Pulse 2 Analog Synthesizer is proof positive that good things can come to those who wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic music dominating sounds have been severely sought-after by those in the know.
Waldorf Pulse 2 Analog Synthesizer Features
- 3 analog oscillators + 1 noise generator
- Pulse width modulation
- Hard sync
- Filter FM from Oscillator 3
- Ring Modulation from Oscillator 3
- XOR Osc Mode
- 8/4 Voice Paraphonic modes
- Cascade Filter
- 24dB/12db Lowpass, 12db Highpass/Bandpass filter modes
- Powerful Arpeggiator
- 8-slot Modulation Matrix
- External analog signal input
- Stereo line out
- Headphone out
- Backwards compatible with classic Pulse
- 128x64 character backlit LCD
- 8 stainless steel knobs
- 500 Sound Programs
- Electron-absorbing black case
As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time — three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter): the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords.
Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.
Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output — not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI ‘note’ information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that’s not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!
Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (capable of producing inharmonic spectra unlike anything associated with any analog synth) — all of which, of course, contribute to kickstarting those still sought-after sounds right here, right now in the 21st Century.
Speaking of which, 500 onboard sound programs should be more than enough to keep the most diehard synthesist smiling! What’s more, all are backwards-compatible with the original Pulse series, so original Pulse owners can quickly transfer their favorite sounds to their new Pulse 2 via MIDI (dump).
Thanks, then, to the timely arrival of the Pulse 2 Analog Synthesizer, readily reincarnated ballsy bass tones and legendary leads beyond compare can all be yours with much more besides in a truly 21st Century compact and bijou performance package priced to go!