Allen & Heath DX168 AudioRack 16x8 Stage Box

Allen & Heath DX168 AudioRack 16x8 Stage Box

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    The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis, SQ, or Qu* system, or to AHM audio matrix processors.

     

    *96kHz Qu models only

     

    Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs. Up to 6 DX168 units can be connected to a dLive system -- 4 via the MixRack and 2 via the Surface -- allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface.

     

    The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.

     

    The Expander's rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the DX168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available which allows installation in industry standard 19-inch racks.

     

    DX168 Features

     

    • 16 Mic Preamps on XLR with Phantom Power status LEDs
    • 8 XLR Line Outs
    • Compatible with dLive S Class and dLive C Class hardware
    • Up to 6 DX168 units can be added to a dLive system for 96 inputs / 48 outputs
    • Cascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O (requires firmware 1.60 or higher)
    • Redundant DX connection to dLive S Class hardware
    • Optional 19-inch rack mount kit available
    • Plug and Play - no IP addressing required
    • Compatible with CAT5e (or higher) cables of up to 100m
    • Rubber bumpers
    • Carry handle

     

    The unit shall be a portable remote audio device for the SQ/dLive mixing system. The remote audio unit shall provide 16 XLR inputs with individually configured Phantom Power and 8 XLR outputs. Phantom power LED indicators shall be provided per input socket on the remote audio rack.

     

    Two Ethercon DX link connectors shall be provided for transport of the digital audio and control signals. The unit shall be able to operate in ‘redundant’ or ‘cascade’ mode by means of a mechanical switch. In ‘redundant’ mode the unit shall provide full redundant connection to the Mixrack or Surface. In ‘cascade’ mode the unit shall allow series connection of two units.

     

    The Ethernet protocol shall provide control to the remote preamp, and all mic preamps are scene recallable by the digital mixing system. Unit firmware shall automatically be updated when connected to the digital mixing system.

     

    The remote audio rack shall have a robust steel chassis and shall be designed to be portable and to be placed horizontally or vertically on the stage or performance environment.

     

    A carrying handle shall be provided to facilitate lifting and holding the device when moving and an optional padded dust cover shall be available.

     

    The remote audio rack shall also be mounted in a 19” equipment rack or case using an optional remote audio rack kit.

     

    The remote audio rack shall have a built-in power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 35W max via an earthed 3-pin IEC male connector mounted on the rear chassis.

     

    Recommended operating temperature for the remote audio rack shall be 0 to 35 degrees Celsius.

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