Midas DM12 12 Input Analog Live / Studio Mixer with MIDAS Mic Preamps

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    Product Description

    The compact DM12 first and foremost provides incredible sonic performance and amazing versatility all in a compact format! This level of performance has never before been available at such an affordable price from Midas. For live or studio use, the DM12 will meet the demands of any discerning mix engineer!

    What is the secret behind DM12’s superb, studio-quality sound? The DM12 features 8 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 12 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM12!

    Midas DM12 12 Input Analog Live / Studio Mixer with MIDAS Mic Preamps Features

    • Live performance and studio recording analogue mixer with 12 input channels
    • 8 mono input channels with award-winning MIDAS microphone preamplifiers
    • 2 electronically-balanced stereo line input channels on 1/4 inch TRS connectors
    • 3 band EQ on mono channels with swept mid band
    • 2 aux sends with pre/post fader switching
    Live Performance and Studio Recording
    With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

    Dedicated Stereo Inputs
    Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.

    Sublimely Musical British EQ
    The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on the DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to fine tune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

    Dual Aux Sends
    The DM12 is also equipped with 2 aux sends with pre/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.

    Product Specifications
    Midas DM12 12 Input Analog Live Studio Mixer Specifications
    • Mono Inputs:
      • Mic inputs (MIDAS mic preamp): 8
      • Type: XLR, balanced
      • Mic EIN at 60 dB gain, 50 O source at insert send: -131 dBu, unweighted, 20 Hz to 20 kHz
      • Mic EIN at 60 dB gain, 150 O source at insert send: -128 dBu, unweighted, 20 Hz to 20 kHz
      • Noise at 10dB Gain, at insert send: -97 dBu, unweighted, 20 Hz to 20 kHz
      • Frequency response (-1 dB) at main output: 20 Hz to 20 kHz (-1 dB)
      • Frequency response (-3 dB) at main output: 70 kHz (-3 dB)
      • Mic Gain range: +10 dB to +60 dB
      • Max. input level: +11 dBu @ +10 dB gain
      • CMRR at +60dB gain: Typically -90 dB
      • Impedance: 2 kO, balanced
      • Distortion (THD+N) at 0 dBu: 0.005% at 1kHz
      • Phantom power: Switchable, +48 V
    • Line Input:
      • Type: 1/4 TRS, balanced
      • Impedance: 20 kO balanced / unbalanced
      • Line Gain range: -10 dB to +40 dB
      • Max. input level: +30 dBu
    • Stereo Inputs:
      • Type: 4 x 1/4 inch TRS connector, balanced
      • Impedance: 20 kO balanced / unbalanced
      • Gain range: -20 dB to +20 dB
      • Max. input level: +21 dBu
    • Equaliser:
      • Low: ±15 dB @ 80 Hz, shelving
      • Mid (mono inputs only): ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric
      • High: ±15 dB @ 12 kHz, shelving
    • Channel Inserts:
      • Type: 1/4 inch TRS connector, unbalanced
      • Max. input / output level: +21 dBu
    • Aux Sends:
      • Type: 2 x 1/4 inch TRS connector, balanced
      • Impedance: 240 O balanced, 120 O unbalanced
      • Max. output level: +21 dBu
    • Monitor Out:
      • Type: 2 x 1/4 inch TRS connector, balanced
      • Impedance: 240 O balanced, 120 O unbalanced
      • Max. output level: +21 dBu
    • Main Out:
      • Type: 2 x XLR, electronically balanced
      • Impedance: 100 O balanced, 50 O unbalanced
      • Max. output level: +21 dBu
    • Main Out Inserts:
      • Type: 2 x 1/4 inch TRS connector, unbalanced
      • Max. input / output level: +21 dBu
    • Phones Output:
      • Type: 1/4 inch TRS connector, unbalanced
      • Impedance: 25 O
      • Max. output level: +21 dBu
    • 2-Track Input:
      • Type: 2 x RCA, unbalanced
      • Impedance: 20 kO
      • Max. input level: +21 dBu
    • Record Out:
      • Type: 2 x RCA, unbalanced
      • Impedance: 1 kO
      • Max. output level: +21 dBu
    • Main Mix System Noise:
      • Main mix at -?, channel fader at -8: -104 dBu, unweighted, 20 Hz to 20 kHz
      • Main mix at 0 dB, channel fader at -8: -91 dBu, unweighted, 20 Hz to 20 kHz
      • Main mix at 0 dB, channel fader at 0 dB: -84 dBu, unweighted, 20 Hz to 20 kHz
    • Power Supply / Voltage (Fuses):
      • Switch mode power supply: 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
      • Power consumption: 40 W
      • Mains connection: Standard IEC receptacle
    • Dimensions (HxWxD): 3.7 x 12.9 x 14.6 inches (95x328x370mm)
    • Weight: 3.9 kg (1.8 lbs)

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