Neumann TLM67 Studio Condenser Microphone

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MSRP: $3,495.00
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Product Description

Neumann TLM 67 Studio Condenser Microphone; more genius from an industry leader in quality studio recording!
Among many incredible studio mics on the market Neumann mics have been a leader in high-end studio productions for decades. The TLM 67 (or 67) has been associated with inspired enthusiasm from professionals throughout the field of audio recording. It comes as no surprise that this mic contains the number 67, in many respects; the TLM 67 is based on Neumann's workhorse mic of the 1960s, the legendary U 67. Like the U 67, the TLM 67 uses the very same K 67 capsule but boasts a special circuit design closely reproducing the same characteristics of sound you would find in the classic U 67 (minus the use of tubes).

Versatile, the TLM 67 utilizes three switchable directional characteristics (omni, cardioid and figure-8), a selectable 10 dB pre-attenuation and high-pass filter giving you additional control over the detail of the mic, depending on the recording requirements.

Neumann TLM 67 Features

  • Sound characteristics based on the legendary U 67
  • Three switchable directional characteristics (omni, cardioid and figure-8)
  • Switchable high-pass filter and pre-attenuation
  • TLM (Transformer-less Microphone) Circuitry
  • A large wire mesh grille
  • Elastically mounted double diaphragm capsule
  • Unique Pearl-gray/Neumann nickel dual-color design
  • 80th Anniversary 3D George Neumann emblem
  • Includes case, shockmount and windscreen
The letters TLM stand for transformer-less microphone. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.

Due to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.

Filter and pre-attenuation
The pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by 10 dB (approx) It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.

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Helpful Info about the Manufacturer
Phone:  860-434-9190 Warranty:  2 Years

Product Specifications

Product Specifications
Neumann TLM67 Studio Condenser Microphone Specifications
  • Acoustical operating principle: Pressure gradient transducer
  • Directional pattern: Omni/cardioid/figure-8
  • Frequency range: 20 Hz - 20 kHz
  • Sensitivity at 1 kHz: 10/18/9 mV/Pa (1 kohm)
  • Rated impedance: 50 ohms
  • Rated load impedance: 1 kohms
  • Equivalent noise level: 29/24/30 dB (CCIR)
  • Equivalent noise level: 16/11/17 dB-A (A-weighted)
  • Signal-to-noise ratio 65/70/64 dB (CCIR) rel. 94 dB SPL
  • Signal-to-noise ratio: 78/83/77 dB-A (A-weighted) rel. 94 dB SPL
  • Maximum SPL (tube characteristic) for THD: < 0.5 % 110/105/111 dB
  • Maximum SPL (tube characteristic) for THD: < 5 % 130/125/131 dB
  • Maximum output voltage: -1 dBu
  • Dynamic range of the mic amplifier: 94 dB (A-weighted, 0.5 %)
  • Dynamic range of the mic amplifier: 104 dB (A-weighted, 5 %)
  • Power supply: P48
  • Matching connector: XLR 3F
  • Weight: 1.08 lbs (490 g)
  • Diameter: 2.2 inches (56 mm)
  • Length: 7 7/8 inches (200 mm)

Customer Reviews

jimmy luboyera Submitted: 10/5/2018
Product Rating
i love it vacals came out nice
Product Rating
What is your opinion of this product?
very good mic
Marty Submitted: 6/28/2018
Product Rating
More of this PLEASE!
What is your opinion of this product?
I have had this mic about 30 minutes but I can already tell I'm gonna love it! First, let me say I have hated the TLM103 for years because of its huge presence rise. Rode, AudioTechnica, even AKG (except the 414) have ruined many otherwise decent mics with this treble boost, even 30 years into digital recording. We don't need this boost in our mics anymore, and it gets fatiguing after 24+ tracks of overdubs. The TLM 67 has none of this top boost, yet is clear and airy in the top end. I've never worked with a real U67, so I can not attest to how close this gets, but I did work with an original U87i years ago, and this mic reminds me of that with thick but clear low mids on a male (my) voice. Sibilance is natural and not spitty at all. Is this mic worth over twice what the 103 costs? Absolutely, because it is at least 10 times more usable now with a natural top end. All manufacturers, PLEASE make your mics like this! I can't wait to use these on a drum kit! And female vocalists!
Southpole Studio Submitted: 2/4/2016
Product Rating
Destined to become a classic!
What is your opinion of this product?
I've used so many mic's over the past 25 years, from cheap to vintage, in small home studios to some of the biggest studios in the US. I've used about 7 different vintage U-67's including my favorite at the Interscope "Boiler Room", and while the TLM 67 is not a U-67, it is a clean modern version of the classic sound we love from the U-67, a beautiful full mid range tone for days. If you take the time to learn this mic, it can be a workhorse, providing a great front end for our modern bright digital world, at a very nice price point. A TLM 67 with a Copperhead would cover almost everything a small studio would need. Also, if you lust after the vintage tone, search for the ioaudio at gmx dot net U-67 quick change, reversible, mod kit and have the best of both worlds for less than a vintage U-67. This Neumann is destined to be a classic!
Mitchell Sullivan, Submitted: 10/2/2014
Product Rating
Greatest investment in my Home studio
What is your opinion of this product?
I run recording sessions on my home studio. I have this connected to a VLZ4-2404 and DBX Compressor while using protools and I must say that this is by far a mainstream industry microphone. Vocals are so clean and crisp as if you were using a Neumann U87. I love it, my wife loves it, my 4 year old oves it and my clients always come back to record more. This made me have the best quality in Junction City, Kansas.
Vs Stylez from Harlem, NY Submitted: 5/31/2014
Product Rating
Your general opinion of this product.
This is hands down the mbest microphone ive ever owned. At first i was skeptical becuase of thhe great amount of negative reviews. After my first recording i was blown away at the clarity and the accuracy of the microphone. This is a definite must have.
It seems to be very durable. Very nice weight to the product.
Plug and play, cant get any simpler.
The best feature of the microphone is how accurate the voice transmits to the speakers. The sound is almost perfect coming right out of the microphone.
Beautiful tone, no complaints.


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