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    Audio-Technica BP4029 Stereo Shotgun Microphone

    Order your Audio-Technica BP4029 Stereo Shotgun Microphone and enjoy 0% Interest Payment Plans, Free Shipping, Free Extended Warranty and 45 Day Money Back Guarantee.
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    Product Description

    Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4029 Stereo Shotgun model, which is 9.29 inches long, is engineered for high end broadcast and production use. The BP4029 features independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. This innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

    A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

    Audio-Technica BP4029 Shotgun Microphone Features

    • Designed for broadcasters, videographers and sound recordists
    • Compact, lightweight design is perfect for camera-mount use
    • Independent Line-cardioid and Figure-of-eight condenser elements
    • Switchable low-frequency roll-off
    • Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
    • Includes a 0.61 m (24 inch) cable (5-pin XLRF to two standard 3-pin XLRM connectors)

    Product Specifications
    Audio-Technica BP4029 Shotgun Microphone Specifications
    • Elements: Fixed-charge back plate, permanently polarized condenser
    • Polar Patterns: Line-cardioid, Figure-of-eight
    • Frequency Response: 40-20,000 Hz
    • Low Frequency Roll Off: 80 Hz, 12 dB/octave
    • Open Circuit Sensitivity:
      • Mid: -30 dB (31.6 mV) re 1V at 1 Pa;
      • Side: -34 dB (19.9 mV) re 1V at 1 Pa;
      • LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
    • Impedence: 200 ohms
    • Maximum Input Sound Level:
      • Mid: 123 dB SPL, 1 kHz at 1% T.H.D.;
      • Side: 127 dB SPL, 1 kHz at 1% T.H.D.;
      • LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
    • Dynamic Range (typical):
      • Mid: 101 dB, 1 kHz at Max SPL;
      • Side: 101 dB, 1 kHz at Max SPL;
      • LR Stereo: 102 dB, 1 kHz at Max SPL
    • Signal To Noise Ratio:
      • Mid: 72 dB SPL, 1 kHz at 1 Pa;
      • Side: 68 dB SPL, 1 kHz at 1 Pa;
      • LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
    • Phantom Power Requirements: 11-52V DC, 4 mA typical at 48V, each channel
    • Switches: M-S, LR Stereo-Wide (LR-W), LR Stereo-Narrow (LR-N); Flat, roll-off
    • Weight: 103 g (3.6 oz)
    • Dimensions:
      • Length: 236.0 mm (9.29 inches)
      • Diameter: 21.0 mm (0.83 inches)
    • Output Connector: Integral XLR5M-type
    • Cable: Dual 0.61 m (24 inch) shielded two-conductor, terminated in two XLR3M-type connectors
    • Included Accessories:
      • AT8405a stand clamp for 5/8 inch-27 threaded stands
      • AT8134 foam windscreen
      • 5/8 inch-27 to 3/8 inch-16 threaded adapter
      • Protective carrying case

    Helpful Info about the Manufacturer
    Phone:  330-686-2600 Warranty:  1 Year;
    2 Year on Headphones and In Ear Monitors;
    5 Year on 40 Series, Artist Elite, Broadcast and Production, Midnight Blues Series;
    Liftetime on ATR and Premium Cable
    Product Rating brightstarbrightstarbrightstarbrightstarbrightstar
    Wonderful sounding mic!
    Product Rating
    Your general opinion of this product.
    The thing I love most about AT mics is that they are so quiet. Not just self noise, but they also seem to somehow pick up less "room rumble" while still capturing all of the softest subtleties of the source you are recording. This stereo shotgun is no exception. The center shotgun element can "see through" to the actual source far better than other mics in a similar price range, and the figure 8 element adds just the right amount of stereo spread for realism. The best part is because it is set up as an M/S mic, you can mono this guy out later and lose only the stereo imaging, the sound quality remains first rate!
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