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The bajo quinto has been the rhythmic backbone of norteño and banda music for generations — and now Taylor Guitars has officially entered the chat.
The Taylor Somos 150ce is the brand's first foray into double-course Latin instruments, and it arrives the way Taylor always does: with an easy-playing neck, balanced tone, and build quality that makes other guitars nervous. Master builder Andy Powers applied the same design philosophy behind Taylor's beloved acoustics to craft a bajo quinto that feels right at home whether you're laying down a sinaloa groove or just trying to impress your tíos.
The Somos 150ce isn't a guitar with extra strings stapled on — it's a purpose-built instrument built on Taylor's Dreadnought body architecture. The result is a bajo quinto with projection, punch, and a playing feel that won't have your fretting hand filing a complaint.
A bajo quinto that sits pretty on a wall and one that actually responds to a player's touch are two very different instruments. Andy Powers shaped a neck profile that rewards long sessions, while the Venetian cutaway gives upper-fret access that traditional bajo quintos simply don't offer. Playability isn't an afterthought here — it's the whole point.
Taylor's attention to aesthetic detail is no accident. The understated natural matte finish keeps things clean without looking boring, while the black binding and pickguard give it a sharp, modern edge that nods to traditional bajo quinto aesthetics without getting stuck in the past.
The Taylor Somos 150ce Bajo Quinto is proof that a brand steeped in acoustic guitar tradition can bring something genuinely fresh to another musical world entirely. It plays like a Taylor, sounds like a bajo quinto should, and looks like something worth handing down someday. For players who've been waiting for a double-course instrument built with this level of care and craftsmanship, the wait is officially over.
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