all covered by Gibson’s Limited Lifetime Warranty – only available from Authorized Gibson retailers.

Gibson is recognized as one of the most respected guitar builders in the world. AMS is proud to have a decades-long history with them and honored that Gibson has chosen us to bring their world-class instruments to you. Look for more new product announcements, special events and promotions in the coming months.

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Helpful Info about the Manufacturer
Phone:  800-444-2766 Warranty:  Limited Lifetime

Product Specifications

Gibson Les Paul Studio Specifications
  • Top: Carved maple top
  • Back: Mahogany
  • Neck: Mahogany
  • Neck Profile: 59 Rounded
  • Peghead Pitch: 17 degrees
  • Thickness at 1st fret: 0.818 inches
  • Thickness at 12th fret: 0.963 inches
  • Heel Length: 5/8 inch
  • Neck Joint Location: 16th fret
  • Fingerboard: Granadillo
  • Scale length: 24-3/4 inches
  • Total Length: 18.062 inches
  • Nut Width: 1-11/16 inches
  • Width at 12th fret: 2.062 inches
  • Frets: 22
  • Inlays: Pearloid trapezoid
  • Hardware: Gold or Chrome (As Specified)
  • Bridge: Tune-o-matic
  • Tailpiece: Stopbar
  • Knobs: Black Speed
  • Tuners: Green Key
  • Neck Pickup: 490R Alnico magnet humbucker
  • Bridge Pickup: 498T Alnico magnet humbucker
  • Controls: Two volume, two tone, three-way switch
  • Case
    • Exterior: Black
    • Interior: White
  • Strings: .010-.046; Brite Wires

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