Version 2.5 Is Here! The Bass Station II is a pure analog keyboard with incredible bass capabilities as well as impressive leads, arpeggios, effects and so much more! Novation designed this synth with two filters, two oscillators plus a third sub-oscillator, patch save and a fully analog effects section. The Bass Station II provides 25 full-sized keys, a step sequencer, arpeggiator and a powerful modulation section, making this one of the most impressive bass synths you’ll ever play!
Bass Station II v2.5
The v2.5 firmware update adds some of the most requested features including filter tracking, paraphonic mode, microtuning and new preset Soundpacks. Installation couldn't be easier from the Novation Components content manager.
Novation Bass Station II Analog Synthesizer Features
Bass Station II is now a paraphonic monosynth, because the pitches of each of the two oscillators can be controlled separately in its single-voice architecture. Two notes can be played at a time rather than just one, and users can get interesting interactions through the Ring and Filter Mod.
Filter tracking was one of the most requested features. The filter includes variable keyboard tracking in Bass Station II v2.5 – the best for matching higher notes to increased brightness.
Bass Station II's secret sound-design weapon is envelope retriggering. It’s now possible to configure envelopes to retrigger once the decay stage has ended, opening up a whole range of new possibilities.
Oscillator error introduces a small and adjustable random detune on each note-on event. This can be used to generate some very beautiful, subtle (or not) musical dissonance, very much in the same way that vintage synths do (because of the looser tolerance of their electronic components). Paraphonic mode makes it as dramatic as possible.
The frequency triggered by each key press can be completely controlled, giving scales another dimension.
Two new Soundpacks are in Components: Silver and Sinevibes. Silver's presets explore the v2.5 features and inspire new tracks and sound design. Sinevibes, designed by Sinevibes’ founder Artemij Pavlov, gives 101 classic Bass Station II presets.
Bass Station II can now support a custom message display at start-up.
- A pure analog audio signal path, reviving the spirit of the original Bass Station with an all-new design optimized for bass
- Two distinct analog filters: New ‘Acid’ filter joins the ‘Classic’ original Bass Station filter (‘Classic’ switches between low, hi and band pass with 12 and 24dB slopes)
- Comes with 64 factory patches and a further 64 user slots
- Archive and swap sounds with Patch dump
- Arpeggiator with a programmable step sequencer to store and call up patterns and sketch-out ideas
- Analog synth layout includes dedicated controls for all major parameters for hands-on control of the sound engine
- Two sync-able, tune-able oscillators with 4 waveforms, plus a third sub-oscillator for enormous bass sounds
- Fully analog distortion and filter-modulation effects and a filter overdrive for a crunchy sound-quality
- Analog effects section Flexible modulation featuring 2 Envelopes and 2 LFOs
- LFO waveforms include triangle, sawtooth, square and sample and hold
- Two ADSR envelopes are available for filter, pitch and pulse width modulation
- MIDI I/O and USB connectivity
- Two-octave (25 note) velocity sensitive synth-action keyboard with full-size keys and assignable aftertouch
Novation’s Bass Station II is an analog mono-synth geared for incredible bass, but has a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand new design with re-worked modulation, effects, filters and more; like the Bass Station, but a much bigger sound.
The signal path of the Bass Station II is pure analog - including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. You can store and recall patches on Bass Station II. Novation packs it with 64 killer factory presets, but it has space for 64 of your own sounds on the hardware, and you can store more on your computer.
The key-mech consists of 25 full sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a ‘synth-action’ keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports – for connecting to other MIDI outboard – and with your computer over USB. You can even connect an external instrument and run it through Bass Station II's analog filter and effects.
Bass Station II is built on three analog oscillators and a noise generator. There are two fully independent oscillators plus a sub oscillator (which is the critical component in creating rich, analog bass sounds). Oscillators One and Two are switchable between sine, sawtooth, square and variable pulse width, and Oscillator Three - the sub osc - can be set to one or two octaves below Oscillator One. It can be square, sine or narrow pulse width, delivering the characteristically ‘fat’ bass tone.
You can select between two discrete filters - ‘Acid’ or ‘Classic’ - each with a built in overdrive for pushing filter tones from dry, to warm, to nasty! The ‘Classic’ Bass Station filter can be switched between low pass, high pass and band pass at 12 or 24dB slopes. The ‘Acid’ filter is based on a diode ladder filter design that delivers a characteristically 303-esque sound that is designed to squelch!
Bass Station II has two effects (not including the filter overdrive). Analog distortion drives circuit components to add new frequencies to the sound. Bass Station II’s Distortion function can add gentle warmth, filthy granularity and anything in between. The second effect is ‘Osc Filter Mod’ which creates a distinctive FM-type sound by using Oscillator Two to modulate the filter frequency. This is very good at crunchy, sound-mulching effects that substantially fatten up bass and lead patches.
There are two envelope generators and two low frequency oscillators (LFOs). The first envelope is an ADSR amp envelope and the second is a mod envelope that can be used to modulate filter frequency, oscillator pitch and osc pulse width. LFO One is dedicated to pitch modulation whereas LFO is used to modulate osc pulse width and filter frequency. Although it looks like there are four LFO waveforms, the ‘LFO Slew’ function can be used freely to sculpt LFOs into smoother wave-shapes creating many more LFO possibilities.
Arpeggiator and step sequencer
Novation Bass Station II’s Arpeggiator and Step Sequencer are killer performance and production tools. The Arp can be directed to run through 32 different rhythmic patterns in different directions with a switchable octave range. You can also engage the Step Sequencer. Up to four sequences can be played in – with legato and rests – and played back using any one of the 32 rhythmic patterns. As well as getting ideas down quickly and programming performance sequences, this is a brilliant way to preview patches while you are editing them.
This just scratches the surface of the synth engine. Novation Bass Station II is a powerful little synth with a lot more than first meets the eye. There are many more oscillator, envelope, LFO and modulation functions that are too numerous to detail here. The best way to experience Bass Station II is to get hands-on!
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