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Hosa XVM-305M Microphone Cable Right-angle 3.5 mm TS to XLR3M
$17.95The XVM-305M cable is designed to connect an audio device with a mini mono phone output to an XLR input. It is ideal for connecting a wireless receiver to a mixing console or pro DV camera. Hosa XVM-305M Microph...h m s
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Ernie Ball XLR Microphone Cable
$32.99Ernie Ball microphone cables feature a high-quality design made with superior components that are built to last. Dual-conductors deliver a reliably clear signal and natural frequency response. Multiple shielding mat...h m s
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Gator GCWB-XLR Backline Series Mic Cable
$28.99Gator Cableworks Backline Series 20 Foot XLR Cable – Male to Female Gator GCWB-XLR-20 Backline Series Mic Cable Features: 20 Foot Instrument Cable Male XLR to Female XLR Professional Low-Noi...h m s
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Hosa XFF 100 Series Balanced Interconnect Cable XLR3F to XLR3M
$15.95 - $31.95The XRR 100 series cable is designed to connect gear with XLR outputs to gear with XLR inputs. A right-angle XLR3F allows easy access to XLR outputs with minimal clearance. Hosa XFF 100 Series Balanced Intercon...h m s
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RapcoHorizon RoadHOG Microphone Cable
$17.49 - $27.32Designed with high quality components, the RoadHOG microphone cable delivers your lyrics to your audience with clarity. Utilizing the best pure copper conductors and shielding materials for a quality sound and enca...h m s
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Hot Wires HiZ Microphone Cables
$17.95When it comes to live sound, recording,Ă‚Â and quality, Hot Wires cables are a vital accessory. Hot Wires HiZ microphone cables are flexible, durable, and have an inner and outer PVC shielding for smooth sound transf...h m s
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Samson MC18 18' XLR to XLR Microphone Cable 3-Pack
$19.99The Samson MC18 3-Pack includes three 18 foot, low noise microphone cables with heavy duty XLR connectors designed for vocal and instrument balanced mic applications. ...h m s
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Audix CBLDR25 25' Right Angle XLR Microphone Cable
$29.95The professional Audix CBLDR25 is a premium microphone cable that delivers your sound with more presence, wider frequency response and excellent dynamic range. This high quality Audix cable features dual twisted pai...h m s
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Audix CBLM25 25' Shielded Microphone Cable
$35.0025 feet (CBLM25) or 50 feet (CBLM50) of Audix 3.3 mm diameter shielded microphone cable for Audix The Micros™ series of miniaturized condenser microphones and the MicroBoom™ series of carbon fiber boom attachmen...h m s
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Hosa CMI-100 Quad Microphone Cable
$26.95 - $44.95Hosa Quad Microphone Cables are designed to provide years of dependable service. High-quality components and world-class manufacturing combine to deliver products of exceptional value. Hosa CMI-110 Quad Micropho...h m s
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Hosa MXL-369 Patch Bay Module
$108.95The MXL-369 Patch Bay Module by Hosa Technology provides 3 channels of XLR throughput for any situation. It is ideal for making hard-to-reach, rear-panel microphone mixer inputs easier to reach. Hosa MXL-369 Pa...6 Payments of $18.16
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Mogami Gold Stage Microphone Cable
$113.95 - $144.95Truly premium-grade microphone cable. The Gold Series uses Mogami StageFLEX Professional Stranded Cable. Each conductor contains 105 individual copper strands coupled with a comprehensive full coverage braid. Thi...6 Payments of $18.99
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XLR Cables
XLR Cables: Where Clean Signal Starts
Microphones are honest. They pick up everything, including problems you didn’t plan on. That’s why the XLR cable matters more than most people admit. A solid microphone cable keeps noise out, handles long runs with ease, and stays locked in place even when the stage gets hectic.
American Musical Supply stocks XLR microphone cable options made for the way sound moves: across stages, through studios, and into interfaces and mixers. You’ll find lengths that make sense for tight vocal booths and sprawling live rigs, along with builds that hold up to being stepped on, wrapped up fast, and used again tomorrow. Your mic is only as good as what it’s plugged into; find the best XLR cable for your setup at AMS today.
Hi-Z vs. Low-Z XLR Cables Explained
Not all microphones send a signal the same way, which is where Hi-Z and Low-Z connections come into play. Knowing the difference helps you choose the right XLR cable and avoid noise, signal loss, or level issues before they start.
Here’s the difference in plain terms:
- Low-Z (Low Impedance): This is the standard for most microphones today. Low-Z microphone cable runs stay quiet over long distances, resist interference, and work smoothly with mixers, audio interfaces, and stage boxes. If you’re using a typical vocal or instrument mic, this is what you want.
- Hi-Z (High Impedance): Hi-Z setups are less common and usually found with older microphones or specific adapters. These signals are more sensitive to noise, and shorter cable runs are important to avoid signal loss.
For nearly all live sound and recording work, a Low-Z XLR microphone cable is the right call.
Choosing Between XLR to XLR and XLR to 1/4-Inch Cables
Different jobs call for different XLR cables. The right choice depends on what you’re connecting and where that signal needs to go next.
XLR to XLR Cables
These cables feature a three-pin XLR connector on both ends and are the standard choice for microphones and balanced audio connections. They’re commonly used to run a mic into a mixer, audio interface, preamp, or stage box.
XLR to XLR microphone cables lock in securely, handle long cable runs well, and help reject noise and interference. If you’re connecting a microphone or any balanced output to pro audio gear, this is usually the right option.
XLR to 1/4-Inch Cables
XLR to 1/4-inch cables combine an XLR connector on one end with a 1/4-inch plug on the other, often TRS. They’re useful when routing a balanced signal into gear that accepts 1/4-inch inputs, such as mixers, interfaces, or outboard equipment. Choose this style when your source is XLR, but your destination is not.
What to Look for in an XLR Microphone Cable
Choosing the right XLR cable goes beyond length and price. Paying attention to a few key features helps you pick a cable that behaves well, resists interference, and lasts through years of inserts and take-downs.
Here are the practical things that matter:
- Shielding Quality: Good shielding protects your signal from electromagnetic and radio interference, reducing unwanted buzz and hum. Better shields often use braided or dual layers for stronger noise rejection.
- Connector Build: Look for sturdy connectors that fit cleanly into jacks without wiggle. Metal housings tend to hold up better to repeated use and touring wear.
- Cable Length: Pick the shortest cable that still lets you move freely. Longer runs invite interference if the environment is noisy.
- Durability and Jacket Material: Tough outer jackets withstand snags, stepping, and constant recoiling without cracking or kinking.
Frequently Asked Questions About XLR Cables
Are all XLR cables the same?
No. Shielding quality, connector construction, and internal wiring vary and affect noise rejection and durability.
Can XLR cables carry line-level signals?
Yes. XLR cables are commonly used for balanced line-level connections between mixers, preamps, and powered speakers.
Why do microphones use XLR cables instead of 1/4 inch?
XLR connections support balanced audio, which reduces noise over long cable runs. They also lock in place for added security.
Keep Your Mic Signal Clean With XLR Cables From AMS
When microphones are involved, small details matter. The right XLR cable helps keep noise out, connections solid, and sessions moving without interruptions. Whether you’re setting up a single vocal mic or wiring a full stage, American Musical Supply has microphone cable options ready for real use. Explore our full selection of XLR microphone cables and choose the lengths and builds that make your setup work smoothly from the first soundcheck to the final take.
