Audix DP7 Drum Microphone Package; Record with All Your Drums and Cymbals Covered!!
The DP7 package represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.
Audix DP7 Package Features
Audix DP7 Drum Microphone Package Includes
- All-in-one solution for miking drums
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Great for stage and studio
- D flex clips for easy positioning
- Road case
- One D6 with DCLIP (bass drum mic)
- One i5 with DVICE rim mount clips (snare, guitar/bass cab mic)
- Two D2 mics with DVICE rim mount clips (tom-percussion inst. mics)
- One D4 with DVICE rim mount clip (floor tom, bass cab mic)
- Two ADX51s mics with DCLIPS (condensers for drum overheads, acoustic guitar, percussion instruments)
- One Aluminum road case
Included in the DP7 drum microphone package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.
D6 - Kick Drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.
i5 - Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.
D2 (x2) - Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounded harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hyper-cardioid polar pattern, no gating is needed.
D4 - Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size and performance. versatility. The D4 is characterized with a flat linear response from 40 Hz - 18 kHz making it the most versatile of all the D-series microphones.
ADX51 (x2) - Overheads
The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound. Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments. The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.CALIFORNIA PROPOSITION 65 WARNING
WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.