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The 710 Twin Finity uniquely combines both the classic retro warmth of UA tube design and the transient bite of solid-state. Housed in a 2 rack space, half-rack, all-metal chassis, the 710 Twin Finity was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps. Versatility makes the 710 Twin Finity the perfect preamp partner for any mic collection. Plus, the discrete JFET DI input circuit can also easily handle any electric instrument. Guitar and bass players will especially appreciate the 710s ability to bring out the best of both active and passive pickups.
Universal Audio 710 Twin Finity Features
Twin Finity Tone-Blending Mic/Line Preamp & Hi-Z Instrument DI
Dual-Path 310 volt Class-A Tube and Transimpedance Solid State Preamp
Phase-Aligned Tone-Blending of Tube and Solid State
Dual Gain Stages: Wire with Gain to Creamy to Crunchy
Discrete JFET DI with 2.2M ohm Ultra Hi-Z impedance
Monolithic Balanced Output Stage
70dB+ of gain, +48V Phantom, Pad(-15dB), Phase Invert, and Low Cut Filter(75Hz)
Output and Drive backlit VU metering
Portable, Rack-Mountable design for Studio, Desktop or Stage
19 inch Rack Kit Included
Front Panel Hi-Z Input (switched from Mic/Line automatically via Jack Detect)
Rear Panel XLR Mic Input, XLR Line Input and XLR Line Output
Universal Internal Power Supply
Heavy-Duty Metal Construction, Designed and Made in the USA
The key to its sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output.. The mix between the 310 volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the Blend Knob. Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.
Like all our other preamp designs, the 710 Twin Finity features dual gain-stage controls (Gain/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique Drive mode allowing you to see how hard you are driving the input stage.
Microphone (Female XLR)
Balanced: Line (Female XLR)
Unbalanced: Instrument (1/4 inch jack) (D.I.)
Outputs: Balanced Line (Male XLR) Type: Tube & Solid-State Phase-Aligned Tone-Blending Mic Pre & DI Tube Complement: 12ax7 Pad: -15dB High Pass Filter: 75Hz Maximum Power Consumption: 160mA @120VAC 20W Power Requirements: 100-240VAC Dimensions (WxHxD): 8.45 x 3.5 x 10.25 inches Weight: 5.25 lb
Mic Input Impedance: 2K ohms Line Input Impedance: 10K ohms Hi-Z Input Impedance: 2.2M ohms Internal Output Impedance 600 ohms Gain Range for Unit: -Infinity to 70dBu Mic Range Gain Pot:10 ~ 60 dBu Line Range Gain Pot:-10 ~ 40 dBu Hi-Z Range Gain Pot:-10 ~ 40 dBu Maximum Mic Input Level Gain @min SS: +18 dBu Maximum Mic Input Level Gain @min Tube 1% THD: -7 dBu dBu +8 dBu
w/pad Maximum Line Input Level Gain @ Min SS: +30 Maximum Line Input Level Gain @ Min Tube 1% THD:+8 dBu Maximum Hi-Z Input Level Gain Min SS: +18 Maximum Hi-Z Input Level Gain Min Tube 1% THD: +8 dBu Maximum Output Level into 600 ohms: +18 dBu Maximum Output Level into 100k ohms: +28 dBu Tube Clipping Level: Same as Max In Solid-State Clipping Level: Same as Max In
Mic Frequency Response: 20Hz to 100kHz +/- 0.2 dBu Line Frequency Response: 20Hz to 100kHz +/- 0.2 dBu Hi-Z Frequency Response: 20Hz to 100kHz +/- 0.2 dBu Min THD+Noise @ +4dBU:0.1% tube 0.005% solid-state
