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Minor Blemished Products are items that have been returned in excellent condition with very minor cosmetic blemishes, allowing you to get great gear at a discounted price. In fact, many times our customers have difficulty finding the minor blemishes at all! These products are 100% inspected and tested to guarantee functionality. They include all components, manuals and the full Manufacturer's warranty unless otherwise stated, along with the AMS 45-Day Money-Back Guarantee to ensure your satisfaction. Special offers, promotions and rebates may not apply. The following manufacturers do not offer a warranty on Minor Blemished products: Casio, Ampeg, Avalon, Chauvet, Electro-Voice, Epiphone, Gibson, Ibanez, Kramer, Mackie, Maestro, Mesa, Peavey, PreSonus, Steinberger, Tobias
Some amplifiers fill a room. The Marshall 1959HW fills a legacy. This is the handwired reissue of the original 1959 Super Lead "Plexi" — the exact head that sent Jimi Hendrix sideways at Woodstock, and the same sonic weapon Eric Clapton pointed at audiences during Cream's wildest years.
Faithfully reconstructed from pre-July 1969 SL/A specs, built by hand in Marshall's English facility, and loaded with 100 all-tube watts of barely-tamed British firepower, the 1959HW doesn't just carry rock history — it is rock history. No digital presets. No effects loop. No master volume. Just glass, wire, and the most iconic crunch ever soldered together.
No gain knob. No safety net. The 1959HW is a 100-watt, Class A/B all-valve amp that demands you turn up and commit. Four EL34 power tubes and three ECC83s in the preamp section conspire to produce the kind of saturated, harmonically rich breakup that no digital modeler has ever truly replicated — and trust us, they've tried.
The 1959HW is assembled the old-fashioned way: by human hands with a hot soldering iron, point-to-point, on a turret board. No PCB shortcuts. No corners cut. This is the same construction method used to build the amps that Pete Townshend once played and destroyed on stage.
The 1959HW keeps its control layout blessedly simple, yet rewards those who dig deeper. Two non-footswitchable channels — High Treble (Channel I) and Normal (Channel II) — each offer high- and low-sensitivity inputs to accommodate a wide range of pickups. But the real magic trick? Channel jumping. One extra cable between inputs unlocks a blended, harmonically supercharged tone that sounds like both channels got into an argument and decided to cooperate.
The Marshall 1959HW isn't trying to reinvent the wheel. It IS the wheel — or at least the most faithful reproduction of the wheel that reshaped rock and roll in the late 1960s. Whether you're pairing it with the matching 1960AHW handwired cabinet for a full-vintage stack, running it through an attenuator for studio sessions, or just cranking it in a rehearsal room until the neighbors reconsider their life choices, the 1959HW delivers an experience that no amp modeler, plugin, or digital approximation can replicate. This is the real thing.
| Product Specifications | Marshall 1959HW Hand Wired Guitar Amplifier Head Specifications
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The 1960AHW (angled) and 1960BHW (straight) Handwired cabinets are the recommended matches, featuring salt-and-pepper grille cloth, Celestion G12H30 reissue speakers, and a 16-ohm mono configuration that completes the full vintage stack experience. Other Marshall 1960-series cabinets are also compatible using the rear impedance selector.
