Guitarist love the three upgraded features of the 810e-DLX which are a newly designed radius-style armrest in maple with rosewood top edge trim, Adirondack spruce bracing, and chrome Gotoh tuners. Dreadnought players enjoy the experience of the sleek feel of the rounded radius armrest on the rosewood/spruce 810e DLX, especially since the body’s wider waist naturally causes the guitar to sit higher in a player’s lap and push the lower bout (and potentially one’s picking arm) higher as a result.
Taylor 810e DLX Dreadnought Acoustic Electric Guitar Features
- A newly designed radius-style armrest in maple with rosewood top edge trim
- Adirondack spruce
- Chrome Gotoh tuners
- Taylor Expression System 2 electronics
- Come with Taylor deluxe hardshell case
The guitar boasts a bundle a tone-enhancing refinements that help unleash driving low-end power with a vibrant upper register. Even better, 800 Deluxe models feature premium Adirondack spruce bracing, which in this case will reward hearty flatpickers with extra dynamic range, bold top-end punch, a robust projection. Premium appointments include Gotoh 510 tuners, which sport a 21:1 gear ratio for ultra-fine tuning control, maple binding and back strip, rosewood top edge trim, a rosewood pickguard, mother-of-pearl Element fretboard inlays, a smoky ebony fretboard, and Taylor’s natural-sounding Expression System 2 pickup and preamp.
Dreadnought Body Shape
The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love our Dreadnought’s blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.
Taylor’s refined take on the classic Dreadnought shape produces a robust voice with low-end power, a snappy midrange, and strong, clear treble notes, retaining the essence of the balanced Taylor sound. The guitar will appeal to flatpickers and lovers of traditional guitar shapes and tones.
A traditional shape for flatpickers, refined for the modern era.
Expression System® 2
The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Behind the ES2 Design: Rethinking the Piezo Pickup
For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.
The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.
Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.
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