The 410e-R is a non-cutaway dreadnought guitar featuring satin-finish Indian rosewood back and sides with a gloss-finish Sitka spruce top. This non-cutaway dreadnought blends a classic body style with the equally classic tonewood pairing of rosewood and spruce.
Taylor 410eR Acoustic Electric Guitar Features
- Dreadnought Shape
- Sitka Spruce Top
- Indian Rosewood Back and Sides
- Expression System 2 Electronics
- Taylor deluxe hardshell case
The 410e-R offers players the quintessential acoustic workhorse guitar, especially for flatpickers and strummers looking for strong tonal output, good low-end growl, and strong, clear trebles. An easy-playing Taylor neck makes chord progressions and lead runs a breeze all the way up the fretboard, while the slightly narrower 1-11/16-inch nut width makes barre chords less of a stretch.
The Expression System® 2 pickup captures the potent Dreadnought sound with appealing warmth and clarity. The guitar features Taylor’s Performance bracing, a full-gloss body, Italian acrylic dot inlays, white binding, a 3-ring rosette, and Taylor nickel tuners. The guitar ships in a Taylor deluxe hardshell case.
Expression System® 2
The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Behind the ES2 Design: Rethinking the Piezo Pickup
For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.
The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.
Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.