Allen And Heath QU-16C 16 Channel Digital Mixer Chrome Edition

Item
ALLQU16C

h m s

free-shipping-icon
In Stock!Order now!
Remove one item Add one item

Compare

Compare! Here are all the serial numbers of this model we have in stock. Compare them all and select your favorite!

    0%Free ShippingExtended Warranty45 Day returnShips to Canada

    Free Shipping - No Extra Charge!

    Our 4 state-of-the-art, strategically located warehouses are highly efficient and allow us to ship your gear in record time - and most orders will arrive at your door within 2 days for free. Shortly after you place your order, a Ship Confirmation email will arrive letting you know the order was picked, packed, and put on a truck. Full Details


    Shipping Map

    Free Extended WarrantyFree Extended Warranty

    12 Months EXTRA for Free!

    Many of our competitors charge 10% or more for an additional 12 months of warranty on the products they sell. AMS offers this exclusive benefit to our valued customers at no extra charge. Thousands of items on our site and in our catalog carry the "Gold Lock Extended Warranty" icon. It means you get the manufacturer's full warranty plus 12 additional months, FREE!!!

    45 Day Money Back Guarantee45 Day Money Back Guarantee

    Our 45 day return policy allows you to buy with confidence at AMS! If you are not completely satisfied with any item* purchased from AMS, return it to us within 45 days of the shipping date, and we will refund your money or help you with an exchange. That's always been our policy, and now we've added the ease of Electronic Return Labels!

    Canadian Shipping Information

    Welcome Canadian musicians! Buying your gear from AMS is as easy as going to a local music store, with more selection and more than competitive prices!

    Items with this logo are eligible to ship to Canada. Please note that you will be responsible for payment of brokerage fees, duties and other import taxes applicable to your order.

    NOTE: Free shipping offers do not apply to Canadian orders. Please be aware of custom fees - such as taxes and duties - when your order arrives. Since these fees vary from location to location, CUSTOMS FEES ARE NOT INCLUDED IN SHIPPING CHARGES. Please check with your local customs office for more information on the fees in your areas. Refusal to pay these fees will result in an undeliverable order. If returned, we do not refund shipping charges and may assess restocking fees to cover return shipping expenses.

    AMS AgentAMS Agent

    Have questions, found a better price?
    Talk to a sales specialist!

    800-319-9043

    Now in a feature-packed new Chrome Edition, Qu-16 reshapes digital mixing with innovative design and exceptional functionality combining to create a superb professional mixing experience. Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance. Hot new features include Automatic Mic Mixing and Spectrogram for feedback-hunting, plus upgraded, high contrast metallic finish controls. Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.


    New Features in V1.9 Include:
        Pro Factory Mic Presets co-developed with leading microphone manufacturers including:

     

        • Shure
        • Sennheiser
        • Audio Technica
        New enhanced features on the iPad app (free update) includes

     

        • Full Patchbay access
        • Enhanced transport control for onboard Qu Drive recorder
        • Control over Effects patches and Effects parameters
        • Windows Daw Control app
        • NEW Qu control app customizable control panel
        DAW Templates online for users of:

     

      • Cubase
      • Logic X
      • Pro Tools 

    Allen And Heath QU-16C 16-Channel Digital Mixer Chrome Edition Features

    • 16 Mono Inputs (TRS + XLR)
    • 3 Stereo Inputs (TRS)
    • 4 Stereo FX Returns 
    • 16 Busses
    • 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
    • 4 FX Engines
    • AES Digital Out
    • 19” Rack Mountable
    • Moving Faders
    • Recallable AnaLOGIQTM Preamps
    • Qu-Drive direct Multitrack Recording / Playback on USB drives
    • 800x480 Touchscreen
    • iLive FX Library
    • dSNAKE Remote Audio Port
    • Automatic Mic Mixer 
    • Compatible with ME Personal Mixing System
    • Qu-Pad iPad App
    • Qu-You iPhone / Android personal monitoring app
    • USB Audio Streaming
    • DAW MIDI Control
    • 4 Mute Groups
    • 4 DCA Groups
    • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
    • Insert, 1/3 octave GEQ, compressor and delay on Main LR and Mono Mix outputs
    • Insert, 4-band PEQ, compressor and delay on Stereo Mix outputs
    • Built-in Signal Generator
    • RTA with Peak Band indication
    • Spectrogram to aid with feedback elimination and taming room acoustics
    • High contrast metallic finish controls, matching premium GLD Chrome series

    AnalagiQTM Preamps
    Qu-16’s sixteen AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

    The Mixing Experience
    Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-16 you’ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all. High contrast metallic finish controls complete the picture, offering excellent low light visibility and enhanced tactile control.

    Touch Control
    The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu-16 interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

    The SuperStrip
    All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

    Qu-Drive
    Forget soundcard drivers and software setup, Qu-16 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to / from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono channels plus ST1. On top of this, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

    Fader Automation
    Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-16 features 17 motorized ALPS faders, 16 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

    iLive FX
    Qu-16’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-16 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

    Total Recall
    True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-16 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu-16.

    Automatic Mic Mixer (AMM)
    AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. Our D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

    USB Audio Streaming
    Qu-16’s built-in interface streams up to 24 selectable tracks to your Mac or PC. The returns from the Mac or PC can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.

    ARMed to the Hilt
    Qu-16 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs, giving 10 DSP cores, with 8 dedicated to the channel and mix processing alone. The Qu-16 DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

    The Shape of Things to Come
    Made from 18 gauge, cold-rolled Zintec steel, Qu-16’s distinctive frame is designed for strength, rigidity and ease of rack mounting. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander.

    Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu-16’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

    The shape has some unexpected benefits too. When we started taking Qu-16 out to gigs we soon found the space beneath it incredibly useful for keeping our USB drive, talkback mic, cue sheet and other clutter tucked out of the way. We’ve even had engineers hanging the mixer from a handy scaffold bar and mixing vertically.

    Qu-Pad Mixing App
    Add the Qu-Pad iPad app to your Qu-16 setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.

    Qu-You Personal Monitoring App
    The Qu-You app allows up to seven performers to control their monitor mixes using an iPhone, iPad or iPod Touch or Android device. The main Four Wheel Drive view presents all the key controls in a super easy format, with chunky thumbwheels to control 4 groups of sources, plus a master mute and output level control. Unlike some apps on the market, Qu-You shows all controls in either orientations (anyone who has ever tried to rotate a phone and play a guitar at the same time will know why this matters!).

    ME Personal Mixing System
    Qu-16 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com/ME

    dSNAKE
    Qu-16 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-16’s dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-16 in the mix position.


    CALIFORNIA PROPOSITION 65 WARNING

    WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.

    Shop Similar Models
    Copyright © 1996-2024 American Musical Supply, Inc. All rights reserved