Avantone Pro MixCube MonoBLOK Active Single Studio Monitor ButterCream

Avantone Pro MixCube MonoBLOK Active Single Studio Monitor ButterCream

4.9
20 Reviews
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ColorButterCream
ConditionsNew
New
Pack QuantitySingle
Single
Pair
OptionsMonitor Only
Monitor Only
Monitor Pair
Includes LS4
Low Stock, Only 1 Left!

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Get It August 27th
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    The Avantone MixCubes Active are shielded, full-range studio mini-reference monitors.

    Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years. The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.

     

    Performance Objective

    Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small bass-challenged systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.

     

    Cabinet Design

    The original 5C Sound Cubes were made of 1/2 inch particleboard covered with a glue-on wood grain contact paper. Avantone chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. They started with a 165mm (6 1/2 inches) sealed cube design with radiused edges. They then chose an elegant Polyurethane high gloss Retro-Cream finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8 inches-27 mic stand mount into the base.

     

    Driver Design

    The originals were a basic 5 inch stamped frame design. Avantone designed a proprietary 5.25 inch die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.

     

    Amplifier Design

    Avantone designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates overkill concepts in component selection as well as safety. The result is a no-compromise amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

     

    Rear Panel Controls/Connections:

    • Balanced Input: This combo XLR input accepts a balanced male XLR plug as well as a 3-conductor balanced TRS 1/4 inch or a 2 conductor unbalanced TS 1/4 inch male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.
    • System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note: when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.
    • ON/OFF Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.
    • AC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location.
    • Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.

     

    Placement

    When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

    CALIFORNIA PROPOSITION 65 WARNING

    WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.

    Shop Similar Models

    Avantone Pro Active MixCube Full Range Mini Reference Monitors Pair Specifications

    Item #:AVN MIXCUBEM
    Manufacturer Part Number:AVN MIXCUBEM
    UPC:852437001194
    Product Specifications

    Avantone Mixcubes Active Studio Monitors Specifications

    • System Type: Active (Self-powered) shielded full-range stereo pair
    • Frequency Response: 90hz-17,000hz (Accessible Musical Range)
    • Driver Impedance: Nominal 8 ohms
    • Max SPL: 104db 1 meter @ 1%THD (PINK NOISE)
    • Amplifier: Class A/B
    • Amp Power: 60 watts RMS@ .005% THD (1KHz)
    • Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB)
    • Noise: S/N -113 dB
    • Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL
    • Cooling: Convection / Heat Sink-Aluminum Fins
    • Driver: Proprietary Design 5.25" Cast Aluminum Frame / Paper Cone/Shielded
    • Cabinet: Sealed design / 18mm MDF / Dacron acoustical stuffing
    • Inputs: XLR and TRS (COMBO JACK) +4/Balanced and -10 unbalanced
    • Cabinet Dimensions: 165 x 165 x 165mm (6 1/2" x 6 1/2" x 6 1/2")
    • Cabinet Weight: 7 lbs 2 oz / 3.55 kgs (per speaker)
    • Warranty: 5 Year Limited Warranty to original purchaser



    Customer Reviews

    Based on 20 reviews
    Popular topics
    Wb 🇺🇸
    Verified Buyer
    Remind me of the original Auratones

    These mix cubes definitely serves a purpose. I am old school when it comes to mixing and they Are a must have for anyone that is serious about mixing.

    Published date
    06/29/23
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    Derrick S. 🇺🇸
    Verified Buyer
    The beast for vocal and midrange mixes

    Can’t get the vocal or a certain instrument to sit right, then TRY THESE! If the mix sounds good on these it’ll translate anywhere…..

    Published date
    02/06/23
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    Kboogie 🇺🇸
    Verified Buyer
    It does what it’s supposed to

    Sound is just what you would expect if your from the old school and wanna hear your mix from a low grade source and the mix sounds good on it you pretty much hit the sweet spot

    Published date
    01/04/23
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    Cross K. 🇺🇸
    Verified Buyer
    Great pair of reference monitors

    Ever wondered why your guitars sound great in the mix on your high end studio monitors but when you listen to the mix on your cellphone, the guitars are to hot; you need these monitors. When my mix sounds good on these monitors, I know that my mix is going to sound great anywhere else I choose to re...

    Published date
    07/07/21
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    @Justinhoguesf 🇺🇸
    Verified Buyer
    WORTH THE INVESTMENT TO IMPROVE YOUR MIXES!

    I've had my MixCubes about a month or two now. They are probably one of the most intriguing pieces of gear I own. The reason is they kinda sound like trash. But, that seems to be the point. I have nicer, wider-range, higher quality monitors; but, after taking a listen in the car, iPhone, laptop, etc...

    Published date
    04/30/21
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