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DigiTech
DigiTech RP500 Guitar Multi-Effects Pedal
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DigiTech RP500 Guitar Multi-Effects Pedal

The DigiTech RP500 delivers easy control over your tone on stage!
The DigiTech RP500 guitar multi-effect processor gives you the ability to control program changes, complete signal chains and allows you to turn all amplifier and cabinet sounds off in the exclusive Pedalboard mode. When in Pedalboard mode the RP500 acts like 5 separate stompboxes and effects. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro rigs.

The RP500’s stage control allows you to quickly and easily change your tone mid-song and eliminates the tap dance of individual effects while retaining the ability to individual switch on/off the effects.

The RP500 is built like a tank from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy and other parameters.

Your sound is king, the control of your sound is imperative. The RP500 gives you the control to express yourself the way you want – No longer will the lack of control stand in the way of your expression.

DigiTech RP500 Modeling Guitar Processor Features
  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp and Cabinet Bypass defeats internal amp and cabinet effects in all programs
  • Heavy-duty vacuum switches for program changes, effect On and Off changes, bank up and down, tap tempo and tuner
  • Bright LEDs display program status and effect On and Off
  • Large 10 character LED display for program name, bank name and tuner
  • Stereo XLR and 1/4-inch Outputs with ground lift
  • Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy and other parameters
  • All metal construction
Incredible versatility
The RP500 is a powerful multi-effect processor designed specifically for the performing guitarist. Designed for the rigors demanded on stage, the RP500 is built like a tank with a cast metal chassis, 9 heavy-duty metal switches, and metal expression pedal. Stage control is easy with big LED indicators that display program or pedal status, large 10- character LED display. XLR and 1/4-inch outputs with ground lift give you the ability to run to your amp and directly into to a mixer.

For players who only want effects, the RP500’s exclusive Amp/Cabinet Bypass and Pedalboard buttons let you defeat amp and cabinet effects in all presets and let you turn on and off effects just like individual stompboxes. The built-in expression pedal gives you real-time control over effects and parameters such as volume, wah, chorus speed, delay level and much more.

For the home studio players, the RP500 also features USB audio streaming for computer recording. Steinberg Cubase LE4 music production software is also included. X-Edit Editor/Librarian software for both Mac and PC lets you easily program and archive all your sounds via its intuitive user interface.

Distortions
  • SCREAMER: Based on an Ibanez TS-9
  • TS 808: Based on an Ibanez TS-808 Tube Screamer
  • SPARKDRIVE: Based on a Voodoo Lab Sparkle Drive
  • OD OVERDRIVE: Based on a Guyatone Overdrive OD-2
  • DOD 250: Based on a DOD 250 Overdrive/Preamp
  • RODENT: Based on a Pro Co RAT
  • MX DISTORTION: Based on an MXR Distortion +
  • DS: Based on a Boss DS-1 Distortion
  • GRUNGE: DigiTech Grunge
  • ZONE: Based on a Boss MT-2 Metal Zone
  • DEATH METAL: DigiTech Death Metal
  • GONKULATOR: Based on a DOD Gonkulator Ring Modulator
  • 8TAVIA: Based on a Roger Mayer Octavia
  • FUZZLATOR: Based on a Demeter Fuzzulator
  • CLASSIC FUZZ: Based on a DOD Classic Fuzz
  • FUZZY FACE: Based on an Arbiter Fuzz Face
  • BIG PI: Based on an Electro-Harmonix Big Muff Pi
  • REDLINE: DigiTech Redline Overdrive
Amp Models
  • 57 CHAMP: Based on a '57 Fender Tweed Champ
  • 57 DELUXE: Based on a '57 Fender Tweed Deluxe
  • 59 BASSMAN: Based on a '59 Fender Tweed Bassman
  • 62 BROWN BASSMAN: Based on a '62 Fender Brownface Bassman
  • 65 TWIN REVERB: Based on a '65 Fender Blackface Twin Reverb
  • 65 REVERB: Based on a '65 Fender Blackface Deluxe Reverb
  • 65 JTM-45: Based on a '65 Marshall JTM-45
  • 68 SUPER LEAD PLEXI: Based on a '68 Marshall 100 Watt Super Lead (plexi)
  • 68 JUMP PANEL: Based on a '68 Marshall Jump Panel
  • 77 MASTER VOLUME: Based on a '77 Marshall Master Volume
  • 83 JCM800: Based on an '83 Marshall JCM800
  • 93 JCM900: Based on a '93 Marshall JCM900
  • 01 JCM2000: Based on an '01 Marshall JCM2000 (Solo Channel)
  • 62 AC15: Based on a '62 Vox AC15
  • 63 AC30: TOP BOOST Based on a '63 Vox AC30 Top Boost
  • 69 HIGH WATTAGE: Based on a '69 Hiwatt Custom 100 DR103
  • 81 MARK IIC: Based on an '81 Mesa Boogie Mark II C
  • 01 DUAL RECTIFIED: Based on an '01 Mesa Boogie Dual Rectifier
  • MARK 4: Based on an '93 Mesa Boogie Mark IV
  • TRIPLE RECTIFIED: Based on an '01 Mesa Boogie Triple Rectifier
  • 99 LEGACY VL-100: Based on a Carvin Legacy VL-100
  • 96 MATCH HC-30: Based on a '96 Matchless HC30
  • 88 SLO-100: Based on an '88 Soldano SLO-100
  • GA-40: Based on a Gibson
  • 5150 II: Based on a Peavey 5150 II
  • JAZZ COMBO: Based on a Roland JC-120
  • SOLAR 100S: Based on a Sunn 100S
  • HT-100: Based on a Randall HT-100
  • OJ 120: Based on a Orange OR 120
  • SUPER G: Based on a Laney Supergroup
  • DIGITECH SOLO: DigiTech Solo
  • DIGITECH METAL: DigiTech Metal
  • DIGITECH BRIGHT CLEAN: DigiTech Bright Clean
  • DIGITECH CHUNK: DigiTech Chunk
  • DIGITECH CLEAN TUBE: DigiTech 2101 Clean Tube
  • DIGITECH CRUNCH: DigiTech Crunch
  • DIGITECH BLUES: DigiTech Blues
  • DIGITECH FUZZ: DigiTech Fuzz
  • DIGITECH SPANK: DigiTech Spank
  • DIGITECH HIGH GAIN: DigiTech High Gain
  • DIGITECH MONSTER: Maxed out gain
  • DIGITECH TWEEDFACE: Tweed preamp with a Blackface poweramp
  • DIGITECH BLACKBASS: ’65 Blackface preamp with a Bassman poweramp
  • DIGITECH STONERROCK: Thick, sludgy distorted amp tone
  • DIGITECH DARKMETAL: Responsive, tight metal tone
  • DIGITECH TRANSISTOR: Solid state transistor amp sound
  • DIGITECH BROWNSOUND: Hot rodded 80’s stack tone
  • DIGITECH MOSH: Chunky metal tone with just the right amount of sizzle
  • 2101 CLEAN TUBE: DigiTech GSP2101 Artist Clean Tube
  • 2101 SATURATED TUBE: DigiTech GSP2101 Artist Saturated Tube
  • DIRECT: No amp model
  • DREADAUGHT ACOUSTIC
  • JUMBO ACOUSTIC
Cabinet Models
  • CHAMP 1X8: Based on a 1x8 '57 Fender Tweed Champ
  • DELUXE 1X12: Based on a 1x12 '57 Fender Tweed Deluxe
  • DELUXE REVERB 1X12: Based on a 1x12 '65 Fender Blackface Deluxe Reverb
  • BRITISH 1X12: Based on a 1x12 '62 Vox AC15 with 20W Vox Speaker
  • BLONDE 2X12: Based on a 2x12 '57 Fender Blonde Bassman
  • TWIN 2X12: Based on a 2x12 '65 Fender Blackface Twin Reverb
  • BRITISH 2X12 Based on a 2x12 '63 Vox AC0 Top Boost with Jensen Blue Backs
  • BASSMAN 4X10: Based on a 4x10 '59 Fender Tweed Bassman
  • BRITISH 4X12: Based on a 4x12 Marshall 1969 Straight with Celestion G12-T70
  • GREENBACK 4X12: Based on a 4x12 Marshall 1969 Slant with Celestion 25W Green backs
  • FANE 4X12: Based on a 4x12 Hiwatt Custom with Fane Speakers
  • BOUTIQUE 4X12: Based on a 4x12 '96 VHT Slant with Celestion Vintage 30's
  • VINTAGE 4X12: Based on a 4x12 Johnson Straight with Celestion Vintage 30's
  • DIGITECH SOLO 4X12: 4x12 DigiTech Solo
  • DIGITECH BRIGHT 2X12: 2x12 DigiTech Bright
  • DIGITECH METAL 4X12: 4x12 DigiTech Metal
  • DIGITECH ROCK 4X12: 4x12 DigiTech Rock
  • DIGITECH ALT 4X12: 4x12 DigiTech Alt Rock
  • DIGITECH VINTAGE 4X12: 4x12 DigiTech Vintage
  • DIGITECH CHUNK 4X12: 4x12 DigiTech Chunk
  • DIGITECH SPANK 4X12: 4x12 DigiTech Spank
  • DIGITECH SPEAKER COMP 4x12: DigiTech Speaker Compensation
  • DIRECT: No cabinet model
Effects
    Wahs
  • DigiTech Wah
  • Cry Wah: Based on a Dunlop Cry Baby Wah
  • Clyde Wah: Based on a Vox Clyde McCoy Wah


  • Compressors
  • DigiTech Compressor
  • CS Compressor: Based on an Boss CS-2 Compressor/Sustainer
  • Dyna Comp: Based on an MXR Dynacomp


  • Noise Gate
  • DigiTech Silencer Noise Gate
  • DigiTech Auto Swell Gate


  • EQ
  • 3-band semi-parametric EQ


  • Chorus Stompbox Models
  • DigiTech Dual Chorus
  • DigiTech Multi-Chorus
  • DigiTech Glistening Chorus
  • CE Chorus: Based on a Boss CE-2 Chorus
  • TC Chorus: Based on a TC Electronics Chorus


  • Flanger Models
  • DigiTech Flanger
  • DigiTech Triggered Flanger
  • MX Flanger: Based on MXR Flanger
  • EH Flanger: Based on Electro Harmonix Electric Mistress
  • AD Flanger: Based on ADA Flanger


  • Phaser Models
  • DigiTech Phaser
  • MX Phaser: Based on MXR Phase 100
  • EH Phaser: Based on Electro Harmonix Small Stone


  • Pitch Models
  • DigiTech Whammy
  • DigiTech Pitch Shift
  • DigiTech Detune
  • DigiTech Harmony Pitch
  • Octaver: Based on a Boss OC-2 Octaver


  • Vibrato / Rotary Models
  • DigiTech Vibrato
  • DigiTech Rotary
  • DigiTech Vibro / Pan
  • Unovibe: Based on a Unicord Uni-Vibe


  • Tremolo Models
  • DigiTech Tremolo
  • DigiTech Panner
  • DigiTech ScatterTrem – Dual tremolo effect
  • Opto Tremolo: Based on a Fender Opto Tremolo
  • Bias Tremolo: Based on a Vox Bias Tremolo


  • Envelope / Special Models
  • DigiTech Auto Yah
  • DigiTech YaYa
  • DigiTech Synth Talk
  • DigiTech Step Filter
  • DigiTech Sample & Hold
  • DOD FX25: Based on DOD FX25 Envelope Filter


  • Delays
  • Digital Delay
  • Analog Delay
  • Pong Delay
  • Modulated Delay
  • Tape Delay
  • Reverse Delay
  • DM Analog Delay: Based on Boss DM2 Analog Delay
  • Echo Plex: Based on a Maestro EP-1 Tube Echoplex


  • Reverbs
  • Lexicon Ambience
  • Lexicon Hall
  • Lexicon Room
  • Lexicon Studio
  • Spring: Based on a Fender Twin Reverb
  • EMT240: Based on an EMT 240 Plate Reverb
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DigiTech RP500 Specifications

General
  • Chassis: Durable cast metal construction
  • Display: Large 8 character alpha-numeric and 2 character numeric LED display
Controls
  • Footswitches: 9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down, Program up/down, Tuner, program access and stompbox/effect on/off
  • Expression Pedal: Built-in
  • A/D Converter: 24-bit high performance audio
  • D/A Converter: 24-bit high performance audio
  • Sampling Frequency: 44.1kHz throughout
  • DSP Section: 1 Audio DNA2 DSP Processors
  • Preset Memory: 99 User / 99 Factory Presets
Analog Input Connections
  • Guitar Input:
    • Impedance: 1M Ohms
    • Maximum input signal: 8 dBu
Analog Output Connections
  • Line Outputs:
    • Impedance: 1K Ohms unbalanced / 2K Ohms balanced
    • Maximum Output Level: 23 dBu
  • Mixer Outputs:
    • Impedance: 2K Ohms balanced
    • Maximum Output level: 23 dBu
  • Headphone Outputs:
    • Minimum Headphone Impedance: 50 Ohms
    • Output Power: 250 mW per channel
    • Electronic SNR: = 110dB
    Other
    • USB: 2.0 compliant
    • Audio streaming: 2 channels to computer, 2 channels from computer
    • Sample rate: 44.1 kHz
    Size/Weight
    • Unit Dimensions: 19.5 x 2.25 x 8.75 inches (W x H x D)
    Computer Minimum System Requirements
    • Windows:
      • Vista Home/Premium XP Home/Professional (SP2 installed, .NET 2.0 installed*)
      • Pentium/Athlon 1.4GHz or later
      • 512MB RAM (1GB RAM recommended)
      • 180MB hard disk space for application
      • DVD-ROM drive
      • USB Port
      • Internet connection required for Cubase activation
        *.NET 2.0 will be installed during installation of X-Edit software if required on XP systems
  • Mac:
    • OS 10.4.x or later
    • PowerPC G4/G5 1GHz or later
    • 512MB RAM (1GB RAM recommended)
    • 180MB hard disk space for application
    • DVD-ROM drive
    • USB Port
    • Internet connection required for Cubase activation
  • http://www.americanmusical.com/Item--i-DigiTech-FS3X-3-Button-JamMan-Expander-Footswitch

    DigiTech FS3X 3 Button JamMan Expander Footswitch 


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    Rate and Review this Product:      Rate It
    17 people rated this item
    Jind from Ashford, CT USA
    Overall Ranking:
    Overall:
    Reliability:
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    Subject:A great Amp Alternative or a great Stomp Box Alternative? BOTH!
    Quality: Having upgraded from a previous Digitech product, the quality of the finish, and the overall build have come quite some ways in the positive. this unit feels solid, and has heft to it and an all metal chassis. The vacuum switches feel solid and much more reliable than the plastic foot pedals you will find on previous units and other manufacturers products.
    Reliability: I've only had it a few days so far, but I don't suspect I'll be having any issues with it given the dependability of my previous Digitech products.
    Overall: As mentioned in my title, this unit can be used as either a great sounding alternative to lugging your amp/rig from home to stage - having all your tone here in one place, the modeling capabilities have gotten tighter, things sound so much more natural, all with several connection options for either mixers or other PA systems; or this unit can simply be an awesome collection of stomp boxes with easy to adjust parameters and the ability to turn each on and off just as you would your individual stomp boxes making up your pedal-board. But together they make a great team - wonderful sounding amp/cabinet models and stellar effects building your tone is as easy as it gets.
    Playability and Feel: The controls are the same easy matrix knob and LED system Digitech has been using for a long time now. You have a large 10 character LCD display that gives you the name of the device you are altering, and the LED lights in the matrix show you which devices are in your effects chain. You have several knobs to control the individual items that make up each component such as GAIN, BAS, MID, TREBLE, ... for amps, and DECAY, TIME, MIX, ... for effects. It's just like working the real thing, just from the same console each time. If you want really deep editing capabilities, simply load the included X-EDIT2 software and you can see a virtual version of your entire device that you can make patches with and see what makes up the included presets. Speaking of which, the RP500 comes with 100 factory presets and room for another 100 user presets. Overall control and connections are a simple as it gets but it gets the job done and quickly.
    Tone: The tone from this unit is great. Digitech has come a long way with their modeling capabilities and it shows with the new AudioDNA processor chip. The amps sound tighter and more lively, the cabinets make a greater difference as you play around with combinations. The same goes for the distortion models - many of them are spot on for the originals. I encourage all to not just settle for the premade presets or others patches - go nuts and find your own tone or the tones of your favorites, but learn to do it yourself. This unit will get you there or at least as close as you can get with modeling.
    Finish: The finish on this product is great, a nice black and silver coat with the bright LCD display and the red LEDs of the matrix control panel. It looks like a switching rig should.
    Action: It's an FX unit - not a guitar.
    Skill Level: Intermediate
    Do you own this product?: Yes
    Date submitted: 03/23/2009
     
    Jeff D from Jacksonville, FL, USA
    ibuyanez@yahoo.com
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    Subject:Great for what it is. Can't complain... much :)
    Quality: Top quality construction. Built for the road, no doubt.
    Reliability: I owned it one day. Hasnt broken.
    Overall: It is what it says it is. An alternative to having a cumbersome set of stompboxes to screw with and get tangled up in. Sounds fantastic and does the job. I havent connected it to the computer yet. Looking forward to that. My only complaints are as follows: Again, like the older rp200 I used to own, no on/off switch... retarded! Also, I would love to be able to use batteries on this unit, but again, like my older rp200, not an option. No wallwart, no function. Last but not least, the tuner is too sensitive. It's accurate, but you really have to make sure to pluck each string lightly to get a proper reading. When I'm on a gig, I don't like to have to "work" to use my tuner on stage. I will have my tuner pedal in front of this unit and use that rather than the built in one.
    Playability and Feel: The buttons and knobs feel nice.
    Tone: Great stereo tone.
    Finish: what?
    Action: not a guitar.
    Skill Level: Semi-Pro
    Do you own this product?: yes
    Date submitted: 1-10-09
     
    btk from Staten Island, New York, Earth
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    Subject:One Awesome Pedal
    Quality: Built like a tank! It's case is made from Heavy Metal, quality parts from the pedal to the stomp buttons.
    Reliability: So far no problem and I'm not expecting one. I've had two other Digitech pedals and both were more than reliable never a problem.
    Overall: Well Made
    Playability and Feel: I love the simplisticity and variations the pedal has to offer.
    Tone: The effects have got tighter and cleaner along with getting Fatter and richer sounding. There's some great effects here that you can adjust to suite your needs to a T.
    Finish: The finish is great. It's low profile along with smooth lines readable LED screen makes this pedal a smoker!
    Action: Had it up and running as fast as I could plug it in.
    Skill Level: Semi-Pro
    Do you own this product?: I own this badmo
    Date submitted: 12/18/2008
     
    Chris from Athens, NY, USA
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    Subject:This unit will save you from Back Injury
    Quality: Top notch quality.
    Sound: Excellent sounds come from the RP500. I find that if you make the amp volumes loud and adjust your master volume accordingly, you will have better tone. I love this thing and it sounds awesome when you record USB w/ it. People always comment on how brutal it sounds.
    Reliability: Totally solid device. Metal box, the switches are sturdy
    Overall: I love this DigiTech! You don't need amps and cabs anymore, use this live and go right into the board. Tons of sounds for any music styles. X-Edit software is easy to use and you can get what you want as long as you play around and have some patience.
    Playability and Feel: It is easier to make your patches in X-edit, but if you must edit on the fly, it is not terribly difficult.
    Tone: The key to good tone on this thing is to not max everything out. There is some tinkering involved to get a good tone but the time is well worth it. I no longer need an amp and cab anymore.
    Finish: The LED is bright Red so you can see it well in the dark.
    Action: n/a
    Skill Level: Semi-Pro
    Do you own this product?: yes
    Date submitted: Sept. 10, 2009
     
    Paul from Essex CT
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    Subject:Great FX Pedal!
    Quality: This thing is built like a tank! WOOOHOO!
    Sound: The tones of this pedal are extremely tight! Haven't found one I didn't like yet as I see the possibilities in them all!
    Reliability: I just got this thing s only time will tell! :)
    Overall: I Love this thing! Did plenty of research before the purchase and decided this was the way to go! So many awesome tones possible I took it out of the box and within minutes I was finding sounds I had been searching years for!
    Playability and Feel: very easy to access all controls!
    Tone: Wonderful tones!
    Finish: The finish is fantastic!
    Action: N/A
    Skill Level: Intermediate
    Do you own this product?: Yes I do!
    Date submitted: 7/11/2009
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