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Eight voices, three oscillators each, and one firmware update that basically gave the Peak a full personality transplant. The Novation Peak polyphonic synthesizer has always been a powerhouse of analog warmth and digital flexibility — and with the arrival of firmware v2.0, it's officially the most expressive, most unpredictable, and most sonically adventurous version of itself yet.
Producing true analog tone through its New Oxford Oscillators while offering the versatility of 17 digital wavetables, the Peak sits in a rare sweet spot where warmth and precision share the same desktop real estate.
The Peak's v2.0 update added new spread modes, per-voice panning, and panning in the mod matrix give you the kind of spatial control that makes a two-speaker setup feel genuinely three-dimensional. Your soundscapes don't just sit in the mix anymore; they breathe, drift, and expand across it.
If you've ever wanted your synthesizer to surprise you mid-performance, firmware v2.0 basically built that in as a feature. New mod destinations, noise as a mod source, Animate Envelopes, and an Arpeggiator Chance function push the Peak well beyond predictable patch design and into genuinely experimental territory. The modulation system already featured a 16-slot matrix and three ADSR envelopes per voice — now it has even more places to route your chaos.
The Peak's onboard effects and core architecture have always punched above their weight — and v2.0 makes sure they're throwing even harder. New Chorus Modes, a Flanger, a Phlanger, and a Lo-Fi delay mode expand the tonal palette, while additional effects modulation destinations let you push things into genuinely experimental territory. Meanwhile, the Peak's three New Oxford Oscillators per voice continue to do the heavy lifting, blending NCO and digital wavetable techniques to produce analog-sounding output with serious digital flexibility.
Firmware v2.0 is the final chapter in Chris Huggett's storied synth design work with Novation — a legacy that spans Bass Station, Supernova, Bass Station II, and both Peak and Summit. It's a meaningful send-off to an era of design that shaped the sound of modern synthesis. For players and producers, it's also a reminder that the Peak isn't just a capable polyphonic synthesizer — it's an instrument with genuine character, and v2.0 makes sure that character has more room than ever to express itself.
Whether you're crafting evolving pads, snapping FM basses, or building textures that exist somewhere between structured and unpredictable, the Peak is built to take you there.
CALIFORNIA PROPOSITION 65 WARNING
WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.
| Product Specifications | Novation Peak Polyphonic Synthesiser Specifications
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The Summit is essentially a dual-Peak with a full keyboard, stereo filters, and expanded controls, making it the larger and more feature-rich instrument. The Peak offers the same core oscillator and filter architecture in a compact desktop format, ideal for those who want the signature New Oxford Oscillator sound without the additional footprint.
